I am so excited to say that my guest on the GWA Podcast is the acclaimed painter, Rose Wylie!

Born in 1934, as the youngest of seven children to Victorian parents, Wylie spent her early childhood in India before coming to England aged 5. This was in 1939, in the midst of a bomb-filled Second World War and increasingly fractured world. She went on to study figurative painting, at Folkestone and Dover College of Art in Kent from 1952–56, at a time when tutors would say to her ‘It’s no good bothering with you, you’re a girl, you’ll get married, have children and that’ll be that.’ … It was then to a teacher training programme at Goldsmiths before putting art aside to raise three children. This was, until 1979 when Wylie returned to the studio enrolling at the Royal College of Art, in her early 40s.

Her first solo exhibition came a few years later in 1985, but despite Wylie working in her cottage-slash-studio in Kent for the last 50+ years – where we are very excitingly recording today – it was not until the last 10–15 years that her work has been given the attention and acclaim it has always deserved.

Playful and fractured, featuring text overlaid with image, witnessing a Rose Wylie painting in person is to see the world in a different way. Wylie takes recognisable elements from pop culture, history, mythology, sport, even the Bible – from flowers, battenberg cakes, sportstars, queens, to the likes of Nicole Kidman and Emily Maitlis – and shows us them anew, in her paintings that are void of perspective to the point that there is no indication of where the work starts or ends.

Her paintings are sometimes full of movement – like a football being kicked, almost balletically, with players, clad in yellow, darting across the dotty canvas that surrounds its viewer. At other times they remind me of a film playing out – like the blood-clad figure lying on the floor in Kill Bill – or even a script with stage directions featuring phrases like “getting dark” or “yellow” … Wylie’s paintings are full of decisions, ideas, and the more I look at them, the more her world opens up…

Now 90 years old, after a celebrity-filled birthday bash, Wylie is back better than ever for her exhibition at David Zwirner London “When Found becomes Given”, opening on April 3rd, and I couldn’t be more delighted to be speaking to her at her Kent-based studio today.

Exhibition: https://www.davidzwirner.com/exhibitions/2025/rose-wylie-when-found-becomes-given

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Sound editing by Nada Smiljanic

Music by Ben Wetherfield