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While going through old recordings from the way back machine, I stumbled upon these tracks from my old high school band.  After receiving my first 4-track cassette recorder in 1994 (which I still have and still works), we spent the following two years doing countless recording sessions, with the last one being Christmas of 1996.  We did a lot of recordings, but this is the best 13.  
	The recording process consisted of us cutting the tracks individually to isolate each instrument, as in most recordings.  Drums first, bass, guitar, then vocals, and then the next day, with rested ears, I would mix it down.  To capture the drums, we rented a PA system with studio-quality drum microphones capturing the best sound possible and then squashing the whole kit into one Mono (not stereo) track.  Remember, we only had 4-tracks to work with, and it was before digital, and the media was an analog cassette tape.
	After getting the drums down, I would cut my bass tracks.  Using an Ampeg combo with a 15” speaker and two tracks left (3 total), I would mic up the center of the speaker cone with an SM57 and the edge of the cone with one of the kick drum mics angled at 45 degrees, (estimated as we were drinking a lot of beer the whole time) each microphone going to its separate track.  So with the drums on track 3, the bass split between 1 and 2, and track 4 completely free, I would even out the two bass sounds and blend them with the drum track getting the perfect rhythm section balanced, and then bounce them (mix them) together squashing them into one mono track on track 4 leaving tracks 1,2, & 3, free for guitar work and vocals.  
	That was the basic plan for every song; however, we would deviate from that plan depending on the need for the song.  For the rhythm guitar, all the songs have just one rhythm recorded on a mono track, and in some of them, such as “BlueBeer” it is pretty apparent.  But in tracks like “Teresa” & “Need,” etc., it sounds a bit thicker and more comprehensive and more than one.  For recording the guitar tracks, I used one microphone (SM57) directly on the speaker, pointing straight just within three inches of the speaker.  Two microphones (SM58) 3 yards back from the speaker, and one SM58 focused directly on the wall for reflection.  One guitar track, 4 microphones strategically placed about captured loud and squashed down into ONE MONO tracks.  During mix-down, I would take all that craziness and pan it hard left, then add a BOSS delay pedal, producing a millisecond delayed carbon copy on the right in real time.  This gives the illusion of two guitars or at least a full stereo spread.  
	At the start of the 3 years, I didn’t know much, if anything at all, about compressors, until later in 97, and the discernible differences are prevalent within the vocal tracks.  I had to have Daniel stand a considerable distance away from the microphones so as not to distort, and I was controlling the fader as he cut the track, acting as a real-time human attenuator. There are three songs in the collection that the vocals sound balanced, and they were recorded on my first winter break from Berklee, where my engineering knowledge grew. “Mr. Coaster,” “Jaded,” & “Purple” are those three tracks… and the last ones we did.  

For the remastering process, I used iZotope RX 10 & Ozone Pro 10 from the original DAT tapes used in 2002 for CD mastering.  The 2022 mastering was for streaming specifically.  I still have the original 4 track recorder and the original session tapes.  I could remix them but maybe another time.  But more than likely not.  I like how they are preserved for the time and technology used to record.  So enjoy them; I don’t think there will be another revisiting of them again.

