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Written originally for his own children, Rudyard Kipling's Just So Stories have continued to delight generations of youngsters since they were first published in 1902. The thirteen stories collected in this book are meant for very young children, but they engage older kids and adults too with their charming conversational style and simple plot lines.

These stories are typical examples of the “origin” story, where children are provided with imaginative rather than practical explanations for the “why” “what” “how” “where” “who” “when” questions of childhood. The Just So Stories were tales that Kipling would tell his own daughter who tragically died in infancy of pneumonia.

An early forerunner of these stories can be found in The Second Jungle Book in the chapter, “How Fear Came” where the story of how the tiger got its stripes is narrated to Mowgli. All the fables in the Just So Stories follow a similar theme. They relate how a particular creature is altered from an original form into its present appearance either by a magical spirit or a human being. So the reader encounters wonderful and fantastical reasons why The Whale Got Its Throat, The Camel Got Its Hump, The Rhinoceros Got Its Skin, How the Alphabet was Made,  and so on.

Written in a pretend grand style, as though the narrator was recounting a great and important myth, the stories are studded with fabulous made up words and turns of phrase that catch the reader's attention. Comic exaggeration, wordplay, lots of spontaneous, funny poems, juxtapositions of everyday events with the fantastical tales, amusing and entertaining “explanations” and a short poem at the beginning of each story serve to highlight Kipling's prodigious story telling talents.

The reader is always called “Best Beloved” which adds to the personal touch, reminding us of the original listeners of these stories, who were Kipling's own children. Some of the stories may seem politically incorrect to modern day readers, but they must be read in the context in which they were written and could in fact become a starting point for discussions on such issues as race, gender etc. with your own children.

Written originally for his own children, Rudyard Kipling's Just So Stories have continued to delight generations of youngsters since they were first published in 1902. The thirteen stories collected in this book are meant for very young children, but they engage older kids and adults too with their charming conversational style and simple plot lines. These stories are typical examples of the “origin” story, where children are provided with imaginative rather than practical explanations for the “why” “what” “how” “where” “who” “when” questions of childhood. The Just So Stories were tales that Kipling would tell his own daughter who tragically died in infancy of pneumonia. An early forerunner of these stories can be found in The Second Jungle Book in the chapter, “How Fear Came” where the story of how the tiger got its stripes is narrated to Mowgli. All the fables in the Just So Stories follow a similar theme. They relate how a particular creature is altered from an original form into its present appearance either by a magical spirit or a human being. So the reader encounters wonderful and fantastical reasons why The Whale Got Its Throat, The Camel Got Its Hump, The Rhinoceros Got Its Skin, How the Alphabet was Made, and so on. Written in a pretend grand style, as though the narrator was recounting a great and important myth, the stories are studded with fabulous made up words and turns of phrase that catch the reader's attention. Comic exaggeration, wordplay, lots of spontaneous, funny poems, juxtapositions of everyday events with the fantastical tales, amusing and entertaining “explanations” and a short poem at the beginning of each story serve to highlight Kipling's prodigious story telling talents. The reader is always called “Best Beloved” which adds to the personal touch, reminding us of the original listeners of these stories, who were Kipling's own children. Some of the stories may seem politically incorrect to modern day readers, but they must be read in the context in which they were written and could in fact become a starting point for discussions on such issues as race, gender etc. with your own children.

Just So Stories by Rudyard Kipling

Erotica.

Need more than that? Okay...

Alessia Brio presents erotic stories selected from the "Coming Together" print and ebook anthologies, in audio form. Read by some of the finest talents in the podcasting world, written by some of the finest talents in the erotica world, this podcast anthology is a feast for the imagination.

Profits and donations associated with this production benefit the Disabled American Veterans Trust.

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Erotica. Need more than that? Okay... Alessia Brio presents erotic stories selected from the "Coming Together" print and ebook anthologies, in audio form. Read by some of the finest talents in the podcasting world, written by some of the finest talents in the erotica world, this podcast anthology is a feast for the imagination. Profits and donations associated with this production benefit the Disabled American Veterans Trust.

