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Mykos (rus. Майкос).
Mykos начал свой творческий путь в 2009 году с создания музыки. Спустя год он начинает профессиональную карьеру ди-джея. С 2010-го году, становится резидентом нескольких ночных клубов города-курорта Геленджика, а так же выступает в качестве гостя в различных городах России... 
 На данный момент Mykos является резидентом ночного клуба "Подмосковье" г. Подольск, где выступает на одной сцене с такими именитыми ди-джеями как

Mykos (rus. Майкос). Mykos начал свой творческий путь в 2009 году с создания музыки. Спустя год он начинает профессиональную карьеру ди-джея. С 2010-го году, становится резидентом нескольких ночных клубов города-курорта Геленджика, а так же выступает в качестве гостя в различных городах России... На данный момент Mykos является резидентом ночного клуба "Подмосковье" г. Подольск, где выступает на одной сцене с такими именитыми ди-джеями как

Mykos

Digital Delight je tedenska oddaja o elektronski glasbi, ki je na frekvencah Radia Maribor na sporedu ob petkih že od 2. julija leta 2010. Namenjena je mladim še neuveljavljenim glasbenim producentom in DJ-em kot tudi izkušenim glasbenikom. V zadnjih letih smo postali pomemben graditelj EDM scene in vezni člen med številnimi glasbenimi producenti in založniki. Še posebej smo ponosni, da smo v oddajah gostili tudi odmevna zvezdniška imena. Za pravo vibracijo skrbiva Timotej Semenič in Iztok Kolarič. Prisluhnite nam vsak petek ob 21. uri na Radiu Maribor!

Digital Delight

Deep Progressive House Music Mixed by Drew P. New York, NY.

House of the Thinking Mind - Deep Progressive House Mixes

Join British house DJ/Producer duo Somn3um for their weekly dose of the freshest electronic music on the planet, plus all the banter you could possibly want. Includes interviews with your favourite DJs and celebs in ‘Say Somn’thing’, plus an irreverent look at recent events in ‘Somn’thing Going On’. Somn3um, comprising of David Newsum and Scott Forshaw have been recording together since the start of 2016 with a series of releases on their own Somn’thing Records label. ‘Somn’thing Else’ sees a return to the airwaves for Newsum who previously hosted shows on FM stations globally.

Join British house DJ/Producer duo Somn3um for their weekly dose of the freshest electronic music on the planet, plus all the banter you could possibly want. Includes interviews with your favourite DJs and celebs in ‘Say Somn’thing’, plus an irreverent look at recent events in ‘Somn’thing Going On’.Somn3um, comprising of David Newsum and Scott Forshaw have been recording together since the start of 2016 with a series of releases on their own Somn’thing Records label. ‘Somn’thing Else’ sees a return to the airwaves for Newsum who previously hosted shows on FM stations globally.

Join British house DJ/Producer duo Somn3um for their weekly dose of the freshest electronic music on the planet, plus all the banter you could possibly want. Includes interviews with your favourite DJs and celebs in ‘Say Somn’thing’, plus an irreverent look at recent events in ‘Somn’thing Going On’. Somn3um, comprising of David Newsum and Scott Forshaw have been recording together since the start of 2016 with a series of releases on their own Somn’thing Records label. ‘Somn’thing Else’ sees a return to the airwaves for Newsum who previously hosted shows on FM stations globally.

Somn'thing Else with Somn3um

Broadcast live to the web from a phone call

Comments on:

Le BACHotron

Digitala dumheter, Analoga äventyr. Pratradio om Geteborgs mesta och värsta heavyrockers.

Geteborg Heavy Rock

High energy mixshow featuring 60 minutes of the freshest electronic music from across the world, with a selection of club classics, hosted by Steve Callaghan. He's not living in the past. He's fighting the future!

FIGHT THE FUTURE: club classics. past. present. w/ Steve Callaghan

Plongez dans l'univers de la musique avec Music Story, le podcast qui dévoile les secrets des chansons, des albums et des artistes légendaires ! En quelques minutes, Pat Angeli vous raconte l'histoire fascinante d'un titre mythique, d'un album culte ou d'un artiste emblématique. Simple, court et captivant, chaque épisode vous apporte une anecdote marquante à partager avec vos proches. Enrichissez votre culture musicale et découvrez des faits surprenants à propos de vos chansons préférées, pour briller et approfondir vos connaissances musicales.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Plongez dans l'univers de la musique avec Music Story, le podcast qui dévoile les secrets des chansons, des albums et des artistes légendaires ! En quelques minutes, Pat Angeli vous raconte l'histoire fascinante d'un titre mythique, d'un album culte ou d'un artiste emblématique. Simple, court et captivant, chaque épisode vous apporte une anecdote marquante à partager avec vos proches. Enrichissez votre culture musicale et découvrez des faits surprenants à propos de vos chansons préférées, pour briller et approfondir vos connaissances musicales. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Plongez dans l'univers de la musique avec Music Story, le podcast qui dévoile les secrets des chansons, des albums et des artistes légendaires ! En quelques minutes, Pat Angeli vous raconte l'histoire fascinante d'un titre mythique, d'un album culte ou d'un artiste emblématique. Simple, court et captivant, chaque épisode vous apporte une anecdote marquante à partager avec vos proches. Enrichissez votre culture musicale et découvrez des faits surprenants à propos de vos chansons préférées, pour briller et approfondir vos connaissances musicales.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite" rel="noopener noreferrer">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Music Story

Welcome to Spin City! The podcast all about music, and records… and maybe whatever else we want to chat about. Our goal is create a community around these topics and discuss about some of our favorite artists, about our favorite record stores and many other concepts and ideas. So, join us! Grab your favorite pair of headphones and let’s drop the needle!

