Q with Tom Power

At the Golden Globes earlier this month, Brady Corbet’s sprawling historical epic “The Brutalist” took home best drama, best director and best actor for Adrien Brody, who stars as the fictional Jewish Hungarian architect László Tóth. Brady sits down with Tom Power to reflect on the critical acclaim for his latest film, his transition from acting to directing, and why it’s easier to tell historical dramas when the work is fiction.

The Canadian actor Allan Hawco (Republic of Doyle) has spent a good chunk of time playing detectives. Now, he stars in the new police procedural “Saint-Pierre,” which is set on St-Pierre-Miquelon, the French island just off the coast of Newfoundland. Allan drops by to chat with Tom Power about the show’s unique location and why he’s drawn to detective-type roles.

The Iranian filmmaker Mohammad Rasoulof risked everything to make his new political thriller, “The Seed of the Sacred Fig.” He had already been arrested, sentenced and imprisoned in Iran for making films that authorities found to be "propaganda against the system,” so he had to shoot his latest film entirely in secret. Mohammad sits down with Tom Power to explain how he managed to direct the film far away from the set, and why the critical success of “The Seed of the Sacred Fig” has been bittersweet.

José Avelino Gilles Corbett Lourenço is a Toronto-based writer and filmmaker whose debut film, “Young Werther,” reimagines Johann Wolfgang von Goethe’s classic novella “The Sorrows of Young Werther” as a modern-day rom-com. José sits down with Tom Power to talk about the film and why he thinks this 18th-century German tragedy is a universal story that we can still learn from today.

The critically acclaimed new film “Nickel Boys,” based on Colson Whitehead’s Pulitzer Prize-winning novel of the same name, is largely shot from the point of view of its two main characters as they try to survive in an abusive reform school called the Nickel Academy. Director RaMell Ross sits down with Tom Power to talk about his decision to tell the story through the eyes of his two leads, how trauma is built across time and distilled across memory, and how basketball has influenced his filmmaking.

Mark Critch is a Canadian comedian and actor who spoke with Prime Minister Justin Trudeau just a month before he made his announcement to resign as leader of the Liberal Party. Mark speaks with Tom Power about landing the only year-end interview with the prime minister, plus, he looks back on some of his favourite Trudeau-era comedic moments. He also discusses the fourth and latest season of “Son of a Critch” — the hit sitcom based on his life.

The new sitcom “North of North” follows a young Inuk mother named Siaja who’s on a journey to reclaim her life while living in the fictional Arctic community of Ice Cove — a town where everybody knows your business. Co-creators Stacey Aglok MacDonald and Alethea Arnaquq-Baril say they made the place up to represent all Inuit communities across the North. They join Tom Power to talk about shooting the series in Iqaluit, where they both live, and how they’re changing the conversation around Inuit representation on-screen.

The Grammy-nominated electro-pop duo Sofi Tukker has been igniting dance floors around the world since their hit song “Best Friend” first blew up after being featured in an iPhone commercial. Now, they’re back with a new album, “Bread” (an acronym for “Be Really Energetic and Dance”), which is a vibrant mix of electronic music and bossa nova. Sophie Hawley-Weld and Tucker Halpern join Tom Power over Zoom to talk about the record and how they developed their Brazilian-inspired sound.

Jonah Yano is a Montreal-based musician who’s known for his work with artists like Mustafa, Charlotte Day Wilson and BadBadNotGood. He recently released a new double album, “Jonah Yano & The Heavy Loop,” which features a 30-minute improvised experimental noise music piece. Jonah joins Tom Power over Zoom to talk about the track and why he chose that direction for the record.

The Canadian violinist Lara St. John was a child prodigy who was only two when she started playing her instrument. But her young age also made her extremely vulnerable. When she was 14, Lara was sexually assaulted and raped by her 78-year-old instructor at the Curtis Institute of Music in Philadelphia. It took more than 35 years for the school to acknowledge the abuse she suffered. Now, Lara is making a documentary to highlight sexual abuse in the classical music world. She sits down with Tom Power to talk about the project and how she’s trying to make classical music safer moving forward.