While going through old recordings from the way back machine, I stumbled upon these tracks from my old high school band. After receiving my first 4-track cassette recorder in 1994 (which I still have and still works), we spent the following two years doing countless recording sessions, with the last one being Christmas of 1996. We did a lot of recordings, but this is the best 13. The recording process consisted of us cutting the tracks individually to isolate each instrument, as in most recordings. Drums first, bass, guitar, then vocals, and then the next day, with rested ears, I would mix it down. To capture the drums, we rented a PA system with studio-quality drum microphones capturing the best sound possible and then squashing the whole kit into one Mono (not stereo) track. Remember, we only had 4-tracks to work with, and it was before digital, and the media was an analog cassette tape. After getting the drums down, I would cut my bass tracks. Using an Ampeg combo with a 15” speaker and two tracks left (3 total), I would mic up the center of the speaker cone with an SM57 and the edge of the cone with one of the kick drum mics angled at 45 degrees, (estimated as we were drinking a lot of beer the whole time) each microphone going to its separate track. So with the drums on track 3, the bass split between 1 and 2, and track 4 completely free, I would even out the two bass sounds and blend them with the drum track getting the perfect rhythm section balanced, and then bounce them (mix them) together squashing them into one mono track on track 4 leaving tracks 1,2, & 3, free for guitar work and vocals. That was the basic plan for every song; however, we would deviate from that plan depending on the need for the song. For the rhythm guitar, all the songs have just one rhythm recorded on a mono track, and in some of them, such as “BlueBeer” it is pretty apparent. But in tracks like “Teresa” & “Need,” etc., it sounds a bit thicker and more comprehensive and more than one. For recording the guitar tracks, I used one microphone (SM57) directly on the speaker, pointing straight just within three inches of the speaker. Two microphones (SM58) 3 yards back from the speaker, and one SM58 focused directly on the wall for reflection. One guitar track, 4 microphones strategically placed about captured loud and squashed down into ONE MONO tracks. During mix-down, I would take all that craziness and pan it hard left, then add a BOSS delay pedal, producing a millisecond delayed carbon copy on the right in real time. This gives the illusion of two guitars or at least a full stereo spread. At the start of the 3 years, I didn’t know much, if anything at all, about compressors, until later in 97, and the discernible differences are prevalent within the vocal tracks. I had to have Daniel stand a considerable distance away from the microphones so as not to distort, and I was controlling the fader as he cut the track, acting as a real-time human attenuator. There are three songs in the collection that the vocals sound balanced, and they were recorded on my first winter break from Berklee, where my engineering knowledge grew. “Mr. Coaster,” “Jaded,” & “Purple” are those three tracks… and the last ones we did. For the remastering process, I used iZotope RX 10 & Ozone Pro 10 from the original DAT tapes used in 2002 for CD mastering. The 2022 mastering was for streaming specifically. I still have the original 4 track recorder and the original session tapes. I could remix them but maybe another time. But more than likely not. I like how they are preserved for the time and technology used to record. So enjoy them; I don’t think there will be another revisiting of them again.

While going through old recordings from the way back machine, I stumbled upon these tracks from my old high school band.  After receiving my first 4-track cassette recorder in 1994 (which I still have and still works), we spent the following two years doing countless recording sessions, with the last one being Christmas of 1996.  We did a lot of recordings, but this is the best 13.  
	The recording process consisted of us cutting the tracks individually to isolate each instrument, as in most recordings.  Drums first, bass, guitar, then vocals, and then the next day, with rested ears, I would mix it down.  To capture the drums, we rented a PA system with studio-quality drum microphones capturing the best sound possible and then squashing the whole kit into one Mono (not stereo) track.  Remember, we only had 4-tracks to work with, and it was before digital, and the media was an analog cassette tape.
	After getting the drums down, I would cut my bass tracks.  Using an Ampeg combo with a 15” speaker and two tracks left (3 total), I would mic up the center of the speaker cone with an SM57 and the edge of the cone with one of the kick drum mics angled at 45 degrees, (estimated as we were drinking a lot of beer the whole time) each microphone going to its separate track.  So with the drums on track 3, the bass split between 1 and 2, and track 4 completely free, I would even out the two bass sounds and blend them with the drum track getting the perfect rhythm section balanced, and then bounce them (mix them) together squashing them into one mono track on track 4 leaving tracks 1,2, &amp; 3, free for guitar work and vocals.  
	That was the basic plan for every song; however, we would deviate from that plan depending on the need for the song.  For the rhythm guitar, all the songs have just one rhythm recorded on a mono track, and in some of them, such as “BlueBeer” it is pretty apparent.  But in tracks like “Teresa” &amp; “Need,” etc., it sounds a bit thicker and more comprehensive and more than one.  For recording the guitar tracks, I used one microphone (SM57) directly on the speaker, pointing straight just within three inches of the speaker.  Two microphones (SM58) 3 yards back from the speaker, and one SM58 focused directly on the wall for reflection.  One guitar track, 4 microphones strategically placed about captured loud and squashed down into ONE MONO tracks.  During mix-down, I would take all that craziness and pan it hard left, then add a BOSS delay pedal, producing a millisecond delayed carbon copy on the right in real time.  This gives the illusion of two guitars or at least a full stereo spread.  
	At the start of the 3 years, I didn’t know much, if anything at all, about compressors, until later in 97, and the discernible differences are prevalent within the vocal tracks.  I had to have Daniel stand a considerable distance away from the microphones so as not to distort, and I was controlling the fader as he cut the track, acting as a real-time human attenuator. There are three songs in the collection that the vocals sound balanced, and they were recorded on my first winter break from Berklee, where my engineering knowledge grew. “Mr. Coaster,” “Jaded,” &amp; “Purple” are those three tracks… and the last ones we did.  

