Party Favorz — Dance Music Podcast

Club Fusion presents BPM Edition 2010 Volume 2, a 2010 electro/house/progressive mix built for peak-floor energy and radio-to-club crossover play. This take gathers club-ready remixes and upbeat reworks meant to slot into DJ sets and parties while showcasing remix craft from the era.

Highlights include Lifehouse’s Halfway Gone reworked by Jody Den Broeder, Adam Lambert’s Whataya Want From Me in the Fonzerelli club version, and Kelis’s Acapella rebuilt by Dave Aude. The set also leans into party-minded cuts like Spankers’ Sex On The Beach, School Gyrls’ Something Like a Party, and Rachel Ellektra’s Playing With Knives featuring Angie Brown, balancing familiar vocal hooks with hard-hitting house production.

Clocking in around 80 minutes, this volume is a concise snapshot of 2010 club tendencies—dancefloor-focused, remix-forward, and ready for DJs looking to bridge pop and club energy.

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Circuit and vocal house mixes from The Diva Series — Kim English 2010 Volume 2 collects peak-time remixes and uplifting anthems aimed at the dance floor. This 2010 set showcases Kim’s blend of spiritual lyricism and club-ready production, reworked by top remixers into versions built for big-room play.

Highlights include Razor 'n' Guido’s charged take on “Unspeakable Joy,” Hex Hector’s club treatments of “C’est La Vie” and “Everyday,” Thunderpuss’s anthem edit of “Higher Things,” Mark Picchiotti’s full circuit mix of “Tomorrow,” and Junior Vasquez’s Education mix of “Learn 2 Luv.” The episode nods to the paradox of Kim’s gospel-rooted message finding a home in gay clubs while keeping the focus on how these remixes transformed her songs into communal dance-floor moments.

For listeners who favor vocal house and circuit-era reworks, this volume is a concise survey of how industry stalwarts recast Kim English’s catalogue into memorable club anthems.

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This is a Funky House T-Dance mix from 2010 presented as Volume 1, Take 3 — a club-focused, roughly eighty-minute set built to move between nu-disco, soulful house and floor-friendly edits. The mix leans on familiar remix signatures to keep momentum while smoothing older material into a contemporary context.

Highlights include Moto Blanco’s sunlit club treatments of Jennifer Lopez and Mary J. Blige, Ralphi Rosario reworks for Soul Brothers feat. Joi Cardwell and Maxwell, a deeper moment from DJ Sneak, and a cheeky Bob Sinclar remix of Ultra Nate. The curator pays attention to dynamics, rebalancing vintage vocal moments against more recent, punchy productions so the set breathes without harsh compression. If you favor polished diva edits and warm funky-house grooves that sit comfortably between peak-time energy and soulful turns, this T-Dance edition is crafted to slot into that rotation.

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Soulful House, Gospel House, and Jazz House converge in this 2010 Volume 1 entry of the Diva Hall of Fame, a curated portrait of Kim English that reframes her work beyond club anthems. The mix highlights how her voice moves from intimate jazz-tinged moments to gospel-tinged uplift while retaining dancefloor heart.

Standout remixes reveal the breadth of her catalog: Kyle Smith’s soulful club turn on “It Makes A Difference,” the Wamdue take on “Been So Long,” and Frankie Feliciano’s jazz-influenced treatments of “Time for Love” and “Missing You.” Todd Edwards’ extended “Tomorrow” offers a softer, nuanced club mood, while Maurice Joshua and Masters At Work bring gospel and late-night groove shades on “Unspeakable Joy,” “Everyday,” and “Nitelife.”

This set isn’t a straight greatest-hits run so much as a selective tribute that emphasizes mood and versatility. It’s ideal for listeners who know English’s anthems and want to hear how they translate across soulful, spiritual, and jazzy house contexts.

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This Funky House T‑Dance Edition from 2010 is a sunlit, dancefloor-ready mix that leans toward mainstream house with touches of underground and Nu Disco. Designed as a weekend pick-me-up, Take 2 runs just under 80 minutes and stitches club-ready vocal edits with groovy disco-leaning cuts.

Highlights include Kaylah Marin’s On The Floor (Josh Harris Club Mix) and Inaya Day’s All I’m Sayin’ (Brett Austin Re‑Rub), while Jason Antone’s Ooh Ooh Ooh (Josh Harris Club Mix) and Boris Werner’s Let’s Boogie add peak-time energy and a retro sample nod. Dion Mavath’s Keep On Loving Me brings a more soulful moment, and Kim English’s Supernatural (Jonny Montana Remix) closes the set with classic house diva warmth.

The mix balances singalong vocal moments and Nu Disco textures with club edits ideal for warm afternoons or early-evening floors. It’s one of three T‑Dance 2010 installments meant to lift your mood and keep feet moving.

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This is a Funky House T-Dance edition from 2010, the first take in a three-set experiment designed to chase away late-winter grey with soulful, Nu Disco–leaning house. The mix runs just under 80 minutes and serves as the free, house-flavored opening installment ahead of two premium sets; it’s built to work as a warm-weather playlist or a club-friendly spin.