Erotica.

Need more than that?  Okay...

Alessia Brio presents erotic stories selected from the  "Coming Together" print and ebook anthologies, in audio form.  Read by some of the finest talents in the podcasting world, written by some of the finest talents in the erotica world, this podcast anthology is a feast for the imagination.

Profits and donations associated with this production benefit the Disabled American Veterans Trust.



Coming Together: Out Loud, Volume 1

Arcane Tales of Horror

This Exists is a popular YouTube channel exploring the fringes of pop culture, from Scientology jazz to Ugandan action cinema. On this podcast, host Sam Sutherland connects with the people responsible for the curiosities and quirks that make the fringes interesting.

This Exists

Join The Wych as he hurtles through time and space as the Doomsday Clock winds down to zero, entertaining himself with some of the weirdest films in horror and cult cinema!

Wych vs The Doomsday Clock

Sean and the Matts read horrible poetry and make fun of each other.

Cold Dog Soup

A couple that watches and talks about horror movies.  http://bloodyinlove.com

A couple that watches and talks about horror movies. http://bloodyinlove.com

Bloody in Love - A Horror Movie Podcast

Singer Songwriter William McCarthy's travels, musings, rants and passions recorded remotely in intermittent Podcast form. Onward!

Onward with William McCarthy

Mixing up my favorite music! From workout and radio mixes, to throwback mixes and bangers i'm playing in the club! Subscribe to stay up to date! Follow on social media: @natecyaheard

Nate C. The Chief Radio

Anna Mann. Actress, singer, welder (got to have a back up). Siren of the stage and screen. Hear her discuss the intensely brave, visceral and real art of Acting with some of the greatest practitioners of the greatest of all crafts. The creation of acclaimed Character comedian Colin Hoult (Derek, Life's Too Short, Murder in Successville) Anna is joined by some of the best comics and actors in the guise of some truly bizarre guests.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Anna Mann. Actress, singer, welder (got to have a back up). Siren of the stage and screen. Hear her discuss the intensely brave, visceral and real art of Acting with some of the greatest practitioners of the greatest of all crafts. The creation of acclaimed Character comedian Colin Hoult (Derek, Life's Too Short, Murder in Successville) Anna is joined by some of the best comics and actors in the guise of some truly bizarre guests. Hosted on Acast. See acast.com/privacy for more information.

Anna Mann. Actress, singer, welder (got to have a back up). Siren of the stage and screen. Hear her discuss the intensely brave, visceral and real art of Acting with some of the greatest practitioners of the greatest of all crafts. The creation of acclaimed Character comedian Colin Hoult (Derek, Life's Too Short, Murder in Successville) Anna is joined by some of the best comics and actors in the guise of some truly bizarre guests. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Anna Mann Podcast

From the editors of MEAT+POULTRY, this weekly Podcast is your online portal to hear from experts in the industry about the latest news, trends, technologies and people in the world of meat and poultry processing.

MEAT+POULTRY Podcast

The internet's last best hope for the cultural redemption of literary criticism.

The Joy of Serious Literature

Tune in for focused conversations about our favorite video games, as a rotating cast of close friends look at them from the perspective of art, design, and storytelling. Discover something new or revisit a classic with us, as we discuss games ranging from contemporary epics to remakes and indies.

Screen Looking

it is adventurous sounding / water animal joy

radio/no/place

A podcast from Phil Morse that each week explores the life and times of a guest who has followed his or her passions and made a career out of DJing, producing, parties, dance culture, or some other intriguing corner of the music industry.

Tales From The Dancefloor

Short conversations about creative sustainability with working artists from Toronto and beyond. Hosted and produced by Anupa Mistry.Support this show <a target="_blank" rel="payment" href="http://supporter.acast.com/burnout">http://supporter.acast.com/burnout</a>. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Short conversations about creative sustainability with working artists from Toronto and beyond. Hosted and produced by Anupa Mistry. Support this show http://supporter.acast.com/burnout. Hosted on Acast. See acast.com/privacy for more information.

