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Independent
Highlights include:
Michael Staudenmaier
Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.
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In her third collection, Nova Scotian poet Jaime Forsythe has created an elegant long poem with Yield (Buckrider Books, 2026).
Jaime Forsythe's previous books are I Heard Something (Anvil Press, 2018) and Sympathy Loophole (Mansfield Press, 2012). Her poetry and fiction have appeared in Arc, EVENT, Grain, The Malahat Review, Geist, The Ampersand Review and This Magazine,
Hollay Ghadery is an Iranian-Canadian
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In this episode of the Language on the Move Podcast, Tazin Abdullah speaks with Dr. Oludamini Oguannaike, Associate Professor of African Religious Thought and Democracy at the University of Virginia.
Tazin and Oludamini talk about his work into how languages, such as English, express concepts that originate from onto-epistemic perspectives that are not historically associated with the English language. They discuss his 2019 article “Islam in English,” which he co-authored with Dr. Mohammed Rustom and how this research is expressed in the literary genre in his book of poetry called The Book of Clouds.
The conversation considers how the distinctive philosophical and metaphysical concepts associated with Islam collide with the use of English as a result of the global dominance of English. Tazin and Oludamini discuss how he has used his research and knowledge of historical religious thought to express these concepts using English in poetry.
References
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Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB’s Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales.
This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
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What would the Enlightenment look like if we viewed it through the eyes of the philosophers as they were facing death? Joanna Stalnaker turns our usual perspective on the Enlightenment on its head, bringing to light a set of works written at the end of the Old Regime and at the end of their authors’ lives. These works, all written before the French Revolution, cast a retrospective glance over the intellectual movement their authors participated in, and over the authors’ own lives and works. Stalnaker shows that the beauty of these works stems from their authors’ efforts to give literary form to the materiality and fragility of their dying bodies. As they reflected on writing as a means of reaching posterity, Enlightenment philosophers embraced the possibility that neither their names nor their writings would survive long beyond the decomposition of their bodies. They inscribed the silence and nothingness of death into their last works.
Stalnaker’s book The Rest Is Silence: Enlightenment Philosophers Facing Death (Yale UP, 2025) unsettles reigning interpretations of the Enlightenment as a precursor to our modernity and shows its protagonists at their moments of fragility and doubt, capturing their sense of an ending rather than the confidence in a glowing future so often attributed to them.
Joanna Stalnaker is professor of French at Columbia University. She is the author of a prizewinning first book, The Unfinished Enlightenment: Description in the Age of the Encyclopedia. She lives in New York City.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
YouTube Channel: here
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Anniversaries provide opportunities to take stock and reflect. It is now ten years since voters in the United Kingdom cast their ballots in a referendum on whether the UK should Leave or Remain in the European Union. The subsequent decade has seen much churn and change in British politics. Join Tim Haughton and guests Maria Sobolewska, Charlotte Galpin and Monika Brusenbauch Meislova for a discussion of the causes, process and consequences of that decision made on 23 June 2016.
Maria Sobolewska is Professor of Political Science at the University of Manchester. Among her many publications is the book, Brexitland, co-written with Rob Ford, which won the 2022 WJM Mackenzie Prize for the best book published in political science.
Monika Brusenbauch Meislova is Associate Professor in the Department of International Relations and European Studies at Masaryk University in Brno in the Czech Republic. Monika has published extensively on many aspects of Brexit in a host of academic journals including Political Quarterly, British Politics, Journal of Legislative Studies, Europe-Asia Studies, the British Journal of Politics and International Relations, European Security and the Journal of Common Market Studies.
Charlotte Galpin is Associate Professor in German and European Politics at the University of Birmingham. She has published widely on these aspects of Brexit, including in the British Journal of Politics and International Relations, the International Feminist Journal of Politics, the Journal of Common Market Studies, and Social Movement Studies.
Tim Haughton is Professor of Comparative and European Politics and a Deputy Director of CEDAR at the University of Birmingham. He has published articles on David Cameron’s referendum pledge and a review article on Brexit, Ruling Divisions.
The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom.
Transcript here
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How the sound of the female playback voice impacts Bollywood's cultural, musical, and cinematic environment.
Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs in The Female Playback in Bombay Cinema: Voice, Body, Technology (Wayne State UP, 2025). Mapping the production, circulation, and reception of the voices of singing stars—notably Lata Mangeshkar and Asha Bhosle—Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies.
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Themistocles is one of the great personages of ancient Athens, known for his heroics in warfare as well as for his overweening and ultimately tragic ambitions. In Themistocles: The Rise and Fall of Athen’s Naval Mastermind (Yale UP, 2026), Michael Scott takes a distinctly human measure of this complex figure. As he tells me in our conversation, it would be wrong to see Themistocles, as some ancient scribes were disposed to, as the product of a fixed nature. Born and raised as an outsider in the status-obsessed world of Athens, he shaped his destiny through his own choices, some of them flawed. Scott is professor of classics and ancient history at the University of Warwick, UK.
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In 1945, Charlie Trammell steps off a cross-country train into the vibrant tapestry of Los Angeles. Lured by his cousin Marguerite’s invitation to the esteemed West Adams Heights, Charlie is immediately captivated by the Black opulence of L.A.’s newly rechristened “Sugar Hill.”
Settling in at a local actress’s energetic boarding house, Charlie discovers a different way of life—one brimming with opportunity—from a promising career at a Black-owned insurance firm, the absence of Jim Crow, to the potential of an unforgettable romance. But nothing dazzles quite like James “Reaper” Mann.
Reaper’s extravagant parties, attended by luminaries like Lena Horne and Hattie McDaniel, draw Charlie in, bringing the milieu of wealth and excess within his reach. But as Charlie’s unusual bond with Reaper deepens, so does the tension in the neighborhood as white neighbors, frustrated by their own dwindling fortunes, ignite a landmark court case that threatens the community’s well-being with promises of retribution.
Told from the unique perspective of a young man who has just returned from a grueling, segregated war, The Great Mann (Crown, 2025) is a poignant reimagining of F. Scott Fitzgerald’s The Great Gatsby set amongst L.A.’s Black elite weaves a compelling narrative of wealth and class, illuminating the complexities of Black identity and education in post-war America.
You can find Kyra on Instagram, Threads, and TikTok.
Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.
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Was it one of the war’s most memorable feats of valor or an act of desperation, even madness?
In Out of the Sky: Heroism and Rebirth in Nazi Europe (Spiegel & Grau, 2026), Matti Friedman unravels one of the strangest episodes of World War II: In 1944, a team of young women and men who had escaped the Holocaust made the inconceivable choice to parachute back into Nazi-occupied Europe under the cover of a British military operation. Yet by the end of the mission, not a single Nazi was harmed and not a single Jew was saved, and many of the parachutists died in the process. Even so, some of their names would become legendary, especially that of twenty-three-year-old Hannah Senesh, the author of the beloved Hebrew song “Eli, Eli.” Their story would become one of the young state of Israel’s founding myths—but what exactly was the mission, and what had the parachutists actually accomplished? What made them heroes?
Using thousands of original documents from once-secret files, manuscripts, memoirs, and unpublished letters, Matti Friedman follows four of the parachutists from the spring of 1944 to the operation’s dramatic end that winter. In Out of the Sky, he tells the gripping and surprising tale of a forgotten moment, demonstrating how storytelling itself can have a power even greater than warfare. And in exploring the line between myth and reality, heroism and futility, he creates an argument that has resonance in our own time.
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