PlayME

Chris talks to Paolo Santalucia about his hit show "Prodigal" and how his experience as an actor and the collaborative nature of theatre helped him find the courage to write his first play. He touches on how audiences have changed since the pandemic and why their slow return to the theatre can be a unique opportunity for artists to embrace. He shares how his Toronto roots drew him to write about class and systems of power and why he loves to write characters who aren't afraid to compromise themselves and those around them to achieve their ambitions.

Edmund, the estranged gay alcoholic son of Rowan and Marilyn, returns to his family after a five-year absence. But he’s not seeking reconciliation. He’s looking for revenge after being cut off from the family trust. His arrival inconveniently coincides with Rowan's career breakthrough, sparking a clash of interests. As tensions rise, Edmund discovers a dirty little secret his father has been keeping and threatens to expose him, igniting a power struggle and putting the Clarks' bonds at risk of unravelling.

Prodigal by Paolo Santalucia.

An explosive family drama about power and privilege 

Rowan Clark is a rich man about to have his dreams come true - he’s about to get a prestigious job. But dark family secrets are lurking that could jeopardize his coveted new position. At the engagement party of his son Henry, the family gathers at their home to celebrate the impending nuptials, but one guest is missing. Their other queer alcoholic son Edmund isn’t invited. And despite Rowan and his wife Marilyn’s attempts to keep their troubled son at a distance, a party crasher shows up at their door, threatening to expose their hidden truths.

Prodigal by Paolo Santalucia.

Laura talks with writers and performers Matthew Mackenzie, a Canadian playwright and Mariya Khomutova, a Ukrainian artist who met in Kiyv during Matthew’s theatre research trip in Ukraine. There, they sparked up a romance and found themselves expecting a baby on the eve of the global pandemic and invasion of Ukraine. The couple shared what it was like turning their very personal love story into an award-winning play and how writing helped strengthen their relationship and saved their mental health during their most challenging times.

Amid a whirlwind long-distance romance, Mariya from Ukraine and Matt from Canada learn they will soon become parents. They plan to marry but find themselves unexpectedly separated for months due to a travel ban amid the pandemic. After Matt embarks on a heroic journey to Odesa to reunite with Mariya, they believe their happily ever after is finally within reach. Their fairytale takes an unsettling turn when Russia invades Ukraine. How can they embark on their new life in Canada when Mariya’s loved ones confront death and devastation back home?

First Metis Man of Odesa is by Matthew MacKenzie and Mariya Khomutova.

A real-life love story that spans continents, a pandemic and an invasion

Matt, a Canadian Metis playwright, falls for Mariya, a Ukrainian actor, during a theatre workshop in Kyiv. They kindle a year-long romance through emails before meeting in Toronto, igniting a whirlwind love affair. But as they face the challenges of a long-distance relationship, doubts creep in for both. Just before the pandemic hits, they receive life-altering news, testing the strength of their bond and the viability of their future together.

First Metis Man of Odesa is by Matthew MacKenzie and Mariya Khomutova.

The Play On Podcasts are audio adventures reimagining timeless tales featuring original music compositions and the voices of extraordinarily gifted artists. More episodes and information are available at: https://ncpodcasts.com/othello

Chris talks with writer Trey Anthony about the evolution of her revolutionary show, Da Kink In Hair, from a Fringe sensation to a highly-regarded TV series. Trey candidly discusses her experiences as a queer Black artist navigating the entertainment industry, her drive to portray authentic narratives of Black women in her work, and the profound impact of her childhood relocation from England to Canada at the age of 12 on her journey as an artist.