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Have we discovered the first great piece of AI filmmaking? We'd like to believe we are the first Christian film podcast to cover the OUR MAN KENT series, since installment one was released less than two weeks ago and currently has fewer than 100 views. AI seems to be the current artistic focus of auteur Kenya Cagle, an extremely prolific faith-based film director proven capable of creating live-action films such as our favorites THE BOY WHO SAW CHRIST and THIRTEEN MONTHS. AI in Cagle's hands is possibly a way to quickly iterate on fantastical sci-fi ideas, and hopefully not a full replacement for his live-action work, which we love. Despite personal artistic qualms about generative AI's use in art, t's undeniable that AI allows Cagle to pursue sci-fi ideas he probably couldn't pull off in live action. OUR MAN KENT contains depictions of futuristic technology such as "drone phones," "guardian angel" drones that serve as personal robotic bodyguards, and Kent's AI girlfriend "Tasha" (whom he communicates with via commands, like Alexa). These tools are deployed by protagonist Kent, a Black secret agent combating systemic anti-Blackness. In this installment, when an evil scientist cancels a university's African American Studies program, Kent's boss (the "Supreme Being") offers him a lucrative opportunity to defeat the scientist and save history. The medium of AI video adds a bizarre, uncanny tone to the piece; character movements and animations such as car rides are unnatural to the point of nauseating, but they add a character that at times makes it delightful to watch. While generative AI's impact on the creative process remains controversial among film fans, and for good reason (critiques of resource usage and creative plagiarism are valid), from a philosophical standpoint it's clear that AI doesn't mask Kenya Cagle's creative spirit. The singular, weird vision of his live-action films is highly present in OUR MAN KENT, allowing the medium to extend his message, even if it makes the film hard to watch at times.

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