Spin City

The Calamity Gina Rides Again show goes ... well ... about whatever and wherever she wants to take it! As she is so fond of saying, "It's her f'n show" Catch Calamity Gina Rides Again!

The Calamity Gina Rides Again show goes ... well ... about whatever and wherever she wants to take it! As she is so fond of saying, "It's her f'n show"Catch Calamity Gina Rides Again!

The Calamity Gina Rides Again show goes ... well ... about whatever and wherever she wants to take it! As she is so fond of saying, "It's her f'n show" Catch Calamity Gina Rides Again!

Calamity Gina Rides Again! - Memorial

Self-Titled Podcast all about good music,***DISCLAIMER: I hereby declare that I do not own the rights to this music/song. All rights belong to the owner. No Copyright Infringement Intended.***

The Self-Titled Mix Podcast vol.23

Produção experimental dos alunos da Faculdade de Comunicação e Artes da PUC Minas

Arquivo de Hey Joe - Rádio Online PUC Minas

Привет, это Павел Сайгин! Приглашаю вас в свой подкаст. В основном тут будет подборка музыки для настроения, тематические и иногда разговорные выпуски. Приятного просушивания!
Любые замечания и предложения высылайте на почту: sayginpavel@gmail.com

Hello!
Welcome to my podcast!
If you are tired of the hustle and bustle of the city and need a place for your thoughts, put on your headphones and let the music accompany you.

If you want to support the project or collaborate with me: sayginpavel@gmail.com

Привет, это Павел Сайгин! Приглашаю вас в свой подкаст. В основном тут будет подборка музыки для настроения, тематические и иногда разговорные выпуски. Приятного просушивания! Любые замечания и предложения высылайте на почту: sayginpavel@gmail.com Hello! Welcome to my podcast! If you are tired of the hustle and bustle of the city and need a place for your thoughts, put on your headphones and let the music accompany you. If you want to support the project or collaborate with me: sayginpavel@gmail.com

RePax FM

Quero compartilhar aqui um pouco da minha história musical. Tudo que gravei e canto. Todos os meus momentos! Um grande abraço!

Sebá SDV

GOLD A-Sides brings you all the stories behind the great rock hits.

GOLD A-Sides brings you all the stories behind the great rock hits.

GOLD A-Sides

Andrea Ioime al torne in radio, cuntun program che nus ripuarte cuntune DeLorean imagjinarie tai agns d'aur de musiche!

Golden Years

Dieser Podcast lädt sich Sozialwissenschaftler:innen ein und spricht mit Ihnen über die Bedeutung von Musik für ihre Forschung.
Wie hängen Musik und Forschung zusammen? Welche Musik beeinflusst die Themen, wie beinflussen Themen die Musikwahl? Was erklären uns Songs über die Welt?

Redaktion, Moderation und Idee:
Daniel Kubiak  & André Knabe
Musik:
André Knabe & Kolja Rafoth
Design:
Danny Frede

Dieser Podcast lädt sich Sozialwissenschaftler:innen ein und spricht mit Ihnen über die Bedeutung von Musik für ihre Forschung. Wie hängen Musik und Forschung zusammen? Welche Musik beeinflusst die Themen, wie beinflussen Themen die Musikwahl? Was erklären uns Songs über die Welt? Redaktion, Moderation und Idee: Daniel Kubiak & André Knabe Musik: André Knabe & Kolja Rafoth Design: Danny Frede

Dieser Podcast lädt sich Sozialwissenschaftler:innen ein und spricht mit Ihnen über die Bedeutung von Musik für ihre Forschung.
Wie hängen Musik und Forschung zusammen? Welche Musik beeinflusst die Themen, wie beinflussen Themen die Musikwahl? Was erklären uns Songs über die Welt?

