Jeremiah Moss’s Feral City is much much more than a Covid memoir. In many ways it is a continuation of his desire to understand how and why New York city has changed,  and if there is still a place for outsiders or if it now belongs to what he calls “the new people.” We walked around our Neighborhood together to talk about what the city was like during Covid time and what the phrase “go back to normal” really means.

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Not going back to normal  (a conversation with Jeremiah Moss author of Feral City)

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ToE's Cultural Cold War miniseries concludes with three stories about containment and death. Richard Wright delivers his final lecture on Black Spies in Paris, Dwight Macdonald’s Mass Cult & Mid Cult finally debuts & flops, and Kenneth Tynan discovers the limits of social and cultural protest. Show notes: Matthew Tynan reads Kenneth Tynan’s 1960 speech, Michael Billington wrote a 1960 Parody of Kenneth Tynan, Jefferson Pooley recaps Personal Influence and Daphne Park explains how she got Lumumba killed. Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

Not All Propaganda is Art 9: Freedom or Death

]Richard Wright died from a mysterious illness on November 28th, 1960. Or was he murdered? Tune in for a new listen to the final chapter of Richard Wright’s life: forged letters, fake terrorist groups, fraudulent doctors and French Radio.Shownotes: Françoise Vergès writes about decolonialism, and French history and thought, Kathleen Gyssels is writing about the Moulin d’Andé. Thomas Riegler writes about the Red Hand, Madeleine S’s father was assassinated by the Red Hand, Lauren du Graf wrote about Richard Wright and Jean Paul Sartre, Richard Wright’s  daughter Julia Wright published The Man who Lived Underground in 2021.  Richard Gibson is a BIG BIG LIAR. Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

Not All Propaganda is Art 8: Signature Acoustique

In 1959, Anti-Americanism surged in the UK. England seethed over America’s treatment of its Prime Minister who was smacked down for daring to use diplomacy to resolve the crisis over divided Germany.  In 1959 England also fretted over a new American export: the Beatnik. The British foreign office forcefully responded with a report advocating for “ an increased effort in the field of press, radio and television in the U.K. to say the right kind of things about the Americans.” This is the very moment Kenneth Tynan was commissioned to make a documentary for British Television about American Non-conformism and Dissent. We take a close look at one of the Cold War's most bizarre and inspired artifacts of Anti Anti-American propaganda.Shownotes: Laura Bradley writes on Brecht and German theater. Kenneth Tynan’s documentary aired on January 27th, 1960 and then was supposedly erased (it wasn’t).Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

Not All Propaganda is Art 7: Manufacturing Dissent

In the summer of 1959, Nixon and Khrushchev argued over a washing machine in a backstage kitchen in Moscow, while American Cold War intellectuals gathered in the Poconos to defend Kitsch. Dwight Macdonald, whose theory of mass culture translated too easily into Anti-Americanism, was barred from participating because this was no ordinary mass culture conference; it was an Anti Anti-Americanism operation. Meanwhile, in London, Dwight Macdonald delivered a mass culture lecture of his own called "America, America,” based on the most famous article Encounter magazine never published.

Shownotes: Jefferson Pooley wrote about Edward Shils and The Remobilization of the Propaganda and Morale Network. Sophie Scott-Brown wrote about Raphael Samuel and the New Left.

Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.


Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing athttps://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

Not All Propaganda is Art 6: The Kitsch Debate

In the fall of 1958, Kenneth Tynan moved from London to New York and upon arrival, clashed with Hollywood mogul Samuel Goldwyn over socially engaged art and the politics of apolitical culture on live TV. At the same moment New Yorker writer Dwight Macdonald went West to report on “New” Hollywood's ambitions to create commercially and artistically successful films. We also meet two of Professor Macdonald’s former students from a Mass Culture course he taught at Bard College in 1958. Meanwhile in France, Richard Wright suffers a number of disturbing attacks, prompting him to channel his frustrations into a revealing radio play.

Shownotes: Tamara Walker is the author of Beyond the Shores, Hugh Wilford wrote The Mighty Wurlitzer, Tom Benjamin and Frances Hodes were both students of Dwight Macdonald at Bard College in 1958 and Dan Sinclair is the author of  Courteous Enemy.

Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

Not going back to normal (a conversation with Jeremiah Moss author of Feral City)

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