By Kat Sandler. A white playwright uses the shooting of an unarmed young black man by a police officer as a "jumping-off point" for his hit play, soon to be adapted into a major movie. As Hollywood comes knocking, the writer visits the officer involved. (2/4)

By Kat Sandler. A white playwright uses the shooting of an unarmed young black man by a police officer as a "jumping-off point" for his hit play, soon to be adapted into a major movie. As Hollywood comes knocking, the writer visits the officer involved. (3/4)

By Kat Sandler. A white playwright uses the shooting of an unarmed young black man by a police officer as a "jumping-off point" for his hit play, soon to be adapted into a major movie. As Hollywood comes knocking, the writer visits the officer involved.

Laura talks with Kat Sandler, the playwright and director of Bang Bang, about writing, cultural appropriation and who gets to tell which stories.

By Nicolas Billon. Set against the backdrop of the banking crisis, a confrontation between a real estate agent and a tenant takes an unexpected turn. (1/3)

By Nicolas Billon. Set against the backdrop of the banking crisis, a confrontation between a real estate agent and a tenant takes an unexpected turn. (2/3)

By Nicolas Billon. Set against the backdrop of the banking crisis, a confrontation between a real estate agent and a tenant takes an unexpected turn. (3/3)

By Hannah Moscovitch. Aroused by inappropriate love, a young woman discovers the power of her own allure. Ever the outsider, she struggles with what's social acceptable only to find herself increasingly alone in her desires. (1/3)

By Hannah Moscovitch. Aroused by inappropriate love, a young woman discovers the power of her own allure. Ever the outsider, she struggles with what's social acceptable only to find herself increasingly alone in her desires. (2/3)

By Hannah Moscovitch. Aroused by inappropriate love, a young woman discovers the power of her own allure. Ever the outsider, she struggles with what's social acceptable only to find herself increasingly alone in her desires. (3/3)