Redaktion, Moderation und Idee:
Daniel Kubiak  &amp; André Knabe
Musik:
André Knabe &amp; Kolja Rafoth
Design:
Danny Frede

Musi*Sociology - Gesellschaft durch Musik verstehen

A PLATFORM LAUNCHED OFF OF GENUINE LOVE, POSITIVE ENERGY, HEALTHY VIBES! AN OPENLY EXPRESSIVE POD WHERE I CELEBRATE, GIVE FLOWERS WITH ZERO EGO INVOLVED. PUTTING TALENTS, STORIES, BUSINESS, SKILLS, PERSONALITY, STORIES, INTELLECT &amp; MORE ON FULL DISPLAY FOR INDIVIDUALS TO EXPAND &amp; SHINE! RATHER IT BE ENTREPRENEURS, ATHLETES, ARTIST, MUSICIANS, BUSINESSMEN ETC! &amp; MOST OF ALL, CATCH A FUN VIBE! LetsGetTheBusiness

A PLATFORM LAUNCHED OFF OF GENUINE LOVE, POSITIVE ENERGY, HEALTHY VIBES! AN OPENLY EXPRESSIVE POD WHERE I CELEBRATE, GIVE FLOWERS WITH ZERO EGO INVOLVED. PUTTING TALENTS, STORIES, BUSINESS, SKILLS, PERSONALITY, STORIES, INTELLECT & MORE ON FULL DISPLAY FOR INDIVIDUALS TO EXPAND & SHINE! RATHER IT BE ENTREPRENEURS, ATHLETES, ARTIST, MUSICIANS, BUSINESSMEN ETC! & MOST OF ALL, CATCH A FUN VIBE! LetsGetTheBusiness

LET'S GET THE BUSINESS PODCAST

Mati D.

タケ、ようちゃん、Recoyaのコモリの3人がお届けする音楽雑談番組『ランダムアクセスコンティニュー』
最近何を聴いていいのかわからないタケに、ようちゃんとコモリが様々な音楽を紹介します！We still love music‼︎

お便りフォーム：https://forms.gle/F9GfUYNbt2J4hskQ9
Mail：rac.podcast3@gmail.com
Twitter：@rac3rac

タケ、ようちゃん、Recoyaのコモリの3人がお届けする音楽雑談番組『ランダムアクセスコンティニュー』 最近何を聴いていいのかわからないタケに、ようちゃんとコモリが様々な音楽を紹介します！We still love music‼︎ お便りフォーム：https://forms.gle/F9GfUYNbt2J4hskQ9 Mail：rac.podcast3@gmail.com Twitter：@rac3rac

Random Access Continue 3

We all have one; a deep, passionate interest in something that might be seen as off-the-beaten-path from the norm. On 'What's Your Niche?' Ben Goodman will delve into his own personal niche favourites, often getting into their histories, and what makes them so important to him. Ben will also delve into other people's niche favourites via interview, whether it's artists he admires or pals of his. Each episode might be wildly different from the last, but there is one axiom that holds it together: The specific is universal.
Sponsored by the Establishment Brewing Company

We all have one; a deep, passionate interest in something that might be seen as off-the-beaten-path from the norm. On 'What's Your Niche?' Ben Goodman will delve into his own personal niche favourites, often getting into their histories, and what makes them so important to him. Ben will also delve into other people's niche favourites via interview, whether it's artists he admires or pals of his. Each episode might be wildly different from the last, but there is one axiom that holds it together: The specific is universal. Sponsored by the Establishment Brewing Company

We all have one; a deep, passionate interest in something that might be seen as off-the-beaten-path from the norm. On 'What's Your Niche?' Ben Goodman will delve into his own personal niche favourites, often getting into their histories, and what makes them so important to him. Ben will also delve into other people's niche favourites via interview, whether it's artists he admires or pals of his. Each episode might be wildly different from the last, but there is one axiom that holds it together: The specific is universal.
Sponsored by the Establishment Brewing Company

What's Your Niche?

3 anaia bardo, rockero eta bakero euskaldunen istoria musikala, Rockaren historian eta neure bihotzean oso leku berezia dutenak, bizitza aldatuko zidatenak... Hemen euren abestiak!

SSK# Sumin Samin & Kaos (abestiak)

The Connecticut Music Oral History Podcast is a deep-dive interview series with musicians, artists, conduits, collectors, and dedicated fans focusing on 20th century Connecticut music history across all genres. This project preserves narratives, heralds unsung movers and shakers, and defines Connecticut’s influential role in cultural history.