Highlights balance vocal hooks and disco-tinged production: Jay Williams’ Club Classic take on “Could This Be Love,” Nick Bridges’ Kinny’s Soul Revival rework featuring Amanda Wilson, and Denzal Park’s “Filter Freak” drive the set’s peak-floor moments. Distant Soundz with Rozalla and Groove Junkies featuring Diane Carter add melodic, sing-along energy while a Soulshaker remix of Steve Mac rounds out the funkier side of the program.

The host notes this is the first of three mixes pulled from a longer session, with parts two and three scheduled soon. For listeners burning discs or building seasonal sets, these tracks sit nicely under the 80-minute mark and keep the tone upbeat without sacrificing groove.

Find more Funky House mixes from Party Favorz at https://partyfavorz.com/category/funky-house/

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Circuit & Anthems — Winter Edition 2010 Volume 2 is a late‑night, peak-time mix built to extend a single long set into two parts and keep club energy high. It leans progressive and tribal, designed for sweat-heavy floors and DJs who want vocal-driven anthems and big remix work to push a set through the early hours. The mix was assembled in February 2010 and features a handful of fresh promos that bumped the runtime long enough to split into this second volume. Highlights include Major Laser feat. Nina Sky’s Keep It Goin Louder in the Superchumbo Louder remix and Kim Sozzi’s Secret Love in the Stellar Project take, both primed for peak moments. Kristine W turns up with Tony Moran’s ML Club mix of The Power of Music, while Inaya Day’s All I’m Sayin’ (Lenny B Club Mix) and Georgia Brown’s Love 4 Real (DJ Fist Remix) bring vocal power and progressive drive. Ralphi Rosario’s touches appear across the set, rounding out a collection that favors anthemic vocals and club-ready production.

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This is a Circuit & Anthems Winter Edition from 2010, assembled as a seasonal club-ready set of progressive and tribal floor-fillers. The hour-plus mix leans into anthem-driven arrangements and remix-heavy club textures, designed to warm up peak-time dancefloors and DJ crates alike.

Highlights include Mary J. Blige’s “I Am” in Nick Harvey’s uplifting club take, Jason Dottley & Debbie Holiday’s island-tinged “Party Round The World” produced by Barry Harris, and Andrea Carnell’s Klubjumpers-powered remake of “Don’t Stop Movin’.” Big-voiced moments come courtesy of Kimberly Davis’ Oxford Hustlers’ Arena Anthem and Jennifer Lopez’s “Louboutins” (Jody den Broeder & Warren Rigg Club Mix), while Selena Gomez’s “Naturally” (Ralphi Rosario Club Mix) provides a pop-house crossover touch.

The set mixes established diva anthems and club reworks with newer pop remixes for a balanced winter ride—perfect for listeners who favour driving percussion, soaring vocals, and peak-hour energy.

Find more Circuit & Anthems mixes from Party Favorz at https://partyfavorz.com/category/circuit-anthems/

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This Club Fusion mix is BPM Edition 2010 v1 Take 3 from 2010 — a high-energy electro/house/progressive DJ set built to push the heart rate and keep the dancefloor moving. The mix leans on club-ready remixes and punchy edits, only letting up in the final tracks to cool the pace.

Highlights include DJ Fast Eddie’s Can U Dance (Hatiras Remix), Goldfrapp’s Rocket (Tiesto Remix), and Deepswing’s In the Music (Cristian Marchi Perfect Remix), with Samantha James’ Waves Of Change (Kaskade Extended Remix) closing things out on a smoother note. Peak-hour moments come courtesy of Seamus Haji vs. Mark Knight & Funkagenda’s Good Times and Kristine W’s The Power of Music, while bootlegs and reworks keep the energy relentless across the roughly 98-minute runtime. For listeners who like focused, workout-friendly mixes with tight transitions, this Take 3 delivers a serviceable, club-oriented ride through early-2010 dancefloor sounds.

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This Club Fusion electro mix (BPM Edition 2010 Volume 1, Take 2) leans into electro-infused pop and club remixes across a 90-minute, dancefloor-focused run. It balances reworked vocal hits with peak-time club cuts, presenting the era’s crossover between hip-hop energy and electro production.

Highlights include Mariah Carey’s H.A.T.E.U. retooled by Jump Smokers, the funky Bassmonkeys & Soulshaker cut “Bad 4 My Health,” and Honorebel’s “Now You See It” with Pitbull in a club-ready Buzz Junkies mix. Kaskade’s treatment of Keri Hilson’s “Slow Dance” supplies a throbbing electro bassline, Dragonette’s “Pick Up The Phone” brings sticky pop hooks, and ATB’s reloaded “9PM” steers the set back toward classic floor-filling energy.

Throughout, the mix stitches contemporary remixes and nostalgic club weapons into a cohesive flow—good for late-night sets or focused listening—and showcases how electro was reshaping mainstream dance tracks in 2010.

Find more Club Fusion mixes from Party Favorz at https://partyfavorz.com/category/club-fusion/

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