For the remastering process, I used iZotope RX 10 &amp; Ozone Pro 10 from the original DAT tapes used in 2002 for CD mastering.  The 2022 mastering was for streaming specifically.  I still have the original 4 track recorder and the original session tapes.  I could remix them but maybe another time.  But more than likely not.  I like how they are preserved for the time and technology used to record.  So enjoy them; I don’t think there will be another revisiting of them again.

https://feeds.soundcloud.com/users/soundcloud:users:1144755508/sounds.rss

Cigars, Whiskey, Wine, Beer, Coffee, and food. Join us as we talk about taking your cigar pairing experience to the next level and talk with people of each of the different communities here on The Twisted Pair.

The Twisted Pair

La 5G a marqué un tournant : c’est la première génération de réseaux pensée autant pour les machines et les systèmes que pour les individus. Plus qu’un accès mobile, elle ouvre la voie à de nouveaux usages et à une valeur inédite pour les entreprises. C’est cette transformation que nous avons choisi de raconter dès août 2020 avec Le Garage de la 5G, une plateforme consacrée à l’exploration des technologies 5G et déjà tournée vers la 6G. Depuis, le monde des télécoms a profondément évolué – et notre projet avec lui. Aujourd’hui, nous franchissons une nouvelle étape : Le Garage de la 5G devient Le Garage des Telcos. Un rendez-vous mensuel pour décoder l’avenir des réseaux mobiles, donner la parole aux acteurs de l’écosystème et éclairer les mutations qui redessinent notre industrie. 👉 Des épisodes publiés au fil de l’actualité et des événements, avec un minimum d’un rendez-vous chaque mois.<hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

La 5G a marqué un tournant : c’est la première génération de réseaux pensée autant pour les machines et les systèmes que pour les individus. Plus qu’un accès mobile, elle ouvre la voie à de nouveaux usages et à une valeur inédite pour les entreprises. C’est cette transformation que nous avons choisi de raconter dès août 2020 avec Le Garage de la 5G, une plateforme consacrée à l’exploration des technologies 5G et déjà tournée vers la 6G. Depuis, le monde des télécoms a profondément évolué – et notre projet avec lui. Aujourd’hui, nous franchissons une nouvelle étape : Le Garage de la 5G devient Le Garage des Telcos. Un rendez-vous mensuel pour décoder l’avenir des réseaux mobiles, donner la parole aux acteurs de l’écosystème et éclairer les mutations qui redessinent notre industrie. 👉 Des épisodes publiés au fil de l’actualité et des événements, avec un minimum d’un rendez-vous chaque mois. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

La 5G a marqué un tournant : c’est la première génération de réseaux pensée autant pour les machines et les systèmes que pour les individus. Plus qu’un accès mobile, elle ouvre la voie à de nouveaux usages et à une valeur inédite pour les entreprises. C’est cette transformation que nous avons choisi de raconter dès août 2020 avec Le Garage de la 5G, une plateforme consacrée à l’exploration des technologies 5G et déjà tournée vers la 6G. Depuis, le monde des télécoms a profondément évolué – et notre projet avec lui. Aujourd’hui, nous franchissons une nouvelle étape : Le Garage de la 5G devient Le Garage des Telcos. Un rendez-vous mensuel pour décoder l’avenir des réseaux mobiles, donner la parole aux acteurs de l’écosystème et éclairer les mutations qui redessinent notre industrie. 👉 Des épisodes publiés au fil de l’actualité et des événements, avec un minimum d’un rendez-vous chaque mois. Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

Le Garage des Telcos (by 135grammes)

COMPU

Hyppää moottoripyörän kyytiin, käydään samalla läpi ajankohtaisia ja polttavia aiheita maailmanpolitiikan kentältä ja miten ne vaikuttaa tänne kotosuomeen. Otetaan pelottomasti kissa pöydälle niistä kaikkein vaikeimmistakin yhteiskuntaa rajusti koskettavista aiheista. Videoita myös tuiki tavallisista teknisistä js ei niin teknisistä aiheista. Kotisivu

Handelin kyydissä

Welcome to Fire Starters, with your host, Christian Bunch. A podcast designed to ignite a fiery passion in you for the Lord as you grow in your relationship with Christ and boldly pursue who God has designed you to be. Join us each week for revelation, conversations, interviews, and book reviews. Its time for you to get inspired! Fire Starters; equipping champions for Christ one spark at a time!