Connecticut Music Oral History Podcast

Bill Graham's journey from Holocaust survivor to rock and roll's most influential promoter embodied the American dream in all its complexity. Born Wolodia Grajonca on January 8, 1931, in Berlin, Germany, Graham's early life was marked by tragedy and survival. As the Nazis rose to power, his family faced increasing persecution as Jews. His father died shortly after his birth, and in 1939, his mother made the heartbreaking decision to send him and his younger sister to France as part of a kindertransport program to save Jewish children. The young Wolodia would never see his mother again; she perished in Auschwitz. After spending time in a French orphanage, he and his sister eventually secured passage to America through Spain and Portugal. Upon arriving in New York in 1941, he was placed with a foster family who changed his name to Bill Graham. The transformation from Wolodia Grajonca to Bill Graham marked the beginning of his American journey, though the experiences of his early life would forever influence his approach to business and human relationships. Graham's youth in New York's Bronx shaped his street-smart personality and business acumen. He attended DeWitt Clinton High School, where he proved himself a capable student and natural leader. After graduating, he attended City College of New York briefly before being drafted into the United States Army during the Korean War. His military service included a Bronze Star for bravery, though Graham rarely spoke about this period of his life. Returning to New York after his military service, Graham worked various jobs while harboring dreams of an acting career. He studied business administration at night and worked as a waiter and maître d' at upscale resorts in the Catskills during the summer seasons. These experiences would later prove invaluable in understanding both the entertainment business and customer service. In the late 1950s, he moved to San Francisco, drawn by the city's growing reputation as a cultural center. Graham's entry into concert promotion came almost by accident. In 1965, after working as a business manager for the San Francisco Mime Troupe, he organized a benefit concert to raise legal defense funds for the controversial theater group. The success of this event revealed both his natural talent for promotion and the potential of San Francisco's burgeoning rock music scene. That same year, he took over the lease of the Fillmore Auditorium, transforming the former dance hall into what would become rock's most famous venue. The Fillmore quickly became the epicenter of San Francisco's psychedelic music scene. Graham's approach to concert promotion was revolutionary for its time. He combined different musical genres on the same bill, pairing blues legends with emerging rock bands. He insisted on professional sound systems and punctual start times, bringing a level of professionalism to what had been a largely informal scene. His attention to detail and respect for both artists and audiences set new standards for concert promotion. Graham's success with the Fillmore Auditorium led to rapid expansion. In 1968, he opened the Fillmore East in New York City's East Village, transforming a former Yiddish theater into what would become known as "The Church of Rock and Roll." The Fillmore East featured state-of-the-art sound and lighting systems, and its shows were renowned for their dramatic presentations. Graham's insistence on recording many of the performances resulted in numerous legendary live albums, including the Allman Brothers Band's "At Fillmore East" and Jimi Hendrix's "Band of Gypsys." His relationship with musicians was complex and often contentious, but ultimately built on mutual respect. Graham became known for his fierce advocacy on behalf of both artists and audiences. He would frequently engage in heated arguments with performers over everything from set times to sound quality, earning a reputation as a difficult but principled businessman. The Grateful Dead's Jerry Garcia once remarked that Graham was "the only person who could tell the Dead what to do," a testament to the respect he commanded even from the most independent-minded artists. The late 1960s saw Graham's influence grow beyond San Francisco and New York. He began managing artists, including Jefferson Airplane and Santana, helping to shape their careers during crucial periods. His promotion company, Bill Graham Presents, became the model for modern concert promotion. Graham's attention to detail extended to every aspect of the concert experience, from ensuring clean bathrooms to providing free apples and water to audience members waiting in line. Graham's business practices set him apart from other promoters of the era. He insisted on fair ticket prices and maintained transparent financial relationships with artists. While other promoters often took advantage of musicians, Graham's reputation for honesty made him the preferred promoter for many major acts. His programming choices were equally principled – he would regularly book emerging local bands as opening acts for established performers, helping to nurture new talent. The early 1970s brought significant changes to the concert industry and Graham's operations. In 1971, he closed both Fillmores, citing the increasing demands of performers' agents and the corporatization of rock music. In a characteristic move, he took out full-page advertisements in Billboard and other publications to explain his decision to the public, demonstrating his belief in direct communication with music fans. Following the closure of the Fillmores, Graham adapted to the changing music business. He began promoting larger shows at venues like Winterland in San Francisco and Roosevelt Stadium in Jersey City. His company pioneered the model of modern arena rock shows, setting standards for production values and audience comfort that would influence the industry for decades to come. He also expanded into festival promotion, organizing major events like the SNACK Concert in 1975, which featured Bob Dylan, Neil Young, and other major artists. Through the mid-1970s and into the 1980s, Graham's influence in the music industry continued to grow. He became the go-to promoter for major tours, working with artists like the Rolling Stones, Bob Dylan, and Led Zeppelin. His company's expertise in handling large-scale events made him indispensable as rock concerts moved increasingly into stadiums and arenas. Graham's attention to detail scaled up accordingly – he would personally inspect venues, oversee security arrangements, and ensure that every aspect of production met his exacting standards. The 1985 Live Aid concert marked a particular triumph in Graham's career. He organized the U.S. portion of the worldwide benefit at Philadelphia's JFK Stadium, coordinating performances by dozens of major artists under intense time constraints. His experience with large-scale events and his ability to manage strong personalities proved crucial to the concert's success. The event highlighted Graham's talent for combining musical entertainment with social causes, a hallmark of his career. Graham's commitment to social activism remained strong throughout his life. He organized numerous benefit concerts, including shows for San Francisco's homeless population and victims of the 1989 Loma Prieta earthquake. His Jewish heritage and experience as a Holocaust survivor influenced his involvement in causes related to religious and racial tolerance. In 1985, he organized a concert commemorating the 40th anniversary of the end of World War II, demonstrating his belief in music's power to promote understanding and healing. Despite his success, Graham maintained a hands-on approach to concert promotion. He could often be seen at his shows, moving through the crowd, checking sound quality, and addressing problems personally. His temper was legendary – he would engage in shouting matches with anyone from stagehands to star performers if he felt standards weren't being met. Yet his outbursts were typically rooted in a genuine concern for the audience's experience and the artists' presentation. The 1980s brought new challenges as the concert industry became increasingly corporatized. Graham fought against what he saw as the impersonalization of the concert experience. He opposed Ticketmaster's growing monopoly on ticket sales and resisted efforts to standardize concert promotion under corporate ownership. His independent streak sometimes put him at odds with industry trends, but it also helped preserve the personal touch that had characterized his approach since the Fillmore days. Graham's influence extended beyond concert promotion into other areas of the music industry. He managed several artists, produced films and television specials, and even appeared as an actor in films like "Apocalypse Now" and "Cotton Club." His San Francisco office became a music industry hub, and his opinion was sought on everything from artist development to concert security. He served as a mentor to many future industry leaders, passing on his philosophy of putting the music and the audience first. In the late 1980s, Graham's influence in the music industry reached new heights through his work with emerging artists and continuing relationships with established stars. He played a crucial role in the success of the Grateful Dead, helping them transition from counterculture icons to one of the highest-grossing touring acts in the world. His understanding of both artistic integrity and commercial success made him uniquely qualified to guide bands through the changing music landscape. Personal tragedy struck in 1991 when Graham's office was firebombed by arsonists protesting a benefit concert for Israel that he had organized. The attack destroyed memorabilia and archives documenting decades of rock history, including posters, photographs, and recordings from the Fillmore era. Graham was deeply affected by this ac

