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Inspiring readings meant to open our eyes, minds, and hearts to living a meaningful life, rather than just living.  This podcast is based on the book "It's A Meaningful Life - It Just Takes Practice" by Bo Lozoff, and is narrated by Jodelle Fitzwater, Certified Nutrition Coach, Certified Food Psychology Coach, and meaningful life lover.  In her effort to relay readings to you that have inspired and transformed her, Jodelle's hope is that you will find the nugget of truth within these readings and discover your meaningful life and take the practice necessary to keep on. For more information on the Human Kindness Foundation or to order a copy of "It's A Meaningful Life" visit: http://www.humankindness.org
For more information on Jodelle or to donate to this podcast and help her keep it going please visit: www.getfitwithjodelle.com

Inspiring readings meant to open our eyes, minds, and hearts to living a meaningful life, rather than just living. This podcast is based on the book "It's A Meaningful Life - It Just Takes Practice" by Bo Lozoff, and is narrated by Jodelle Fitzwater, Certified Nutrition Coach, Certified Food Psychology Coach, and meaningful life lover. In her effort to relay readings to you that have inspired and transformed her, Jodelle's hope is that you will find the nugget of truth within these readings and discover your meaningful life and take the practice necessary to keep on. For more information on the Human Kindness Foundation or to order a copy of "It's A Meaningful Life" visit: http://www.humankindness.org For more information on Jodelle or to donate to this podcast and help her keep it going please visit: www.getfitwithjodelle.com

It's a Meaningful LIfe - It Just Takes Practice

Acting, film making an Hollywood pop culture through the eyes of one British and one American actor.

Hollywood Geeks

张嘉佳和他的金毛梅茜都是写故事的人，我只是一个小小的传递者，希望他们的故事和我的声音能给你带来温暖和安慰，哪怕一点点 ：） 以上文字内容来这个专辑出道的2013年。2015年7月停更到现在2018年2月重出江湖。 这些年发生了很多好的事情，在自己的坚持和努力下，收获了很多很多。不知道从2013年起就在听故事的大家，现在开不开心呢？也不知道张嘉佳是否依然高产，让我能有的念。 非常，非常的谢谢大家，愿意听我念故事。非常，非常的谢谢大家的喜欢，我那个很土很土的初心，一直没有变。希望他们的故事和我的声音能给你带来温暖和安慰，哪怕一点点：）

张嘉佳和他的金毛梅茜都是写故事的人，我只是一个小小的传递者，希望他们的故事和我的声音能给你带来温暖和安慰，哪怕一点点 ：）以上文字内容来这个专辑出道的2013年。2015年7月停更到现在2018年2月重出江湖。这些年发生了很多好的事情，在自己的坚持和努力下，收获了很多很多。不知道从2013年起就在听故事的大家，现在开不开心呢？也不知道张嘉佳是否依然高产，让我能有的念。非常，非常的谢谢大家，愿意听我念故事。非常，非常的谢谢大家的喜欢，我那个很土很土的初心，一直没有变。希望他们的故事和我的声音能给你带来温暖和安慰，哪怕一点点：）

张嘉佳和他的金毛梅茜都是写故事的人，我只是一个小小的传递者，希望他们的故事和我的声音能给你带来温暖和安慰，哪怕一点点 ：） 以上文字内容来这个专辑出道的2013年。2015年7月停更到现在2018年2月重出江湖。 这些年发生了很多好的事情，在自己的坚持和努力下，收获了很多很多。不知道从2013年起就在听故事的大家，现在开不开心呢？也不知道张嘉佳是否依然高产，让我能有的念。 非常，非常的谢谢大家，愿意听我念故事。非常，非常的谢谢大家的喜欢，我那个很土很土的初心，一直没有变。希望他们的故事和我的声音能给你带来温暖和安慰，哪怕一点点：）

张嘉佳和金毛梅茜

LibriVox volunteers bring you 17 recordings of The Dream by John Donne. This was the Fortnightly Poetry project for July 17, 2011. John Donne was an English poet, satirist, lawyer, and priest who is considered a prominent representative of the metaphysical poets of the period. His works are notable for their mimetic and sensual style and include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor, especially as compared to that of his contemporaries. (summary from Wikipedia)

