This episode examines Donatello's sculptural representation of the St. George subject for the Sword and Armor Guild at the church of Orsanmichele, although both sculpture and niche are in the Bargello Museum today. Not only was this first sculpture of the Renaissance to depict a subject in a narrative context, it also largely inspired Michelangelo's David nearly a century later.

This episode examines Donatello's seminal heroic interpretation of the "David" subject in sculpture. Removed from its original context at the Duomo and inserted into a civic setting at the Palazzo Vecchio, the statue became the symbol of divine protection for the Florentine Republic.

This episode examines the statues that were produced by the likes of Arnolfo Di Cambio, Nanni Di Banco and Donatello and adorned the original facade of Florence cathedral. These extraordinary statues reflect the transition from the International Gothic to the Early Renaissance style.

This episode explores the history of the world's most unique city and the organization of the longest lasting republic of all time. From the original refugees who settled on the islands in the ancient world, to the theft of the body of St. Mark, to the formation of a "perfect government", to the evolution of the Venetian Scuola, we shall examine those key factors that transformed a bunch of marshy islands into La Serenissima.

This episode explores the paintings in the Uffizi Gallery collection that best embody the principles of that style that marks the transition between the Gothic and Renaissance worlds, known as the "International Gothic Style." This style combines the elegance and elaborateness of Gothic art with the more naturalistic and spontaneous motifs of the Early Renaissance.

This episode examines the "North Doors" of Florence Baptistry that were produced by Lorenzo Ghiberti between 1403-1423 as a result of the famous competition of 1401 won by the same artist. The same International Gothic Style attributes that characterize Ghiberti's earlier competition panel, and which were the very reason that he won the competition, are prevalent throughout the 28 panels that make up these North Doors as well.

This episode examines the event that sparked the Renaissance - the famous competition between Lorenzo Ghiberti and Filippo Brunelleschi in 1401 for the contract for a set of bronze doors of Florence Baptistry. These two Renaissance giants produced bronze relief panels depicting the Old Testament subject of the sacrifice of Isaac in radically different ways, and the result of the competition determined the professional path that each artist would follow.

This episode will answer many of the questions proposed by my listeners. From how the frescoes on the dome of Florence cathedral were executed, to how the artist Caravaggio died, to the Kenneth Clark vs. John Berger controversy - and much more - I respond directly to your very own questions.