Bill Graham - Audio Biography

reza rahmani's podcast

My new podcast is finally live. Hit that play button and join me for a fun ride

Ki musik

everything is okay

&nbsp;Henri SELMER Paris offers you a new web series on the history of the House, in collaboration with saxophonist and collector collector Douglas Pipher. A true living encyclopedia, he will provide you with a wealth of precious and often little-known information on the historic SELMER saxophones.&nbsp;
History Notes : the concept
Douglas Pipher is a Canadian saxophonist, arranger, composer and collector. Passionate about music and jazz, in particular,&nbsp;his interest in the history of Henri SELMER Paris began in the early 2000s, following the purchase of a mythical saxophone: the Radio Improved. He then began a tremendous amount of research work in order to list all the instruments produced by Maison SELMER, spending years photographing and archiving thousands of instruments. On several occasions, we have exceptionally opened the doors of our private archives to give him access to historical documents and allow him to carry out his research.
For Henri SELMER Paris and all the enthusiasts, Douglas Pipher has accepted to share the fruit of his investigations in a new web-series: History Notes. He retraces the history of the House through its legendary saxophones, from the Model 22 to the Super Action through the Super Sax and the different types of Mark VI... You will also know the difference between serial number and body number, and learn more about production &amp; marketing throughout the world.Hosted by Audiomeans. Visit <a href="https://www.audiomeans.fr/politique-de-confidentialite">audiomeans.fr/politique-de-confidentialite</a> for more information.

 Henri SELMER Paris offers you a new web series on the history of the House, in collaboration with saxophonist and collector collector Douglas Pipher. A true living encyclopedia, he will provide you with a wealth of precious and often little-known information on the historic SELMER saxophones.  History Notes : the concept Douglas Pipher is a Canadian saxophonist, arranger, composer and collector. Passionate about music and jazz, in particular, his interest in the history of Henri SELMER Paris began in the early 2000s, following the purchase of a mythical saxophone: the Radio Improved. He then began a tremendous amount of research work in order to list all the instruments produced by Maison SELMER, spending years photographing and archiving thousands of instruments. On several occasions, we have exceptionally opened the doors of our private archives to give him access to historical documents and allow him to carry out his research. For Henri SELMER Paris and all the enthusiasts, Douglas Pipher has accepted to share the fruit of his investigations in a new web-series: History Notes. He retraces the history of the House through its legendary saxophones, from the Model 22 to the Super Action through the Super Sax and the different types of Mark VI... You will also know the difference between serial number and body number, and learn more about production & marketing throughout the world. Hosted by Audiomeans. Visit audiomeans.fr/politique-de-confidentialite for more information.

&nbsp;Henri SELMER Paris offers you a new web series on the history of the House, in collaboration with saxophonist and collector collector Douglas Pipher. A true living encyclopedia, he will provide you with a wealth of precious and often little-known information on the historic SELMER saxophones.&nbsp;
History Notes : the concept
Douglas Pipher is a Canadian saxophonist, arranger, composer and collector. Passionate about music and jazz, in particular,&nbsp;his interest in the history of Henri SELMER Paris began in the early 2000s, following the purchase of a mythical saxophone: the Radio Improved. He then began a tremendous amount of research work in order to list all the instruments produced by Maison SELMER, spending years photographing and archiving thousands of instruments. On several occasions, we have exceptionally opened the doors of our private archives to give him access to historical documents and allow him to carry out his research.
For Henri SELMER Paris and all the enthusiasts, Douglas Pipher has accepted to share the fruit of his investigations in a new web-series: History Notes. He retraces the history of the House through its legendary saxophones, from the Model 22 to the Super Action through the Super Sax and the different types of Mark VI... You will also know the difference between serial number and body number, and learn more about production &amp; marketing throughout the world.Hosted by Audiomeans. Visit <a href="https://www.audiomeans.fr/politique-de-confidentialite" rel="noopener noreferrer">audiomeans.fr/politique-de-confidentialite</a> for more information.