LibriVox volunteers bring you 17 recordings of The Dream by John Donne. This was the Fortnightly Poetry project for July 17, 2011.John Donne was an English poet, satirist, lawyer, and priest who is considered a prominent representative of the metaphysical poets of the period. His works are notable for their mimetic and sensual style and include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor, especially as compared to that of his contemporaries. (summary from Wikipedia)

LibriVox volunteers bring you 17 recordings of The Dream by John Donne. This was the Fortnightly Poetry project for July 17, 2011. John Donne was an English poet, satirist, lawyer, and priest who is considered a prominent representative of the metaphysical poets of the period. His works are notable for their mimetic and sensual style and include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor, especially as compared to that of his contemporaries. (summary from Wikipedia)

Dream, The by John Donne (1572 - 1631)

Steve and Tawny

Horrible podcast for horrible people.
Probably the best podcast recorded in the SE Houston area.

Horrible podcast for horrible people. Probably the best podcast recorded in the SE Houston area.

I've got something in my front pocket for you...

Join Virgogray Press for poetry talk radio and more! Stay tuned for new programs coming soon! Join us live and speak your voice! Dial 1-646-929-1692! Please rate our shows! Thanks!

Virgogray Press Radio

Novo Babylonia - a fan made story inspired by of one of the greatest Sci-Fi saga's of all time. Produced entirely by volunteers, everything from the music and sound to the writing and acting are done by fans.

Novo Babylonia

Atelier101 - The Flashback

Robert Hugh Benson, who was educated at Eton College and Trinity College, Cambridge, was ordained an Anglican priest in 1895 by his father, the Archbishop of Canterbury. Eight years later, after weighty consideration, Robert Benson converted to Roman Catholicism. In 1904 he was ordained a Roman Catholic priest and took up residence in Cambridge, where he ministered to Roman Catholic students as their unofficial chaplain. In 1911, he was made a monsignor. Despite the brevity of his earthly life, Benson was a prolific writer whose literary productions span the gamut from devotional works, such as The Friendship of Christ, to sacred drama, children's books, apologetic works, historical fiction, and even science fiction. The Friendship of Christ, which bears an imprimatur, is based on sermons Benson preached in London and Rome in 1910 and 1911. In the first part of this book, he shows how one enters into a personal relationship with Jesus Christ through the purgative and illuminative ways. In the second part, he discusses several modes in which Christ offers us His friendship here and now, such as in the Eucharist, in the Church, in the priest, in the saint, in the sinner, in the average person, and in the sufferer. In Part III, Benson recalls how Jesus Christ proved the depth of His friendship with us by willingly accepting death on the cross for our sake, and how He raises His friends to everlasting life with Him. (Introduction by dave7)

Robert Hugh Benson, who was educated at Eton College and Trinity College, Cambridge, was ordained an Anglican priest in 1895 by his father, the Archbishop of Canterbury. Eight years later, after weighty consideration, Robert Benson converted to Roman Catholicism. In 1904 he was ordained a Roman Catholic priest and took up residence in Cambridge, where he ministered to Roman Catholic students as their unofficial chaplain. In 1911, he was made a monsignor. Despite the brevity of his earthly life, Benson was a prolific writer whose literary productions span the gamut from devotional works, such as The Friendship of Christ, to sacred drama, children's books, apologetic works, historical fiction, and even science fiction.The Friendship of Christ, which bears an imprimatur, is based on sermons Benson preached in London and Rome in 1910 and 1911. In the first part of this book, he shows how one enters into a personal relationship with Jesus Christ through the purgative and illuminative ways. In the second part, he discusses several modes in which Christ offers us His friendship here and now, such as in the Eucharist, in the Church, in the priest, in the saint, in the sinner, in the average person, and in the sufferer. In Part III, Benson recalls how Jesus Christ proved the depth of His friendship with us by willingly accepting death on the cross for our sake, and how He raises His friends to everlasting life with Him. (Introduction by dave7)

