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After a four-year hiatus – and a name drop on a Beyoncé remix – musical polymath Santigold is back with a brand new album. Known for her signature blend of genre-defying songcraft, the artist’s fourth studio album Spirituals is one of her most artistically challenging projects yet. It’s another venture into what she does best: addressing heavy themes through toe-tapping melodies. From Nate’s personal favorite, 2016’s “Can’t Get Enough of Myself,” to “My Horror,” a pan-genre sonic vision has always been present in her career. On this episode of Switched On Pop, Santigold speaks about her new record, being a mother, and the emotions that went into making Spirituals.
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By Vulture4.6
26442,644 ratings
After a four-year hiatus – and a name drop on a Beyoncé remix – musical polymath Santigold is back with a brand new album. Known for her signature blend of genre-defying songcraft, the artist’s fourth studio album Spirituals is one of her most artistically challenging projects yet. It’s another venture into what she does best: addressing heavy themes through toe-tapping melodies. From Nate’s personal favorite, 2016’s “Can’t Get Enough of Myself,” to “My Horror,” a pan-genre sonic vision has always been present in her career. On this episode of Switched On Pop, Santigold speaks about her new record, being a mother, and the emotions that went into making Spirituals.
Learn more about your ad choices. Visit podcastchoices.com/adchoices

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