History Notes by Henri SELMER Paris

Beyoncé's new song "Texas Hold 'Em" marks a significant foray into the country music genre for the globally renowned artist, known primarily for her roots in R&amp;B, pop, and hip-hop. Released during the 2024 Super Bowl, the song, along with "16 Carriages," showcases Beyoncé's versatile musical talent and her ability to bridge diverse musical styles while celebrating her cultural heritage. Details and Themes: "Texas Hold 'Em" stands out with its lively beat and country-inspired rhythms, blending traditional country elements with Beyoncé's unmistakable vocal style. The lyrics invoke imagery of classic country life, including references to Texas, playing cards, and communal dance, all while maintaining Beyoncé's characteristic empowerment and boldness. The song's narrative encourages listeners to embrace the moment, let down their guards, and join in a collective celebration, reminiscent of a country hoedown but with a modern twist. In contrast, "16 Carriages" presents a more melodic and introspective ballad. It explores themes of loss, longing, and reflection, set against a backdrop of a fading sunset and a journey away from dreams. This track complements "Texas Hold 'Em" by showcasing the emotional depth and storytelling characteristic of country music, while still infusing it with Beyoncé's unique sound and perspective. Cultural Impact and Discussion: The release of "Texas Hold 'Em" has reignited conversations about the representation of black artists in country music, a genre historically perceived as predominantly white. Beyoncé's entry into this space is not just a musical crossover but a cultural statement, challenging traditional boundaries and highlighting the African American influences within country music's roots. Critics and fans alike have noted the song's ability to bring attention to black musicians within country music, contributing to a broader appreciation and recognition of their work. Artists like Adia Victoria, Mickey Guyton, and Rissi Palmer, among others, have seen increased listenership and engagement following the song's release, signaling a shift towards more inclusivity in the genre. Moreover, Beyoncé's "Texas Hold 'Em" has sparked discussions on social media and among music industry professionals about what constitutes "authentic" country music and who gets to define it. The song's reception by country radio stations has been mixed, with some embracing the new track and others hesitant to include it in their playlists, reflecting ongoing debates about genre boundaries and artistic identity. Personal and Artistic Significance: Beyoncé's exploration of country music with "Texas Hold 'Em" and "16 Carriages" is also a nod to her Texan roots and personal history. Growing up in Houston, Texas, Beyoncé was exposed to a blend of musical influences, including country, Tejano, and soul, which have all shaped her eclectic musical style. By incorporating elements of country music into her repertoire, Beyoncé is not only paying homage to her heritage but also redefining her artistic expression. The release of these songs and the announcement of her new album "Renaissance: Act II" signify Beyoncé's ongoing evolution as an artist and her commitment to pushing musical boundaries. Her venture into country music exemplifies how she continues to explore new territories, both thematically and sonically, while remaining grounded in her identity and influences. In summary, Beyoncé's "Texas Hold 'Em" is more than just a song; it's a cultural moment that bridges genres, challenges stereotypes, and celebrates the rich tapestry of American music. As she continues to explore the intersections of race, culture, and musical genres, Beyoncé not only enriches her own artistic legacy but also paves the way for future generations of musicians to defy categorization and express their diverse identities. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures. In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th! This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers. Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you. Talking Time Machine: search, subscribe and (Listen Now!)