Robert Hugh Benson, who was educated at Eton College and Trinity College, Cambridge, was ordained an Anglican priest in 1895 by his father, the Archbishop of Canterbury. Eight years later, after weighty consideration, Robert Benson converted to Roman Catholicism. In 1904 he was ordained a Roman Catholic priest and took up residence in Cambridge, where he ministered to Roman Catholic students as their unofficial chaplain. In 1911, he was made a monsignor. Despite the brevity of his earthly life, Benson was a prolific writer whose literary productions span the gamut from devotional works, such as The Friendship of Christ, to sacred drama, children's books, apologetic works, historical fiction, and even science fiction. The Friendship of Christ, which bears an imprimatur, is based on sermons Benson preached in London and Rome in 1910 and 1911. In the first part of this book, he shows how one enters into a personal relationship with Jesus Christ through the purgative and illuminative ways. In the second part, he discusses several modes in which Christ offers us His friendship here and now, such as in the Eucharist, in the Church, in the priest, in the saint, in the sinner, in the average person, and in the sufferer. In Part III, Benson recalls how Jesus Christ proved the depth of His friendship with us by willingly accepting death on the cross for our sake, and how He raises His friends to everlasting life with Him. (Introduction by dave7)

Friendship of Christ, The by Robert Hugh Benson (1871 - 1914)

In American Notes, Rudyard Kipling, the Nobel Prize-winning author of the Jungle Book, visits the USA. As the travel-diary of an Anglo-Indian Imperialist visiting the USA, these American Notes offer an interesting view of America in the 1880s. Kipling affects a wide-eyed innocence, and expresses astonishment at features of American life that differ from his own, not least the freedom (and attraction) of American women. However, he scorns the political machines that made a mockery of American democracy, and while exhibiting the racist attitudes that made him controversial in the 20th century concludes “It is not good to be a negro in the land of the free and the home of the brave.” G. A. England of Harvard University (letter to The New York Times 10/11/1902) wrote: “To the American temperament, the gentleman who throws stones while himself living in a glass house cannot fail to be amusing; the more so if, as in Mr Kipling’s case, he appears to be in a state of maiden innocence regarding the structure of his own domicile.” (Summary by Tim Bulkeley with Quotations from the Gutenberg edition of American Notes and the online version of The New York Times of October 11th 1902.)

In American Notes, Rudyard Kipling, the Nobel Prize-winning author of the Jungle Book, visits the USA. As the travel-diary of an Anglo-Indian Imperialist visiting the USA, these American Notes offer an interesting view of America in the 1880s.Kipling affects a wide-eyed innocence, and expresses astonishment at features of American life that differ from his own, not least the freedom (and attraction) of American women. However, he scorns the political machines that made a mockery of American democracy, and while exhibiting the racist attitudes that made him controversial in the 20th century concludes “It is not good to be a negro in the land of the free and the home of the brave.”G. A. England of Harvard University (letter to The New York Times 10/11/1902) wrote: “To the American temperament, the gentleman who throws stones while himself living in a glass house cannot fail to be amusing; the more so if, as in Mr Kipling’s case, he appears to be in a state of maiden innocence regarding the structure of his own domicile.”(Summary by Tim Bulkeley with Quotations from the Gutenberg edition of American Notes and the online version of The New York Times of October 11th 1902.)

In American Notes, Rudyard Kipling, the Nobel Prize-winning author of the Jungle Book, visits the USA. As the travel-diary of an Anglo-Indian Imperialist visiting the USA, these American Notes offer an interesting view of America in the 1880s. Kipling affects a wide-eyed innocence, and expresses astonishment at features of American life that differ from his own, not least the freedom (and attraction) of American women. However, he scorns the political machines that made a mockery of American democracy, and while exhibiting the racist attitudes that made him controversial in the 20th century concludes “It is not good to be a negro in the land of the free and the home of the brave.” G. A. England of Harvard University (letter to The New York Times 10/11/1902) wrote: “To the American temperament, the gentleman who throws stones while himself living in a glass house cannot fail to be amusing; the more so if, as in Mr Kipling’s case, he appears to be in a state of maiden innocence regarding the structure of his own domicile.” (Summary by Tim Bulkeley with Quotations from the Gutenberg edition of American Notes and the online version of The New York Times of October 11th 1902.)

