Artist, musician and writer Audrey Flack shares her firsthand accounts of the downtown New York City art scene in the mid-twentieth-century and a song she and her band, The History of Art, wrote about Jackson Pollock. 

Flack passed away in June. For more about her life, see “Audrey Flack, Creator of Vibrant Photorealist Art, Dies at 93.” 

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Legends are made at the Olympics and this summer shows across the Pushkin network are bringing their unique takes to Olympic stories. This special episode includes excerpts from a few: a Cautionary Tale about underestimating female marathoners, a Jesse Owens story from Revisionist History’s series on Hitler’s Olympics, and—from What’s Your Problem—the new technology that’s helping Olympic athletes get stronger.

Check out other show feeds as well, the Happiness Lab and A Slight Change of Plans are also going to the Games.

Sylvia Blemker of Springbok Analytics on What’s Your Problem

The Women Who Broke the Marathon Taboo on Cautionary Tales

Hitler’s Olympics from Revisionist History

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Katy speaks with Eleanor Nairne, who first introduced her to Lee Kranser’s work. Back in 2019, Nairne exhibited a groundbreaking retrospective of Lee Krasner’s work while she was senior curator at the Barbican Art Gallery in London. Today she is the Keith L. and Catherine Sacks Curator and Head of Modern and Contemporary Art at the Philadelphia Museum of Art. In this episode, a dive into Krasner’s artistic career. 

Artwork Discussed:

Joan Miro Constellations (1940-41)

Mosaic Table (1947)

Stop and Go (1949)

Prophecy (1956)

Birth (1956)

Three in Two (1956)

Pablo Picasso Les Demoiselles d'Avignon (1907)

Earth Green (1957)

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1956. New York City. After Pollock’s death, Krasner balances her new role as executor of his estate and her ambitions to continue making art.

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1955. Upper West Side. Jackson Pollock seeks help from a psychotherapist practicing controversial methods.

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Introducing 1. Vultures from Lost Hills: Dark Canyon.

Follow the show: Lost Hills: Dark Canyon

As Mitrice Richardson’s disappearance dominates news headlines, the Sheriff’s Department defends its decision to release her with no phone, no wallet, and no ride. Meanwhile, Mitrice’s autopsy raises puzzling questions about a missing bone, and a long-buried interview introduces a new witness. 

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DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to [email protected].

1945. East Hampton. Lee Krasner and Jackson Pollock start a new life in a farmhouse 100 miles east of New York City.

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1942. Midtown. Peggy Guggenheim arrives, opens a gallery and gives hungry artists hope.

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1936. Brooklyn. A young Lee Krasner leaves home and starts to create a kind of art America has never seen before.

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1956. Paris. An artist named Lee Krasner learns that her husband is dead.

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