Beyoncé's new song "Texas Hold 'Em" marks a significant foray into the country music genre for the globally renowned artist, known primarily for her roots in R&B, pop, and hip-hop. Released during the 2024 Super Bowl, the song, along with "16 Carriages," showcases Beyoncé's versatile musical talent and her ability to bridge diverse musical styles while celebrating her cultural heritage. Details and Themes: "Texas Hold 'Em" stands out with its lively beat and country-inspired rhythms, blending traditional country elements with Beyoncé's unmistakable vocal style. The lyrics invoke imagery of classic country life, including references to Texas, playing cards, and communal dance, all while maintaining Beyoncé's characteristic empowerment and boldness. The song's narrative encourages listeners to embrace the moment, let down their guards, and join in a collective celebration, reminiscent of a country hoedown but with a modern twist. In contrast, "16 Carriages" presents a more melodic and introspective ballad. It explores themes of loss, longing, and reflection, set against a backdrop of a fading sunset and a journey away from dreams. This track complements "Texas Hold 'Em" by showcasing the emotional depth and storytelling characteristic of country music, while still infusing it with Beyoncé's unique sound and perspective. Cultural Impact and Discussion: The release of "Texas Hold 'Em" has reignited conversations about the representation of black artists in country music, a genre historically perceived as predominantly white. Beyoncé's entry into this space is not just a musical crossover but a cultural statement, challenging traditional boundaries and highlighting the African American influences within country music's roots. Critics and fans alike have noted the song's ability to bring attention to black musicians within country music, contributing to a broader appreciation and recognition of their work. Artists like Adia Victoria, Mickey Guyton, and Rissi Palmer, among others, have seen increased listenership and engagement following the song's release, signaling a shift towards more inclusivity in the genre. Moreover, Beyoncé's "Texas Hold 'Em" has sparked discussions on social media and among music industry professionals about what constitutes "authentic" country music and who gets to define it. The song's reception by country radio stations has been mixed, with some embracing the new track and others hesitant to include it in their playlists, reflecting ongoing debates about genre boundaries and artistic identity. Personal and Artistic Significance: Beyoncé's exploration of country music with "Texas Hold 'Em" and "16 Carriages" is also a nod to her Texan roots and personal history. Growing up in Houston, Texas, Beyoncé was exposed to a blend of musical influences, including country, Tejano, and soul, which have all shaped her eclectic musical style. By incorporating elements of country music into her repertoire, Beyoncé is not only paying homage to her heritage but also redefining her artistic expression. The release of these songs and the announcement of her new album "Renaissance: Act II" signify Beyoncé's ongoing evolution as an artist and her commitment to pushing musical boundaries. Her venture into country music exemplifies how she continues to explore new territories, both thematically and sonically, while remaining grounded in her identity and influences. In summary, Beyoncé's "Texas Hold 'Em" is more than just a song; it's a cultural moment that bridges genres, challenges stereotypes, and celebrates the rich tapestry of American music. As she continues to explore the intersections of race, culture, and musical genres, Beyoncé not only enriches her own artistic legacy but also paves the way for future generations of musicians to defy categorization and express their diverse identities. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures. In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th! This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers. Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you. Talking Time Machine: search, subscribe and (Listen Now!)

Beyoncé's new song "Texas Hold 'Em" marks a significant foray into the country music genre for the globally renowned artist, known primarily for her roots in R&amp;B, pop, and hip-hop. Released during the 2024 Super Bowl, the song, along with "16 Carriages," showcases Beyoncé's versatile musical talent and her ability to bridge diverse musical styles while celebrating her cultural heritage. Details and Themes: "Texas Hold 'Em" stands out with its lively beat and country-inspired rhythms, blending traditional country elements with Beyoncé's unmistakable vocal style. The lyrics invoke imagery of classic country life, including references to Texas, playing cards, and communal dance, all while maintaining Beyoncé's characteristic empowerment and boldness. The song's narrative encourages listeners to embrace the moment, let down their guards, and join in a collective celebration, reminiscent of a country hoedown but with a modern twist. In contrast, "16 Carriages" presents a more melodic and introspective ballad. It explores themes of loss, longing, and reflection, set against a backdrop of a fading sunset and a journey away from dreams. This track complements "Texas Hold 'Em" by showcasing the emotional depth and storytelling characteristic of country music, while still infusing it with Beyoncé's unique sound and perspective. Cultural Impact and Discussion: The release of "Texas Hold 'Em" has reignited conversations about the representation of black artists in country music, a genre historically perceived as predominantly white. Beyoncé's entry into this space is not just a musical crossover but a cultural statement, challenging traditional boundaries and highlighting the African American influences within country music's roots. Critics and fans alike have noted the song's ability to bring attention to black musicians within country music, contributing to a broader appreciation and recognition of their work. Artists like Adia Victoria, Mickey Guyton, and Rissi Palmer, among others, have seen increased listenership and engagement following the song's release, signaling a shift towards more inclusivity in the genre. Moreover, Beyoncé's "Texas Hold 'Em" has sparked discussions on social media and among music industry professionals about what constitutes "authentic" country music and who gets to define it. The song's reception by country radio stations has been mixed, with some embracing the new track and others hesitant to include it in their playlists, reflecting ongoing debates about genre boundaries and artistic identity. Personal and Artistic Significance: Beyoncé's exploration of country music with "Texas Hold 'Em" and "16 Carriages" is also a nod to her Texan roots and personal history. Growing up in Houston, Texas, Beyoncé was exposed to a blend of musical influences, including country, Tejano, and soul, which have all shaped her eclectic musical style. By incorporating elements of country music into her repertoire, Beyoncé is not only paying homage to her heritage but also redefining her artistic expression. The release of these songs and the announcement of her new album "Renaissance: Act II" signify Beyoncé's ongoing evolution as an artist and her commitment to pushing musical boundaries. Her venture into country music exemplifies how she continues to explore new territories, both thematically and sonically, while remaining grounded in her identity and influences. In summary, Beyoncé's "Texas Hold 'Em" is more than just a song; it's a cultural moment that bridges genres, challenges stereotypes, and celebrates the rich tapestry of American music. As she continues to explore the intersections of race, culture, and musical genres, Beyoncé not only enriches her own artistic legacy but also paves the way for future generations of musicians to defy categorization and express their diverse identities. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures. In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th! This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers. Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you. Talking Time Machine: search, subscribe and (Listen Now!)

