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We continue our immersion into Rev. Kenya Cagle's AI-generated world of secret agents, advanced technology, and an evil white nationalist conspiracy with episode 2 of the AI action series OUR MAN KENT. The past few weeks on our show have been dedicated to delving seriously into Rev. Cagle's AI work, an experience that has been alternately exciting and really tedious. As lovers of DIY film, it's pretty clear that generative AI video is here to stay as the new "folk media" form. Despite a strong anti-AI sentiment from many creatives, another tribe of auteurs finds AI to be cheap, accessible, and capable of building fantastical ideas from the ground up. The same creators that in the past would dress up as a secret agent can now embed their face onto an AI avatar and have him do death-defying stunts for them. This is a bittersweet moment because the charm of low budget live action films is their imagination of trying and failing to recreate Hollywood plots using only the equipment in your garage. On the other hand, AI as a folk media form creates bizarre scenarios and surreal humor that can be captivating, when the video itself isn't constantly warping and nauseating to watch (which is frequently.) OUR MAN KENT lets Rev. Cagle's writing (his strongest quality) shine and takes care of the set pieces, which are dreamlike and even nightmarish. Cagle's author stand-in Agent Kent Cag takes a "drone phone" call in a pool, AI generating the scene as a tableau of unsmiling young women lining each side like palace guards as Cag speaks monotonously to his nagging AI girlfriend, Tasha. Afterwards, Cag goes on a date with a beautiful young woman, only to not notice her drugging his drink, which AI generates as a giant horse-sized pill that fizzes up his entire glass in the least covert attempt at subterfuge ever. OUR MAN KENT is a fascinating watch because Rev. Cagle is closer to realizing his larger-than-life cinematic ideas than ever before, but the generations fall short in ways so off-puttingly bizarre that they frequently make us laugh out loud. Despite this, it's a fascinating piece by a Christian director because its black pride storyline is much more progressive than our usual fare.