The director Jane Schoenbrun first became known for their 2021 movie “We're All Going to the World's Fair,” which tapped into a teenaged fascination with the culture of viral memes. Jane’s latest film, “I Saw the TV Glow,” follows two suburban teens who get emotionally enmeshed in a fictional ‘90s TV show called “The Pink Opaque.” The result is a moody investigation of identity, growing up and making decisions about who you want to be. “I Saw the TV Glow” was recently nominated for six Spirit Awards, including best feature and best director. We revisit Tom Power’s conversation with Jane about the film, how it relates to transness and their own experience getting intertwined in TV shows as they grew up.

It’s been more than 25 years since the Swedish hardcore punk band Refused released their seminal album, “The Shape of Punk to Come.” Their most famous song from that album, “New Noise,” has been called a political anthem and a protest song. It’s been used in the Palme d'Or'-winning film “Triangle of Sadness” as well as in the hit show “The Bear.” Frontman Dennis Lyxzén of Refused joins Tom Power to tell us how “New Noise” became a global hit after the band had already called it quits.

Nikki Giovanni carved out a revolutionary legacy during the civil rights era with poems that uplifted the experiences of Black Americans. On Monday, she died at age 81, following her third cancer diagnosis. We revisit Tom Power’s conversation with the iconic poet from earlier in the year when she discussed her involvement in the birth of hip-hop, why artists should go to space, and how she packed a club full of 100 people that included guests like Morgan Freeman and Nina Simone. 

The British-Turkish writer Elif Shafak has written over a dozen novels, many of which have been translated to nearly 60 languages. She’s often credited as being the most-read female novelist in Turkey. Elif joins Tom to talk about the importance of water in her latest novel There are Rivers in the Sky, the transformational power of literature, and what being prosecuted for her work has taught her about freedom of expression. 

Toronto rapper Clairmont the Second talks to Tom about his experience of loss and paranoia on his brand new album “They Said it Would Rain,” and how despite the challenges he’s faced in recent years, his record ends in triumph. 

Canadian folk musician Valdy has been making music and criss-crossing the country for over 50 years. Valdy has 16 albums to his name, sold over half a million records and received the Order of Canada and two Junos. Valdy joins Tom in the Q studio to talk about his iconic 1972 hit “Rock and Roll Song,” what keeps him playing almost 200 shows per year at the age of 79 and his political and social activism.

Patrick Nichols has been photographing Toronto’s hip-hop artists for decades. His latest photo, “A Great Day in Toronto Hip Hop,” features 103 key players from the scene captured all in one place. It’s just been put on display in the Art Gallery of Ontario’s new exhibit, “The Culture: Hip Hop and Contemporary Art in the 21st Century.” Patrick sits down with Tom Power to talk about the photograph, trading in a turntable for a camera, and his life in photography and hip-hop.

Margo Martindale is no stranger to playing dangerous women, whether it be a KGB agent on “The Americans” or the matriarch of a crime family on “Justified.” She now turns her talents to another dangerous woman: Ruth Landry, a maple syrup farmer in rural Quebec who decides to pull an $18 million maple syrup heist in “The Sticky,” a new series based on a true story. She tells Tom Power about how she used her childhood in rural Texas to inspire her portrayal of Ruth and what it was like to speak French.

When Michael Ross Albert recently bought a condo in Toronto, he realized that the dream of homeownership is more like a nightmare. The Canadian playwright was inspired by his own and his friends’ experiences of homeownership to write his new play, “The Bidding War.” The dark comedy chronicles several Torontonians trying to purchase the “last nice home” in the city. He joins Tom Power in the Q studio to discuss why our senses of hope and ambition get wrapped up into the search for a home and the current housing crisis that so many Canadians are facing.

When Scottish actor Alan Cumming read the script for the Canadian movie “Drive Back Home,” he really connected to the character of Perley, a New Brunswick-born ad man living in Toronto in the 1970s. Despite the obvious differences, the character, like Alan, was abused by his father when he showed early signs of his queerness. Alan joins Tom Power to chat about what it’s like to act out scenes so close to home, in a land very far from his own.