Fire Starters

Simple podcast about 15 min in length talking about High School sports and the JCN tour which is me traveling across the state to visit a High School sporting event and also College football and the hot news about that and also the AP poll

JCN Sports

Los Angeles Entertainment Lawyers - Theatre, Film, TV & New Media

Los Angeles Entertainment Lawyers - Theatre, Film, TV &amp; New Media

Podcasts Archives - Entertainment Law Offices of Gordon P. Firemark

Esta es una nueva iniciativa que está hecha para compartir temas de importancia en la catequesis de nuestra Parroquia Nuestra Señora del Pilar y sus Capillas, temas como por ejemplo: una metodología participativa, como ser más creativos y por supuesto un espacio para reflexión

Catequesis 2022

Eyyy soy un puberto sin nadie quien me escuche, ¿te gustaria ser el primero?

HABLANDO SOLO otro podcast con este nombre

The Microphone Minutes

Dedicated to all topics related to Blockchain, Cryptocurrencies and Beyond

Blockchain Immersive

15-minute conversations with people who have quit their job and gone their own way. I’m Mark, and every week I talk to someone who has taken the bold step of quitting their job to start living their true life. The idea is to inspire you to live your true life, whatever that might mean to you. Subscribe now to join me for a fresh conversation every week.

The Quit Work Podcast

حكايات مولي

Podcast original du Palais de la découverte, SCIENCES LUES est une série scientifique pluridisciplinaire qui propose la lecture commentée et contextualisée d’un texte de science, inspiré et inspirant. 


Des passerelles existent entre les mots et les nombres, la science se nourrit de l’art, de la littérature et inversement. A travers cette série, nous allons voir l'impact de la science dans la culture littéraire. Les scientifiques entretiennent des liens très étroits avec d’autres disciplines (littérature, poésie, philosophie, religion, etc), qui, lorsqu’elles s’entrechoquent, apportent un nouvel éclairage original à chacune d’elles, et un regard sensible sur la culture scientifique. Nourrie par des éléments scientifiques et des résultats de recherches passionnées et passionnantes, la science fait aussi sens dans l’écriture. Servant à la fois de puits de connaissance et de marque indélébile permettant de mieux retracer et comprendre les découvertes scientifiques qui jalonnent notre histoire, certains textes, ouvrages et publications sont amenés à changer la face de notre monde et bousculer la vision que nous en avons. 


De Georges Perec à Vernor Vinge, en passant par Nicolas Copernic et tant d’autres, SCIENCES LUES vous embarque dans la découverte d’un extrait de roman, d’essai ou de correspondance soigneusement choisis et sélectionnés par notre équipe de médiateurs du Palais de la découverte. C'est aux Étincelles, dans le 15e arrondissement de Paris, où le Palais de la découverte a pris ses quartiers pendant ses travaux, qu’ont été enregistrés en public ces épisodes, à travers un échange profond entre Léa Minod, journaliste, et nos médiateurs scientifiques. Tout autour, installé dans le noir et équipé de casques Bluetooth, le public tend l'oreille aux mots de figures scientifiques importantes et d’écrivains célèbres. Sur scène, un comédien ou une comédienne s'empare du texte tandis que notre réalisateur, Bertrand Chaumeton, plonge le public dans un environnement sonore immersif, conçu sur mesure.    


Alors, munissez-vous de vos écouteurs et laissez-vous transporter par la force des écrits, à travers le prisme de la recherche et de la science. 


