In this episode of Retake: Why are so many studio executives are reluctant to greenlight movies that aren’t sequels, spinoffs, or remakes?

Plus, the new film “Till” centers on one of America’s most notorious lynchings - the killing of 14-year-old Emmett Till in 1955. The film’s director, Chinonye Chukwu explains her decision not to depict any physical violence on screen. 

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this edition of Retake: Will movie theater attendance ever return to pre-pandemic levels? One huge chain says not anytime soon.

Plus, the documentary “Battleground” profiles some of the activists who fought to overturn Roe v. Wade -- and what the consequences of their victory might mean…

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this week’s episode: nearly a year after actor Alec Baldwin shot and killed cinematographer Halyna Hutchins on the New Mexico set of Rust, prosecutors say criminal charges might be imminent.

Also, my conversation with director Gina Prince-Bythewood about her new film - “The Woman King.” It’s a movie that she says wouldn’t have gotten made were it not for its star - Viola Davis.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

On this week’s episode: the impact of the true crime podcast “Serial” on the case it delved into and on the podcast landscape.

Plus, my conversation with Abigail Disney about her documentary that calls out her own family’s company for failing to pay workers a living wage.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this episode of Retake: Five years after the Me Too movement began, powerful male figures in the industry continue to be identified - and convicted - like disgraced R&B star R. Kelly. 

Plus, I talk to documentary filmmaker Brett Morgen, whose past subjects include Jane Goodall and Kurt Cobain. His new documentary about David Bowie is designed to tell you more about your own life than about his.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this episode of Retake: a preview of this year’s Emmy Awards, which air on Monday, because, well, Sunday Night Football is more important to NBC. Plus, a taste of my conversations with some of the actors and filmmakers who premiered their films at the Telluride Film Festival this past weekend in Colorado.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

On this week's episode: bankruptcy is on the horizon for the second-largest movie theater chain...

Plus, an interview with the director of the latest hit streaming series from Korea - Extraordinary Attorney Woo - which is continuing to draw in new viewers on Netflix...

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this episode: The latest developments in the ongoing streaming wars

Plus: "The Territory," a new documentary about the fate of the Brazilian Amazon, co-created by members of the indigenous community who are fighting to protect it.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Music courtesy of: ItsWatR from Pixabay, RalphReal from YouTube)

In this episode: John interviews actress and producer Aubrey Plaza.

Plus: What's going on at Warner Bros. Discovery, and the best book about Hollywood.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Music by: ItsWatR from Pixabay, RalphReal from YouTube)

The Frame is now Retake with John Horn!

In this episode: John interviews comedian Jo Koy of Easter Sunday.

Plus: Will 2022 mark the peak of the ‘peak TV’ era? And John's thoughts on HBO Max and the underrepresentation of Latinos.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.