In the 1930s, tens of thousands of central Europeans sought sanctuary from fascism in Britain. In The Alienation Effect (Allen Lane) acclaimed architectural historian Owen Hatherley draws on an immense cast of artists and intellectuals, including celebrated figures like Erno Goldfinger, forgotten luminaries like Ruth Glass, and a host of larger-than-life visionaries and charlatans, to argue that in the resulting clash between European modernism and British moderation, our imaginations were fundamentally realigned and remade for the better.

Owen Hatherley was joined in conversation about his book by poet and translator Michael Hofmann.

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