SAISON 1 :
Episode 1 –  « Histoire d’une montagne », d’Elisée Reclus
Episode 2 –  « Aux tréfonds du ciel », de Vernor Vinge
Episode 3 –  « M.Tompkins explore l’atome », de George Gamow
Episode 4 –  « Penser/Classer », de Georges Perec
Episode 5 –  « Correspondance » de Sophie Germain et Carl Friedrich Gauss
Episode 6 –  Et Dieu dit : "Que Darwin soit" de Stephen Jay Gould
Episode 7 – « De revolutionibus orbium coeletium » de Nicolas Copernic
Episode 8 – « Institution de physique » d’Emilie du Châtelet
 
Durée totale : 3h50min09s


UNE PRODUCTION UNIVERSCIENCE 
Voir les crédits (https://www.palais-decouverte.fr/explorer-nos-contenus/sciences-lues)
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Podcast original du Palais de la découverte, SCIENCES LUES est une série scientifique pluridisciplinaire qui propose la lecture commentée et contextualisée d’un texte de science, inspiré et inspirant. Des passerelles existent entre les mots et les nombres, la science se nourrit de l’art, de la littérature et inversement. A travers cette série, nous allons voir l'impact de la science dans la culture littéraire. Les scientifiques entretiennent des liens très étroits avec d’autres disciplines (littérature, poésie, philosophie, religion, etc), qui, lorsqu’elles s’entrechoquent, apportent un nouvel éclairage original à chacune d’elles, et un regard sensible sur la culture scientifique. Nourrie par des éléments scientifiques et des résultats de recherches passionnées et passionnantes, la science fait aussi sens dans l’écriture. Servant à la fois de puits de connaissance et de marque indélébile permettant de mieux retracer et comprendre les découvertes scientifiques qui jalonnent notre histoire, certains textes, ouvrages et publications sont amenés à changer la face de notre monde et bousculer la vision que nous en avons. De Georges Perec à Vernor Vinge, en passant par Nicolas Copernic et tant d’autres, SCIENCES LUES vous embarque dans la découverte d’un extrait de roman, d’essai ou de correspondance soigneusement choisis et sélectionnés par notre équipe de médiateurs du Palais de la découverte. C'est aux Étincelles, dans le 15e arrondissement de Paris, où le Palais de la découverte a pris ses quartiers pendant ses travaux, qu’ont été enregistrés en public ces épisodes, à travers un échange profond entre Léa Minod, journaliste, et nos médiateurs scientifiques. Tout autour, installé dans le noir et équipé de casques Bluetooth, le public tend l'oreille aux mots de figures scientifiques importantes et d’écrivains célèbres. Sur scène, un comédien ou une comédienne s'empare du texte tandis que notre réalisateur, Bertrand Chaumeton, plonge le public dans un environnement sonore immersif, conçu sur mesure. Alors, munissez-vous de vos écouteurs et laissez-vous transporter par la force des écrits, à travers le prisme de la recherche et de la science. SAISON 1 : Episode 1 – « Histoire d’une montagne », d’Elisée Reclus Episode 2 – « Aux tréfonds du ciel », de Vernor Vinge Episode 3 – « M.Tompkins explore l’atome », de George Gamow Episode 4 – « Penser/Classer », de Georges Perec Episode 5 – « Correspondance » de Sophie Germain et Carl Friedrich Gauss Episode 6 – Et Dieu dit : "Que Darwin soit" de Stephen Jay Gould Episode 7 – « De revolutionibus orbium coeletium » de Nicolas Copernic Episode 8 – « Institution de physique » d’Emilie du Châtelet Durée totale : 3h50min09s UNE PRODUCTION UNIVERSCIENCE Voir les crédits (https://www.palais-decouverte.fr/explorer-nos-contenus/sciences-lues) Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Podcast original du Palais de la découverte, SCIENCES LUES est une série scientifique pluridisciplinaire qui propose la lecture commentée et contextualisée d’un texte de science, inspiré et inspirant.&nbsp;


Des passerelles existent entre les mots et les nombres, la science se nourrit de l’art, de la littérature et inversement. A travers cette série, nous allons voir l'impact de la science dans la culture littéraire. Les scientifiques entretiennent des liens très étroits avec d’autres disciplines (littérature, poésie, philosophie, religion, etc), qui, lorsqu’elles s’entrechoquent, apportent un nouvel éclairage original à chacune d’elles, et un regard sensible sur la culture scientifique. Nourrie par des éléments scientifiques et des résultats de recherches passionnées et passionnantes, la science fait aussi sens dans l’écriture. Servant à la fois de puits de connaissance et de marque indélébile permettant de mieux retracer et comprendre les découvertes scientifiques qui jalonnent notre histoire, certains textes, ouvrages et publications sont amenés à changer la face de notre monde et bousculer la vision que nous en avons.&nbsp;