American Notes by Rudyard Kipling (1865 - 1936)

In May Sinclair’s remarkable first novel, Audrey Craven is a beautiful young woman who has by her idiosyncrasies acquired a thoroughly undeserved reputation for originality. In fact, Audrey is a shallow, selfish, malleable person of negligible intelligence, with a fastidious horror of anyone who might be considered a nobody. Her pursuit of the stimulation of extraordinary minds (and her persistent fantasy of being somebody’s Muse) brings her into contact with serious women and men representing the profoundest passions of art, religion, science, and love. The question is, will these encounters prove to be her salvation, or will her vindictive self-centeredness damage the ardent lives she touches? (Expatriate)

Audrey Craven by May Sinclair (1863 - 1946)

Every episode contains a spoiler-free discussion where we predict a movie's outcome based solely on the trailer and a spoiler-rich discussion where we discuss how we did for the last episode's predictions. Plus lots of talk about TV shows and other movies.

Here's How It Goes

Kuosissa on muodin erikoisohjelma, joka keskittyy kestävään muotiin ja avaa kuulijoille maailmaa ja tarinoita muodin kulissien takaa.

Kuosissa

GLT's Center Stage features show-stopper after show-stopper from Broadway, those much loved MGM-Hollywood musicals, and London's West End. Count on singing along with classic show tunes and soundtracks as well as the best new music from stage and screen. Between Broadway and Hollywood, you're always Center Stage with GLT.

Center Stage

I Podcast della libreria Il Colibrì. Un luogo dove le parole trovano casa e ogni lettore scopre la giusta atmosfera per avvicinarsi al “proprio libro”. Recensioni brevi delle novità letterarie. Uscite settimanali. Realizzate da Barbara Lora Lamia.

I Podcast della libreria Il Colibrì. Un luogo dove le parole trovano casa e ogni lettore scopre la giusta atmosfera per avvicinarsi al “proprio libro”. Recensioni brevi delle novità letterarie. Uscite settimanali. Realizzate da Barbara Lora Lamia.

I Podcast della libreria Il Colibrì. Un luogo dove le parole trovano casa e ogni lettore scopre la giusta atmosfera per avvicinarsi al “proprio libro”. Recensioni brevi delle novità letterarie. Uscite settimanali. Realizzate da Barbara Lora Lamia.

«PAGINE PARLATE TRA I LIBRI»

【IATC(HK)首個廣播劇！《劇本的回音》】

念念不忘，必有回響。本地原創劇本在舞台上蕩氣迴腸，十年過去，言猶在耳。

現在我們回到編劇的文字，一起收聽劇本的回音。

🔊~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

國際演藝評論家協會（香港分會）獲香港藝術發展局資助進行「劇本的回音：2013-2017年香港劇本選輯與讀劇網上廣播計劃」，為本會首個廣播劇製作。本計劃旨於整理並活化香港劇場原創作品的成果，更凝聚不同界別的創作人和表演者，透過聲音演繹重探香港原創文本的活力，讓觀眾重溫香港具代表性的劇本，打開對文本的想像。

本計劃經由編選委員會選出劇本，並為其撰寫短評。廣播劇呈現每個劇本約十分鐘的精彩選段，由新進導演、劇場構作、演員與聲音設計師重新演繹。廣播劇和短評將會同步推出。

編選委員會由九位資深劇場工作者、劇評人及劇場研究者組成，成員包括（按筆畫序）：丁羽先生、朱琼愛女士、張秉權博士、陳國慧女士、陳嘉恩博士、潘璧雲女士、鄧正健博士、鄭威鵬博士、盧偉力博士。

入選劇本合共十四個，類型由傳統戲劇、獨腳戲、紀錄劇場以至新文本。評審的考慮要素包括：劇本的題材、藝術風格、語言特色、劇情推進、成熟度、完整度、代表性、可演性、多樣性，能否反映當下社會和地區的特色等。