Short conversations about creative sustainability with working artists from Toronto and beyond. Hosted and produced by Anupa Mistry.Support this show <a href="http://supporter.acast.com/burnout" rel="noopener noreferrer">http://supporter.acast.com/burnout</a>. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Burn Out

Welcome to Digging Deep: a boscia skincare podcast where we talk about all things skincare like ingredients, j-beauty, and our newest products! Get a deeper dive of boscia and everything we stand for.

Digging Deep: a boscia skincare podcast

Although the service industry is the primary economic engine of New Orleans, the stories of these professionals are largely untold. Brought to you by Lorenzo Reef &amp; Cicada Radio, this is your favorite show about service industry life in New Orleans.

Although the service industry is the primary economic engine of New Orleans, the stories of these professionals are largely untold. Brought to you by Lorenzo Reef & Cicada Radio, this is your favorite show about service industry life in New Orleans.

How Do You Like Your Eggs?

BREWDACRIS is a podcast dedicated to the two most important things in life: cold beer and rapper/actor/icon, Chris “Ludacris’ Bridges. In each episode, Mike and Jack crack open a cold one with a guest, have some laughs, play some games and chat about all things beer and Luda. Brewdacris is coming for that #1 podcast spot!

Brewdacris

A podcast that reviews graphic novels within the context of art and story based on their relationship to popular media.

Graphically Novel

The Sounds of Brooklyn and Beyond is a weekly bilingual radio show hosted by keyboardist Erik Deutsch (with translations by Sara Valenzuela). Broadcast in Jalisco, Mexico, each episode focuses on new and vintage cutting edge jazz music from Erik's circle of friends and personal collection.

The Sounds of Brooklyn and Beyond is a weekly bilingual radio show hosted by keyboardist Erik Deutsch (with translations by Sara Valenzuela). Broadcast in Jalisco, Mexico, each episode focuses on new and vintage cutting edge jazz music from Erik's circle of friends and personal collection.

The Sounds of Brooklyn and Beyond

Talking comics, video games, entertainment, imagination, action figures, toys and more while doing our best to help you escape and be entertained!

House Of M

Creativity Speaks explores the stories of Sacramento’s creative community. In each episode, Sureena Johl and Phil Tretheway interview a different member of the creative community.

