Pablo Manzi has developed most of his work as a playwright with the Chile-based collective BONOBO. His texts have been presented in festivals in Japan, Italy, The Netherlands, Peru, Germany, Spain, Mexico, Brazil, Belgium, the USA, Sweden and Chile. He was invited by the Royal Court theatre and the British Council to do a residency in London where he wrote ‘A Fight Against…’/‘Una Lucha Contra…’

Amir Gudarzi is a writer born in Tehran, Iran, in 1986. Due to censorship his plays were only shown in private circles. And since 2009, Amir has lived in involuntary exile in Vienna, Austria.

For twenty years Wende has been one of the most celebrated singers and performers in the whole of Europe. She released her first album in 2004 as a graduate from the Amsterdam Theatre School. The following seventeen years have seen her release nine more albums and tour the continent to sell out audiences. At the Royal Court in 2019 she debuted a remarkable exploration of the form of songwriting with The Song Project. It returns to the Royal Court this Summer 2021.

The theatre making duo made up of director Talia Paulette Oliveras and writer Nia Farrell, collectively known as TaNia, met while studying experimental and collaborative theatre making at New York University's Tisch School of the Arts. The power of their theoretical rigour and the incision of their thought as a means of critiquing power was maybe developed at NYU, but there is no arid or academic crust to the work that TaNia first developed there: the visceral, playful, humane, angry, Afrofuturist theatre event Dreams in Blk Major.

Sam Max is in the early years of their working life but judging from the level of interest their work has provoked and from the depth and clarity of imagination that defines COOP, they are one of those writers whose work over the coming decade has the potential to allow us to reimagine ourselves as we come out of the pandemic.

Eve Leigh is a writer of range and conviction. Her theatre is built on an understanding of the importance of the presence of the audience in her work. She invents games for them to play. She imagines magic tricks for them to take part in. She makes music for them to listen to. In recent years her commitment to the investigation of issues of ability and access in the theatre have been integrated into her work in a way that is as theatrical and playful as it is serious and nuanced.

Quebecoise musician, artist, director, actor and writer Laurence Dauphinais has a body of work that is defined by its diversity. Her beautiful piece of documentary drama Aalaapi, which has been chosen for the 2020/21 Stückemarkt, was her debut as solo director. It premiered at the Centre du Théâtre d’Aujourd’hui (CTDA) in Montréal where it won the 2020 Playwright’s Prize.

Over the course of the last decade Jude Christian has established herself as one of the most exciting directors, dramaturgs, and theatre makers in British theatre. She has written, developed and performed a quite shattering and unique piece of theatre. Nanjing dramatizes her own exploration of her own history.

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You can listen to the episode where Christopher Hampton talks to Simon Stephens here.

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