De Georges Perec à Vernor Vinge, en passant par Nicolas Copernic et tant d’autres, SCIENCES LUES vous embarque dans la découverte d’un extrait de roman, d’essai ou de correspondance soigneusement choisis et sélectionnés par notre équipe de médiateurs du Palais de la découverte. C'est aux Étincelles, dans le 15e arrondissement de Paris, où le Palais de la découverte a pris ses quartiers pendant ses travaux, qu’ont été enregistrés en public ces épisodes, à travers un échange profond entre Léa Minod, journaliste, et nos médiateurs scientifiques. Tout autour, installé dans le noir et équipé de casques Bluetooth, le public tend l'oreille aux mots de figures scientifiques importantes et d’écrivains célèbres. Sur scène, un comédien ou une comédienne s'empare du texte tandis que notre réalisateur, Bertrand Chaumeton, plonge le public dans un environnement sonore immersif, conçu sur mesure. &nbsp;&nbsp;&nbsp;


Alors, munissez-vous de vos écouteurs et laissez-vous transporter par la force des écrits, à travers le prisme de la recherche et de la science.&nbsp;


SAISON 1 :
Episode 1 – &nbsp;« Histoire d’une montagne », d’Elisée Reclus
Episode 2 – &nbsp;« Aux tréfonds du ciel », de Vernor Vinge
Episode 3 – &nbsp;« M.Tompkins explore l’atome », de George Gamow
Episode 4 – &nbsp;« Penser/Classer », de Georges Perec
Episode 5 – &nbsp;« Correspondance » de Sophie Germain et Carl Friedrich Gauss
Episode 6 – &nbsp;Et Dieu dit : "Que Darwin soit" de Stephen Jay Gould
Episode 7 – « De revolutionibus orbium coeletium » de Nicolas Copernic
Episode 8 – « Institution de physique » d’Emilie du Châtelet
&nbsp;
Durée totale : 3h50min09s


UNE PRODUCTION UNIVERSCIENCE&nbsp;
Voir les crédits (https://www.palais-decouverte.fr/explorer-nos-contenus/sciences-lues)
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Sciences lues

Programa Radial Cristiano, transmitido por el 1500 de AM y por Facebook, Instagram y YouTube.

La Ruta VAP

The Soundwave That Ears Crave!
Also follow me on Facebook, Twitter, and YouTube!
BRALLIT: Independent electro artist since April '06. Experimental electronica exploration with roots in Dance/Trance/House/IDM/Techno/Glitch/Drum&Bass/Ambient/Hip-Hop/Rock. 
Unsigned (Creative Commons) Producer

The Soundwave That Ears Crave! Also follow me on Facebook, Twitter, and YouTube! BRALLIT: Independent electro artist since April '06. Experimental electronica exploration with roots in Dance/Trance/House/IDM/Techno/Glitch/Drum&Bass/Ambient/Hip-Hop/Rock. Unsigned (Creative Commons) Producer

The Soundwave That Ears Crave!
Also follow me on Facebook, Twitter, and YouTube!
BRALLIT: Independent electro artist since April '06. Experimental electronica exploration with roots in Dance/Trance/House/IDM/Techno/Glitch/Drum&amp;Bass/Ambient/Hip-Hop/Rock. 
Unsigned (Creative Commons) Producer

SoundCloud music

Hello, you've managed to make it this far, so thank you for taking the time out of your day to check the channel out! A little bit about us:

This podcast is made up of 3 members: Matthew (SweetMoses), Chase (Rumqi), and Martin (SmackinCheekz)

If you want something to chill and listen to this is the place for you! We are just three dudes here to chat and try turn it into something the community enjoys! We ensure all our episodes contain a positive atmosphere and are full of energy. We are always looking to support people & bring entertainment. We thank you for all the support and hope everyone enjoys!

Hello, you've managed to make it this far, so thank you for taking the time out of your day to check the channel out! A little bit about us: This podcast is made up of 3 members: Matthew (SweetMoses), Chase (Rumqi), and Martin (SmackinCheekz) If you want something to chill and listen to this is the place for you! We are just three dudes here to chat and try turn it into something the community enjoys! We ensure all our episodes contain a positive atmosphere and are full of energy. We are always looking to support people & bring entertainment. We thank you for all the support and hope everyone enjoys!

