Another in a long line of quintessential Ween Breakup Songs.  This one features a rippin Gener solo with a dollop of brown at the tail end.  

One of Ween's greatest tunes hands down no need for debate end of story goodbye see you later alligator. 

I'm in love with this tune these days.  It never really piqued my interest previously but I can't get that eery drone of "Captain...." out of my head.  

The album needed a little mood shift.  Can't just paddle through the murky murk all day long can we?

When Dave and I first heard Quebec this song stood out as an immediate and quintessential Ween Banger.  We eventually fell in love with the album as a whole but hearing Marbles assured us that we were still living deep within a Ween Renaissance.  Perfect mixture of delicate melodic songwriting and a tidal wave of brown.  When it hits it hits big.  Stick that index finger way up in the air because ROCK HAS BEEN ACHIEVED.

What can we say folks??  This is one of the best Ween songs ever.  On top of that I would argue (and do) that the album cut of this song is superior to any live rendition.  We love hearing it performed live but it's one of the few Ween songs where its absolute beauty and majesty is perfectly encapsulated in the studio recording. It simply doesn't get better than this.

A throwback to the classico early days of Ween.  A cacophany of sounds and textures seemingly captured live (for the most part).  On an album full of tightly orchestrated bangers it's damn nice to take a little detour into browner tributaries.  

Jay starts off by completely dropping the ball by confusing this song with Alcan Roads.  Then Dave (being the professional broadcaster that he is) "Yes Ands" his way through it and we have a load of laughs and witty banter.  Enjoy.

Ouvre.  

And coming right off the heels of a meth fueled "It's Gonna Be A Long Night" Ween pulls the E-Brake and Tokyo Drifts the car off a cliff in slo-motion with ZOLOFT.  Don't try to get too comfy with the vibe...it's gonna change at every turn of the track.