Creativity Speaks

ערוץ הפודקאסטים של רדיו תל אביב

תכנית הבוקר

Works of classical repertoire often exhibit complexity in their use of orchestration, counterpoint, harmony, musical development, rhythm, phrasing, texture, and form. Whereas most popular styles are usually written in song form, classical music is noted for its development of highly sophisticated instrumental musical forms, like the concerto, symphony and sonata. Classical music is also noted for its use of sophisticated vocal/instrumental forms, such as opera. In opera, vocal soloists and choirs perform staged dramatic works with an orchestra providing accompaniment. Longer instrumental works are often divided into self-contained pieces, called movements, often with contrasting characters or moods. For instance, symphonies written during the Classical period are usually divided into four movements: ( 1) An opening Allegro in sonata form, a slow movement, a minuet or scherzo (in a triple metre, such as 3 4), and a final Allegro. These movements can then be further broken down into a hierarchy of smaller units: first sections, then periods, and finally phrases. Performers who have studied classical music extensively are said to be "classically trained". This training may come from private lessons from instrument or voice teachers or from completion of a formal program offered by a Conservatory, college or university, such as a Bachelor of Music or Master of Music degree (which includes individual lessons from professors). In classical music, "...extensive formal music education and training, often to postgraduate [Master's degree] level" is required. Performance of classical music repertoire requires a proficiency in sight-reading and ensemble playing, harmonic principles, strong ear training (to correct and adjust pitches by ear), knowledge of performance practice (e.g., Baroque ornamentation), and a familiarity with the style/musical idiom expected for a given composer or musical work (e.g., a Brahms symphony or a Mozart concerto). The key characteristic of European classical music that distinguishes it from popular music and folk music is that the repertoire tends to be written down in musical notation, creating a musical part or score. This score typically determines details of rhythm, pitch, and, where two or more musicians (whether singers or instrumentalists) are involved, how the various parts are coordinated. The written quality of the music has enabled a high level of complexity within them: fugues, for instance, achieve a remarkable marriage of boldly distinctive melodic lines weaving in counterpoint yet creating a coherent harmonic logic. The use of written notation also preserves a record of the works and enables Classical musicians to perform music from many centuries ago. Although Classical music in the 2000s has lost most of its tradition for musical improvisation, from the Baroque era to the Romantic era, there are examples of performers who could improvise in the style of their era. In the Baroque era, organ performers would improvise preludes, keyboard performers playing harpsichord would improvise chords from the figured bass symbols beneath the bass notes of the basso continuo part and both vocal and instrumental performers would improvise musical ornaments. Johann Sebastian Bach was particularly noted for his complex improvisations. During the Classical era, the composer-performer Mozart was noted for his ability to improvise melodies in different styles. During the Classical era, some virtuoso soloists would improvise the cadenza sections of a concerto. During the Romantic era, Beethoven would improvise at the piano. classical music ,classical music news ,classicalmusicworldusic youtube ,classical music composers ,classical music radio ,music history ,classicalmusic lover ,classicalmusicblog ,classical music downloads ,classical music concerts ,classical music for babies ,classical music for studying ,classical music for kids ,classical music online ,classical music of...<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Works of classical repertoire often exhibit complexity in their use of orchestration, counterpoint, harmony, musical development, rhythm, phrasing, texture, and form. Whereas most popular styles are usually written in song form, classical music is noted for its development of highly sophisticated instrumental musical forms, like the concerto, symphony and sonata. Classical music is also noted for its use of sophisticated vocal/instrumental forms, such as opera. In opera, vocal soloists and choirs perform staged dramatic works with an orchestra providing accompaniment.Longer instrumental works are often divided into self-contained pieces, called movements, often with contrasting characters or moods. For instance, symphonies written during the Classical period are usually divided into four movements:( 1) An opening Allegro in sonata form, a slow movement,a minuet or scherzo (in a triple metre, such as 34), and a final Allegro.These movements can then be further broken down into a hierarchy of smaller units: first sections, then periods, and finally phrases.Performers who have studied classical music extensively are said to be "classically trained". This training may come from private lessons from instrument or voice teachers or from completion of a formal program offered by a Conservatory, college or university, such as a Bachelor of Music or Master of Music degree (which includes individual lessons from professors). In classical music, "...extensive formal music education and training, often to postgraduate [Master's degree] level" is required.Performance of classical music repertoire requires a proficiency in sight-reading and ensemble playing, harmonic principles, strong ear training (to correct and adjust pitches by ear), knowledge of performance practice (e.g., Baroque ornamentation), and a familiarity with the style/musical idiom expected for a given composer or musical work (e.g., a Brahms symphony or a Mozart concerto).The key characteristic of European classical music that distinguishes it from popular music and folk music is that the repertoire tends to be written down in musical notation, creating a musical part or score. This score typically determines details of rhythm, pitch, and, where two or more musicians (whether singers or instrumentalists) are involved, how the various parts are coordinated. The written quality of the music has enabled a high level of complexity within them: fugues, for instance, achieve a remarkable marriage of boldly distinctive melodic lines weaving in counterpoint yet creating a coherent harmonic logic.The use of written notation also preserves a record of the works and enables Classical musicians to perform music from many centuries ago.Although Classical music in the 2000s has lost most of its tradition for musical improvisation, from the Baroque era to the Romantic era, there are examples of performers who could improvise in the style of their era. In the Baroque era, organ performers would improvise preludes, keyboard performers playing harpsichord would improvise chords from the figured bass symbols beneath the bass notes of the basso continuo part and both vocal and instrumental performers would improvise musical ornaments.Johann Sebastian Bach was particularly noted for his complex improvisations. During the Classical era, the composer-performer Mozart was noted for his ability to improvise melodies in different styles. During the Classical era, some virtuoso soloists would improvise the cadenza sections of a concerto. During the Romantic era, Beethoven would improvise at the piano.classical music ,classical music news ,classicalmusicworldusic youtube ,classical music composers ,classical music radio ,music history ,classicalmusic lover ,classicalmusicblog ,classical music downloads ,classical music concerts ,classical music for babies ,classical music for studying ,classical music for kids ,classical music online ,classical music of... Hosted on Acast. See acast.com/privacy for more information.