Hello, you've managed to make it this far, so thank you for taking the time out of your day to check the channel out! A little bit about us:

This podcast is made up of 3 members: Matthew (SweetMoses), Chase (Rumqi), and Martin (SmackinCheekz)

If you want something to chill and listen to this is the place for you! We are just three dudes here to chat and try turn it into something the community enjoys! We ensure all our episodes contain a positive atmosphere and are full of energy. We are always looking to support people &amp; bring entertainment. We thank you for all the support and hope everyone enjoys!

Work in Progress Podcast

Não nascemos apenas para trabalhar e pagar boletos. 
Eu descobri, depois de muito tempo sofrendo, que é possível ser feliz e ganhar dinheiro fazendo o que amo.

Não nascemos apenas para trabalhar e pagar boletos. Eu descobri, depois de muito tempo sofrendo, que é possível ser feliz e ganhar dinheiro fazendo o que amo.

Paula - Time for Change Now

🦚🥭Grüne News-Edibles für dein Ohr – Ab dem 22. November servieren dir Lito Schulte und Jonathan Grün jeden zweiten Montag um 4:20 die wichtigsten News Nuggets aus dem Munchies &amp; Mangos Mangrovenwald.

Im Duo schlagen sich der Podcaster und der Rechtsanwalt durch das Informationsdickicht in Sachen Cannabis-News. Dazu präsentieren beide aus ihrer Podcasthütte zusätzliche exklusive Einblicke in die Welt von Patienten, Konsumenten und Produzenten.

🦚🥭Grüne News-Edibles für dein Ohr – Ab dem 22. November servieren dir Lito Schulte und Jonathan Grün jeden zweiten Montag um 4:20 die wichtigsten News Nuggets aus dem Munchies & Mangos Mangrovenwald. Im Duo schlagen sich der Podcaster und der Rechtsanwalt durch das Informationsdickicht in Sachen Cannabis-News. Dazu präsentieren beide aus ihrer Podcasthütte zusätzliche exklusive Einblicke in die Welt von Patienten, Konsumenten und Produzenten.

Munchies & Mangos

Acoustic

"The Best Damn Ride" EP now available  goo.gl/j5BHvX

Now based in Glasgow, singer-songwriter Charlie previously gigged mainly around Oxfordshire.  Charlie's set generally includes an eclectic mix of upbeat pop songs tinged with the odd hint of blues, country or folk & maybe the odd original/cover in Korean, Japanese or Spanish. 

Singer songwriter & winner of the London 2015 Pride's Got Talent Cabaret, Charlie headlined the Pride stage at BST Hyde Park on Sun 21st June, followed by 3 stages at Pride the following weekend.

Since starting, Charlie has performed about 350 gigs in total, slowing down whilst at the University of Nottingham, studying History with Contemporary Chinese Studies.

https://www.youtube.com/watch?v=ApplsRWytz0

Tom Robinson, BBC 6 Music, "Out there in Streaming Land there are naturally gifted singers and then there are the rest of us, and you can tell within seconds that Charlie Leavy belongs effortlessly in the first category. In the coming years Charlie will be able to pick pretty much any direction he wants to and, with enough hard work, make a success of it."

Art Lagun, Oxford Nightshift, "True to form the first act tonight proves to be the most interesting. Charlie Leavy makes a big impact with just his voice and an acoustic guitar, sounding more California than his native Hook Norton. Relentlessly upbeat, one great song follows another, catchy tunes with straightforward yet personal lyrics like the poignant ‘Tongue Tied’. Only seventeen, Charlie writes and performs with frank simplicity that comes as a breath of vitalising air, his take on Pixie Lott’s ‘Mama Do’ trouncing the original."

