Your Guide to the Oscar-Nominated Shorts with Chris Feil, Plus Monica Barbaro's Voice Lessons

Chris Feil and Katey watched all fifteen of the Oscar-nominated short films, and though we recommend you see them yourself in theaters, we've also got a cheat sheet for how to pick them in your Oscar pool. Then Katey talks to Monica Barbaro about becoming a singer to play Joan Baez in A Complete Unknown, and the advice about taking care of your voice that she learned — and if her voice coach asks, she's definitely still following them. 

Speaking of Oscar pools! Join the Prestige Junkie Oscar Pool and test your mettle against the Ankler staff and some of our favorite pundits. 

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Kyle Buchanan joins Katey, who has lost most of her voice after a big awards season weekend in Los Angeles, to break down three huge recent victories for Sean Baker’s Anora— and what, if anything, might still be standing between it and best picture. They also look back at the outsized role played this awards season by online fans, and whether that will be the new normal going forward.

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David Sims joins Katey to look broadly at the best picture field after the Emilia Perez fallout, the Complete Unknown surge, and everything else that’s made this season so impossible to predict. What actually deserves to win best picture after all this? What will look like a good win in 10 years? We get into all of it.

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After a whirlwind few days of scandal and seemingly endless interviews from Emilia Pérez star Karla Sofia Gascón, Slate's Sam Adams join Katey to figure out how it all played out, how fervent fan bases have played outsize roles in this awards season, and where Emilia Pérez's Oscar hopes can go from here. Then Katey talks to Anora's director, writer, co-producer and editor Sean Baker about his very particular way of making movies, how he challenged himself with Anora and where he'll go from here.

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The Ringer's Joanna Robinson returns to join Katey and look at the Oscar success of not just The Substance but also Nosferatu, and why it's good for everyone when there's a popular genre movie that the Oscars can already embrace. Then, The Brutalist director Brady Corbet calls from London, where he reflects on the long promotional campaign he's still in the middle of, what the future of Hollywood and AI should actually look like, and what he'll do on March 3 when this awards season rush is all over.

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The Ankler's Alison Brower joins Katey from Park City to talk about the highlights from the first few days of Sundance, which as usual is heavy on excellent docs and has plenty of hit-or-miss star vehicles. Luckily for the rest of us, there are at least a few surefire hits to look forward to.

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Katey shares instant reactions to this year’s Oscar nominations with Esther Zuckerman, then shares segments of a Substack Live session with Richard Rushfield, asking some of the bigger questions about what this years nominations mean for Hollywood. Want to be part of our next Substack Live? Become a paid subscriber to The Ankler and join us!

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It feels like an eternity since last week’s Golden Globes, and with all of Los Angeles focused on the wildfires and their aftermath, awards season has taken a backseat— but hasn’t ended entirely. Tyler Coates joins Katey to talk about the impact of all this turmoil, and how awards season might boost the city’s recovery once it finally returns.

Then Katey talks to Robert Eggers, the director of stylish horror films who just had his biggest hit ever with Nosferatu, a movie he’s spent more than a decade trying to get made— and was absolutely worth the wait.

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The Golden Globe-winning star of I’m Still Here on reuniting with Walter Salles for their acclaimed historical drama, and how she learned from her mother how to prepare for a run through awards season.

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Katey and Richard Rushfield continue their look back at the year that was in Hollywood, selecting the year's standout performances in everything from little-seen Sundance indies to some likely future Oscar winners. It's enough good work to even make Richard feel a little optimistic as the new year begins.

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