Works of classical repertoire often exhibit complexity in their use of orchestration, counterpoint, harmony, musical development, rhythm, phrasing, texture, and form. Whereas most popular styles are usually written in song form, classical music is noted for its development of highly sophisticated instrumental musical forms, like the concerto, symphony and sonata. Classical music is also noted for its use of sophisticated vocal/instrumental forms, such as opera. In opera, vocal soloists and choirs perform staged dramatic works with an orchestra providing accompaniment. Longer instrumental works are often divided into self-contained pieces, called movements, often with contrasting characters or moods. For instance, symphonies written during the Classical period are usually divided into four movements: ( 1) An opening Allegro in sonata form, a slow movement, a minuet or scherzo (in a triple metre, such as 3 4), and a final Allegro. These movements can then be further broken down into a hierarchy of smaller units: first sections, then periods, and finally phrases. Performers who have studied classical music extensively are said to be "classically trained". This training may come from private lessons from instrument or voice teachers or from completion of a formal program offered by a Conservatory, college or university, such as a Bachelor of Music or Master of Music degree (which includes individual lessons from professors). In classical music, "...extensive formal music education and training, often to postgraduate [Master's degree] level" is required. Performance of classical music repertoire requires a proficiency in sight-reading and ensemble playing, harmonic principles, strong ear training (to correct and adjust pitches by ear), knowledge of performance practice (e.g., Baroque ornamentation), and a familiarity with the style/musical idiom expected for a given composer or musical work (e.g., a Brahms symphony or a Mozart concerto). The key characteristic of European classical music that distinguishes it from popular music and folk music is that the repertoire tends to be written down in musical notation, creating a musical part or score. This score typically determines details of rhythm, pitch, and, where two or more musicians (whether singers or instrumentalists) are involved, how the various parts are coordinated. The written quality of the music has enabled a high level of complexity within them: fugues, for instance, achieve a remarkable marriage of boldly distinctive melodic lines weaving in counterpoint yet creating a coherent harmonic logic. The use of written notation also preserves a record of the works and enables Classical musicians to perform music from many centuries ago. Although Classical music in the 2000s has lost most of its tradition for musical improvisation, from the Baroque era to the Romantic era, there are examples of performers who could improvise in the style of their era. In the Baroque era, organ performers would improvise preludes, keyboard performers playing harpsichord would improvise chords from the figured bass symbols beneath the bass notes of the basso continuo part and both vocal and instrumental performers would improvise musical ornaments. Johann Sebastian Bach was particularly noted for his complex improvisations. During the Classical era, the composer-performer Mozart was noted for his ability to improvise melodies in different styles. During the Classical era, some virtuoso soloists would improvise the cadenza sections of a concerto. During the Romantic era, Beethoven would improvise at the piano. classical music ,classical music news ,classicalmusicworldusic youtube ,classical music composers ,classical music radio ,music history ,classicalmusic lover ,classicalmusicblog ,classical music downloads ,classical music concerts ,classical music for babies ,classical music for studying ,classical music for kids ,classical music online ,classical music of... Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The #1 Musical Experience

Teaching Artists Gavin Bernard and Paras Chaudhari navigate challenging circumstances and search for solutions alongside resilient and creative Atlanta Public High School students.The real, uncensored conversations exist to be an inspiration for other youth-serving educators to share stories of their own work.