《劇本的回音》經已在本會的Spotify、Apple Podcast以及YouTube channel推出。

🔊~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

參與計劃人員名單（按筆畫序）：
導演：張凱婷°、盧宜敬^
戲劇構作：賴閃芳
演員：申偉強、杜艷珊、林浩迪、林嘉婷、周漢寧、高翰文*、張俊文、張凱婷°、張焱*、陳淑儀、陳琳欣、梁浩邦、黃衍仁、楊寶霖、蔡運華、鄭綺釵、 黎啟勁、 黎逸正、盧宜敬^、謝君豪 、謝慧思、蘇巧珊
錄音與聲音剪接：Lok Chan
聲音剪接：陳衍昊
原創音樂及音響設計：黃衍仁、簡僖進、Allison Fong
錄音場地：Wave Room Studio
平面設計：江田雀
統籌及製作：國際演藝評論家協會（香港分會）

° 承蒙一島劇場允許參與是次製作
^ 承蒙劇場方程式允許參與是次製作
* 承蒙香港話劇團允許參與是次製作

本計劃由香港藝術發展局資助。
香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。

--
Hosting provided by <a href="https://www.soundon.fm/" target="_blank">SoundOn</a>

【IATC(HK)首個廣播劇！《劇本的回音》】 念念不忘，必有回響。本地原創劇本在舞台上蕩氣迴腸，十年過去，言猶在耳。 現在我們回到編劇的文字，一起收聽劇本的回音。 🔊~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 國際演藝評論家協會（香港分會）獲香港藝術發展局資助進行「劇本的回音：2013-2017年香港劇本選輯與讀劇網上廣播計劃」，為本會首個廣播劇製作。本計劃旨於整理並活化香港劇場原創作品的成果，更凝聚不同界別的創作人和表演者，透過聲音演繹重探香港原創文本的活力，讓觀眾重溫香港具代表性的劇本，打開對文本的想像。 本計劃經由編選委員會選出劇本，並為其撰寫短評。廣播劇呈現每個劇本約十分鐘的精彩選段，由新進導演、劇場構作、演員與聲音設計師重新演繹。廣播劇和短評將會同步推出。 編選委員會由九位資深劇場工作者、劇評人及劇場研究者組成，成員包括（按筆畫序）：丁羽先生、朱琼愛女士、張秉權博士、陳國慧女士、陳嘉恩博士、潘璧雲女士、鄧正健博士、鄭威鵬博士、盧偉力博士。 入選劇本合共十四個，類型由傳統戲劇、獨腳戲、紀錄劇場以至新文本。評審的考慮要素包括：劇本的題材、藝術風格、語言特色、劇情推進、成熟度、完整度、代表性、可演性、多樣性，能否反映當下社會和地區的特色等。 《劇本的回音》經已在本會的Spotify、Apple Podcast以及YouTube channel推出。 🔊~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 參與計劃人員名單（按筆畫序）： 導演：張凱婷°、盧宜敬^ 戲劇構作：賴閃芳 演員：申偉強、杜艷珊、林浩迪、林嘉婷、周漢寧、高翰文*、張俊文、張凱婷°、張焱*、陳淑儀、陳琳欣、梁浩邦、黃衍仁、楊寶霖、蔡運華、鄭綺釵、 黎啟勁、 黎逸正、盧宜敬^、謝君豪 、謝慧思、蘇巧珊 錄音與聲音剪接：Lok Chan 聲音剪接：陳衍昊 原創音樂及音響設計：黃衍仁、簡僖進、Allison Fong 錄音場地：Wave Room Studio 平面設計：江田雀 統籌及製作：國際演藝評論家協會（香港分會） ° 承蒙一島劇場允許參與是次製作 ^ 承蒙劇場方程式允許參與是次製作 * 承蒙香港話劇團允許參與是次製作 本計劃由香港藝術發展局資助。 香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。 -- Hosting provided by SoundOn

【IATC(HK)首個廣播劇！《劇本的回音》】

念念不忘，必有回響。本地原創劇本在舞台上蕩氣迴腸，十年過去，言猶在耳。

現在我們回到編劇的文字，一起收聽劇本的回音。

🔊~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

國際演藝評論家協會（香港分會）獲香港藝術發展局資助進行「劇本的回音：2013-2017年香港劇本選輯與讀劇網上廣播計劃」，為本會首個廣播劇製作。本計劃旨於整理並活化香港劇場原創作品的成果，更凝聚不同界別的創作人和表演者，透過聲音演繹重探香港原創文本的活力，讓觀眾重溫香港具代表性的劇本，打開對文本的想像。