Beyoncé  and The Magic of Texas Hold 'Em

All things wild, weird, wonderful, extravagant, mysterious and way the fu@k out, hosted by quasi-celebrity, Gregory ValensLuv.

All things wild, weird, wonderful, extravagant, mysterious and way the fu@k out, hosted by quasi-celebrity, Gregory ValensLuv.

STRUNG OUT ON A DREAM

GOLD PACK

Ain Nasriko is a talented musician, guitarist, and composer who blends powerful rock melodies with emotional compositions. He is recognized for his iconic guitar riffs and distinctive musical arrangements. Ain Nasriko's songs are created to be both heard and felt. Explore his musical journey and discover bold, original compositions ranging from sweeping rock ballads to soaring guitar anthems.

Ain Nasriko

【Transcend】
Traveling in the wind, leaving no trace behind,
Seated amidst the clouds, transcending the mortal world;
Strolling across the heavens, empty not void,
Treading on the water, afloat not aground.
                               — Hong Sheng

《越》
風裡來去不著痕
雲中座看脫紅塵
行足天際空不虛
運步水上飄未沉
           — 弘聖靈覺

: : Hong Sheng 弘聖靈覺 : :

Master Hong sheng is known as a multicultural educator, a painter, a music composer, and a singer. Enlightened at his young age, Master Hong sheng has realized the reality of the universe through painting, spreading the true wisdom of the universe to the world from the medium of diversified arts and Eastern philosophies. His person and the music, calligraphy, poetry, paintings all possess the supreme energy of healing and purifying. The chanting of the miraculous original sound ”Yuan He Miao Yin” has a soothing and calming effect on the mind and soul. His musical art was born to meet the need which is the most comforting healing sound today.

弘聖靈覺為多元文化教育家，同時也是畫家、音樂創作人、歌手。
散發德善之光，談吐溫潤，氣質脫俗的 弘聖靈覺青少時於繪畫中悟道，徹底了透宇宙真相。他以多元藝術、東方哲思為媒介，向世人傳遞宇宙真實智慧，弘傳生命教育；其樂、詩、畫、書等作品皆具高度療癒與淨化力道，特別是源於自性本源，應緣呼頌的《元和妙音》，深具撫慰人心、安神定慮之效，弘聖靈覺的《元和妙音》音樂乃應時而生，是當今世代最需要之療癒之聲。

--
Hosting provided by SoundOn

【Transcend】 Traveling in the wind, leaving no trace behind, Seated amidst the clouds, transcending the mortal world; Strolling across the heavens, empty not void, Treading on the water, afloat not aground. — Hong Sheng 《越》 風裡來去不著痕 雲中座看脫紅塵 行足天際空不虛 運步水上飄未沉 — 弘聖靈覺 : : Hong Sheng 弘聖靈覺 : : Master Hong sheng is known as a multicultural educator, a painter, a music composer, and a singer. Enlightened at his young age, Master Hong sheng has realized the reality of the universe through painting, spreading the true wisdom of the universe to the world from the medium of diversified arts and Eastern philosophies. His person and the music, calligraphy, poetry, paintings all possess the supreme energy of healing and purifying. The chanting of the miraculous original sound ”Yuan He Miao Yin” has a soothing and calming effect on the mind and soul. His musical art was born to meet the need which is the most comforting healing sound today. 弘聖靈覺為多元文化教育家，同時也是畫家、音樂創作人、歌手。 散發德善之光，談吐溫潤，氣質脫俗的 弘聖靈覺青少時於繪畫中悟道，徹底了透宇宙真相。他以多元藝術、東方哲思為媒介，向世人傳遞宇宙真實智慧，弘傳生命教育；其樂、詩、畫、書等作品皆具高度療癒與淨化力道，特別是源於自性本源，應緣呼頌的《元和妙音》，深具撫慰人心、安神定慮之效，弘聖靈覺的《元和妙音》音樂乃應時而生，是當今世代最需要之療癒之聲。 -- Hosting provided by SoundOn

Transcend |《越》

En 10 minutes top chrono, Yan Dallaire tente de mieux connaitre un.e artiste du Nord et de l’Ouest du pays, à travers un mélange de questions de son cru et de questions surprises qu’il pige au hasard. Un balado à la fois surprenant et divertissant.

10 minutes top chrono

Yorushika is a captivating duo that has been making waves in the Japanese music scene. Formed by the talented vocalist n-buna and the multi-instrumentalist suis, their unique blend of indie pop, rock, and electronic elements has won the hearts of listeners worldwide.

Yorushika is a captivating duo that has been making waves in the Japanese music scene. Formed by the talented vocalist n-buna and the multi-instrumentalist suis, their unique blend of indie pop, rock, and electronic elements has won the hearts of listeners worldwide.

"Yorushika" J-Rock on Sounds of Life

the vocaloid community is SUFFERING because half of our beloved classics aren't on spotify, so if no one else will, then i will do it. you're welcome.

the vocaloid community is SUFFERING because half of our beloved classics aren't on spotify, so if no one else will, then i will do it. you're welcome.

Music Podcasts / Page 1574