Embrace the Mess

Your guide to surviving and thriving in the digital age. Creative entrepreneurs, freelancers, and working artists talk about the keys to their success and the lessons from their failures. Hosted by Drew Lewis and Caleb Auston, this is the Art of the Grind. Whether you’re an up-and-coming artist and feeling the isolation of putting in hundreds of hours by yourself, or a struggling entrepreneur hoping to learn new survival techniques during these trying times -- the grind is real. We might not have all the answers, but in this podcast we’ll explore unique perspectives from self-made professionals and champion the idea of community. None of us are in this alone. Subscribe and stay on your grind!  The Art of the Grind theme music was written and composed by Caleb Auston.  © 2020 Black Canvas Productions, LLC. All right reserved.

Your guide to surviving and thriving in the digital age. Creative entrepreneurs, freelancers, and working artists talk about the keys to their success and the lessons from their failures. Hosted by Drew Lewis and Caleb Auston, this is the Art of the Grind. Whether you’re an up-and-coming artist and feeling the isolation of putting in hundreds of hours by yourself, or a struggling entrepreneur hoping to learn new survival techniques during these trying times -- the grind is real. We might not have all the answers, but in this podcast we’ll explore unique perspectives from self-made professionals and champion the idea of community. None of us are in this alone. Subscribe and stay on your grind! The Art of the Grind theme music was written and composed by Caleb Auston. © 2020 Black Canvas Productions, LLC. All right reserved.

The Art of the Grind

Blood and Ashes is a spoiler filled, chapter by chapter discussion of the Wheel of Time series of fantasy novels penned by Robert Jordan and Brandon Sanderson.Join us, three middle aged dads, as we re-read the series and enthusiastically discuss all the best bits from each chapter. Do we know every single thing about the world of The Wheel of Time? No. Do we know half? Probably not. Does that stop us from wildly speculating and tapping into half faded memories from our teens? Definitely not!It's all just a good ol' time for anyone looking to relive the highs and lows of Rand's journey. Pull in!

Blood and Ashes is a spoiler filled, chapter by chapter discussion of the Wheel of Time series of fantasy novels penned by Robert Jordan and Brandon Sanderson.Join us, three middle aged dads, as we re-read the series and enthusiastically discuss all the best bits from each chapter. Do we know every single thing about the world of The Wheel of Time? No. Do we know half? Probably not. Does that stop us from wildly speculating and tapping into half faded memories from our teens? Definitely not!It's all just a good ol' time for anyone looking to relive the highs and lows of Rand's journey. Pull in!

Blood and Ashes: A Wheel of Time Spoilercast

Andy Foster, an incredibly knowledgeable horror patrician and Lucas Peterson, a movie "normie" or pleb, discuss movies in the Horror and "Awful" genres.

HorrorFul Podcast

The Creative Pulse is a podcast about people and their creative passions. On each episode host Angela de Burger connects with people who are fired up about expressing themselves by imagining, experimenting and creating. You’ll hear from inspiring creators who’ll give you lots of ideas about how you can explore your creativity too.&nbsp;

The Creative Pulse is a podcast about people and their creative passions. On each episode host Angela de Burger connects with people who are fired up about expressing themselves by imagining, experimenting and creating. You’ll hear from inspiring creators who’ll give you lots of ideas about how you can explore your creativity too. 

The Creative Pulse podcast

Friends, Matt and Peter discuss books and currents reads in a humorous and informal manner.

There Will Be Books

Friends and romance fanatics Jennifer Proffitt & Heather Waters may not get each other to join their latest shipping obsession, but they're still gonna try. New episodes Tuesdays.

Friends and romance fanatics Jennifer Proffitt &amp; Heather Waters may not get each other to join their latest shipping obsession, but they're still gonna try. New episodes Tuesdays.