本計劃經由編選委員會選出劇本，並為其撰寫短評。廣播劇呈現每個劇本約十分鐘的精彩選段，由新進導演、劇場構作、演員與聲音設計師重新演繹。廣播劇和短評將會同步推出。

編選委員會由九位資深劇場工作者、劇評人及劇場研究者組成，成員包括（按筆畫序）：丁羽先生、朱琼愛女士、張秉權博士、陳國慧女士、陳嘉恩博士、潘璧雲女士、鄧正健博士、鄭威鵬博士、盧偉力博士。

入選劇本合共十四個，類型由傳統戲劇、獨腳戲、紀錄劇場以至新文本。評審的考慮要素包括：劇本的題材、藝術風格、語言特色、劇情推進、成熟度、完整度、代表性、可演性、多樣性，能否反映當下社會和地區的特色等。

《劇本的回音》經已在本會的Spotify、Apple Podcast以及YouTube channel推出。

🔊~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

參與計劃人員名單（按筆畫序）：
導演：張凱婷°、盧宜敬^
戲劇構作：賴閃芳
演員：申偉強、杜艷珊、林浩迪、林嘉婷、周漢寧、高翰文*、張俊文、張凱婷°、張焱*、陳淑儀、陳琳欣、梁浩邦、黃衍仁、楊寶霖、蔡運華、鄭綺釵、 黎啟勁、 黎逸正、盧宜敬^、謝君豪 、謝慧思、蘇巧珊
錄音與聲音剪接：Lok Chan
聲音剪接：陳衍昊
原創音樂及音響設計：黃衍仁、簡僖進、Allison Fong
錄音場地：Wave Room Studio
平面設計：江田雀
統籌及製作：國際演藝評論家協會（香港分會）

° 承蒙一島劇場允許參與是次製作
^ 承蒙劇場方程式允許參與是次製作
* 承蒙香港話劇團允許參與是次製作

本計劃由香港藝術發展局資助。
香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。

--
Hosting provided by <a href="https://www.soundon.fm/" rel="noopener noreferrer">SoundOn</a>

劇本的回音：2013-2017年香港劇本選輯與讀劇網上廣播計劃

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Our story begins in the woods of New Hampshire...no, but really...
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Conception sonore: Am&eacute;lie Charcosset et Jeanne Thomas 
Mixage: Jeanne Thomas 
 
Un immense merci &agrave; toutes celles qui ont partag&eacute; leur histoire de cri avec moi: Ad&egrave;le, Alexandra-Julie, Anabelle, Ana&euml;lle, Annie, Ariane, Audrey, B&eacute;line, C&eacute;line, Claire, Coralie, Delphine, Elizabeth, &Eacute;lodie, &Eacute;milie, Emmanuelle, Fanny, Madeleine, Manon, Marie, Marie, Marie-Emmeline, Marie-Pierre, Marion, Marion, Mathilde, M&eacute;lanie, Milena, Morgane, Nicole, Rosalie, Sophie, Sophie, Sophie, Wave et Zo&eacute;. 
 
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Guilherme Bernardes William, JT Wayne, Wild Tulip, Zakhar Valaha via Pixabay 
Empyrean, Okaya, Ramol, Stanley Gurvich,Yehezkel Raz via Artlist 
 
--- 
Podcast produit dans le cadre de&nbsp;<a href="https://radiobascule.ch/appel-a-projet" target="_blank">l&#39;appel &agrave; projets</a> de Radio Bascule 2023-2024 
Publi&eacute; en janvier 2024