Ship Tease

Some of today’s most topical issues polarise people. In Who Cares Wins with Lily Cole, Lily invites guests with different perspectives to explore critical issues - from technology, food, to mental health and capitalism - and their relationship to the environment.

The podcast emerged from the research Lily did for her book ('Who Cares Wins: A Thousand How to Protect the Planet You Love: A thousand ways to solve the climate crisis: from tech-utopia to indigenous wisdom')

Season One explores the topics explored in Lily's book of the same name - inviting different perspectives into each thematic episode.

Season Two explores the intersections between sustainability and gender issues - exploring different perspectives across the season.

Season Three looks at the connections between our inner landscapes (mindsets) and outer landscapes.

Some of today’s most topical issues polarise people. In Who Cares Wins with Lily Cole, Lily invites guests with different perspectives to explore critical issues - from technology, food, to mental health and capitalism - and their relationship to the environment. The podcast emerged from the research Lily did for her book ('Who Cares Wins: A Thousand How to Protect the Planet You Love: A thousand ways to solve the climate crisis: from tech-utopia to indigenous wisdom') Season One explores the topics explored in Lily's book of the same name - inviting different perspectives into each thematic episode. Season Two explores the intersections between sustainability and gender issues - exploring different perspectives across the season. Season Three looks at the connections between our inner landscapes (mindsets) and outer landscapes.

Who Cares Wins with Lily Cole

Sean Patrick O'Brien hosts a podcast dedicated to his favorite beverage, seltzer. Sean and a guest crack open a carbonated beverage and have a chat.

Seltzercast

This podcast started with the idea of documenting stories from golden era graffiti. Providing a platform for the culture, simultaneously ending the lack of respect the age gap creates. Keep in mind all questions are being asked from a graffiti writer's point of view.

TheRest-Stop

This podcast started with the idea of documenting stories from golden era graffiti. Providing a platform for the culture, simultaneously ending the lack of respect the age gap creates. Keep in mind all questions are being asked from a graffiti writer's point of view. TheRest-Stop

The Rest-Stop

Black Oasis is a safe space for Black people to be free, get free, rejuvenate, heal, support one another, unify, and ultimately LAY IT ALL DOWN. What does it mean to be like minded and never know. We are the Divine Black Paradise because it's made up of the Divine Black People.

Black Oasis

Hi there from Joni B. Cole, author of "Good Naked: Reflections on How to Write More, Write Better, and Be Happier." This podcast gives me the chance to ask notable authors about what they write, how they write, and why they write. Plus, I throw in the odd question or two to help us get to know each author a little bit better as a person. Eavesdrop along with a new episode every Thursday. Visit Joni B. Cole at <a href="https://www.jonibcole.com/">jonibcole.com<a/> Producer: Helmut Baer Music credit: "Upbeat Forever" by Kevin MacLeod (incompetech.com)

Hi there from Joni B. Cole, author of "Good Naked: Reflections on How to Write More, Write Better, and Be Happier." This podcast gives me the chance to ask notable authors about what they write, how they write, and why they write. Plus, I throw in the odd question or two to help us get to know each author a little bit better as a person. Eavesdrop along with a new episode every Thursday. Visit Joni B. Cole at jonibcole.com Producer: Helmut Baer Music credit: "Upbeat Forever" by Kevin MacLeod (incompetech.com)

Hi there from Joni B. Cole, author of "Good Naked: Reflections on How to Write More, Write Better, and Be Happier." This podcast gives me the chance to ask notable authors about what they write, how they write, and why they write. Plus, I throw in the odd question or two to help us get to know each author a little bit better as a person. Eavesdrop along with a new episode every Thursday. Visit Joni B. Cole at <a href="https://www.jonibcole.com/" rel="noopener noreferrer">jonibcole.com</a><a rel="noopener noreferrer"> </a><a rel="noopener noreferrer"> Producer: Helmut Baer Music credit: "Upbeat Forever" by Kevin MacLeod (incompetech.com)</a>

Arts Podcasts / Page 354