Je tiens en trois lettres mais je prends généralement plus de place, qui suis-je? En commençant à écrire un roman sur la thématique du cri, je n'imaginais pas toutes les questions que ça allait soulever en moi. Quels cris est-ce qu’on porte en soi? Qu’est-ce qu’ils racontent de nous? Comment fait-on pour les laisser sortir? Et pourquoi est-ce que c’est si difficile? Comment est-ce qu’on vit avec nos cris, et est-ce qu’on peut se réconcilier avec eux? Pour tenter de trouver des réponses, je suis partie à la rencontre de femmes qui m'ont raconté leur histoire de cri et la relation qu'elles avaient avec cette drôle d'activité qu'est crier. Retenus ou poussés, rentrés ou retentissants, perplexes, libérateurs, étonnants ou attendus, joyeux ou à bout de souffle, voici une collection de cris en échos et miroirs. Une exploration sensible, intime et collective, pour donner, ensemble, corps à nos cris. Et vous, à quoi ressemble le cri qui vous accompagne? Création et réalisation: Amélie Charcosset Conception sonore: Amélie Charcosset et Jeanne Thomas Mixage: Jeanne Thomas Un immense merci à toutes celles qui ont partagé leur histoire de cri avec moi: Adèle, Alexandra-Julie, Anabelle, Anaëlle, Annie, Ariane, Audrey, Béline, Céline, Claire, Coralie, Delphine, Elizabeth, Élodie, Émilie, Emmanuelle, Fanny, Madeleine, Manon, Marie, Marie, Marie-Emmeline, Marie-Pierre, Marion, Marion, Mathilde, Mélanie, Milena, Morgane, Nicole, Rosalie, Sophie, Sophie, Sophie, Wave et Zoé. Crédits musicaux: Guilherme Bernardes William, JT Wayne, Wild Tulip, Zakhar Valaha via Pixabay Empyrean, Okaya, Ramol, Stanley Gurvich,Yehezkel Raz via Artlist --- Podcast produit dans le cadre de l'appel à projets de Radio Bascule 2023-2024 Publié en janvier 2024

Je tiens en trois lettres mais je prends généralement plus de place, qui suis-je? En commençant à écrire un roman sur la thématique du cri, je n'imaginais pas toutes les questions que ça allait soulever en moi. 
 
Quels cris est-ce qu’on porte en soi? Qu’est-ce qu’ils racontent de nous? Comment fait-on pour les laisser sortir? Et pourquoi est-ce que c’est si difficile? Comment est-ce qu’on vit avec nos cris, et est-ce qu’on peut se réconcilier avec eux? 
 
Pour tenter de trouver des réponses, je suis partie à la rencontre de femmes qui m'ont raconté leur histoire de cri et la relation qu'elles avaient avec cette drôle d'activité qu'est crier. 
 
Retenus ou poussés, rentrés ou retentissants, perplexes, libérateurs, étonnants ou attendus, joyeux ou à bout de souffle, voici une collection de cris en échos et miroirs. Une exploration sensible, intime et collective, pour donner, ensemble, corps à nos cris. 
 
Et vous, à quoi ressemble le cri qui vous accompagne? 
 
Création et réalisation: Amélie Charcosset 
Conception sonore: Amélie Charcosset et Jeanne Thomas 
Mixage: Jeanne Thomas 
 
Un immense merci à toutes celles qui ont partagé leur histoire de cri avec moi: Adèle, Alexandra-Julie, Anabelle, Anaëlle, Annie, Ariane, Audrey, Béline, Céline, Claire, Coralie, Delphine, Elizabeth, Élodie, Émilie, Emmanuelle, Fanny, Madeleine, Manon, Marie, Marie, Marie-Emmeline, Marie-Pierre, Marion, Marion, Mathilde, Mélanie, Milena, Morgane, Nicole, Rosalie, Sophie, Sophie, Sophie, Wave et Zoé. 
 
Crédits musicaux: 
Guilherme Bernardes William, JT Wayne, Wild Tulip, Zakhar Valaha via Pixabay 
Empyrean, Okaya, Ramol, Stanley Gurvich,Yehezkel Raz via Artlist 
 
--- 
Podcast produit dans le cadre de&nbsp;<a href="https://radiobascule.ch/appel-a-projet" rel="noopener noreferrer">l'appel à projets</a> de Radio Bascule 2023-2024 
Publié en janvier 2024

Arts Podcasts / Page 3443

It's a Meaningful LIfe - It Just Takes Practice

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Dream, The by John Donne (1572 - 1631)

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しんせつスタジオのしゃべって談巣！