"The Best Damn Ride" EP now available goo.gl/j5BHvX Now based in Glasgow, singer-songwriter Charlie previously gigged mainly around Oxfordshire. Charlie's set generally includes an eclectic mix of upbeat pop songs tinged with the odd hint of blues, country or folk & maybe the odd original/cover in Korean, Japanese or Spanish. Singer songwriter & winner of the London 2015 Pride's Got Talent Cabaret, Charlie headlined the Pride stage at BST Hyde Park on Sun 21st June, followed by 3 stages at Pride the following weekend. Since starting, Charlie has performed about 350 gigs in total, slowing down whilst at the University of Nottingham, studying History with Contemporary Chinese Studies. https://www.youtube.com/watch?v=ApplsRWytz0 Tom Robinson, BBC 6 Music, "Out there in Streaming Land there are naturally gifted singers and then there are the rest of us, and you can tell within seconds that Charlie Leavy belongs effortlessly in the first category. In the coming years Charlie will be able to pick pretty much any direction he wants to and, with enough hard work, make a success of it." Art Lagun, Oxford Nightshift, "True to form the first act tonight proves to be the most interesting. Charlie Leavy makes a big impact with just his voice and an acoustic guitar, sounding more California than his native Hook Norton. Relentlessly upbeat, one great song follows another, catchy tunes with straightforward yet personal lyrics like the poignant ‘Tongue Tied’. Only seventeen, Charlie writes and performs with frank simplicity that comes as a breath of vitalising air, his take on Pixie Lott’s ‘Mama Do’ trouncing the original."

"The Best Damn Ride" EP now available  goo.gl/j5BHvX

Now based in Glasgow, singer-songwriter Charlie previously gigged mainly around Oxfordshire.  Charlie's set generally includes an eclectic mix of upbeat pop songs tinged with the odd hint of blues, country or folk &amp; maybe the odd original/cover in Korean, Japanese or Spanish. 

Singer songwriter &amp; winner of the London 2015 Pride's Got Talent Cabaret, Charlie headlined the Pride stage at BST Hyde Park on Sun 21st June, followed by 3 stages at Pride the following weekend.

Since starting, Charlie has performed about 350 gigs in total, slowing down whilst at the University of Nottingham, studying History with Contemporary Chinese Studies.

https://www.youtube.com/watch?v=ApplsRWytz0

Tom Robinson, BBC 6 Music, "Out there in Streaming Land there are naturally gifted singers and then there are the rest of us, and you can tell within seconds that Charlie Leavy belongs effortlessly in the first category. In the coming years Charlie will be able to pick pretty much any direction he wants to and, with enough hard work, make a success of it."

Art Lagun, Oxford Nightshift, "True to form the first act tonight proves to be the most interesting. Charlie Leavy makes a big impact with just his voice and an acoustic guitar, sounding more California than his native Hook Norton. Relentlessly upbeat, one great song follows another, catchy tunes with straightforward yet personal lyrics like the poignant ‘Tongue Tied’. Only seventeen, Charlie writes and performs with frank simplicity that comes as a breath of vitalising air, his take on Pixie Lott’s ‘Mama Do’ trouncing the original."

Charlie Leavy

Ölümünün 100. Yılında Proust (Hazırlayan ve sunanlar: Seval Şahin ve Nedret Öztokat Kılıçeri).

Kayıp Zamanı Yakalamak

Frases De Vida

Welcome! Exploring spiritual topics, musings, questions and whatever the ancestors offer. Gods, Goddesses and sacred friends join me.

Sacred Grove

Boa noite Pretinha

If it evolved, it's fair game. <a href="https://naturalselections.substack.com?utm_medium=podcast">naturalselections.substack.com</a>

If it evolved, it's fair game. naturalselections.substack.com

If it evolved, it's fair game. <a href="https://naturalselections.substack.com?utm_medium=podcast" rel="noopener noreferrer">naturalselections.substack.com</a>

Natural Selections

Foto a video podcast. Budeme se zde bavit o focení, natáčení, sociálních sítích a všem co je kolem nás v digitálním světě.

BLACKCAST.CZ

Sustainability, Affordability, and Security of Energy cannot be thought of independently. Unlocking this Energy Trilemma will be key to ensuring a fair &amp; just Energy Transition, that ensures no recession, and addresses realistically the transformation of the power industry.
In the podcast, you will listen to open conversations with senior executives and industry experts about 1, 2, or even 3 of the poles of the Trilemma.
Jose A. Martinez "JAM" and Ravi Krishnan are seasoned professionals with knowledge and connections in the Global Energy Market

Sustainability, Affordability, and Security of Energy cannot be thought of independently. Unlocking this Energy Trilemma will be key to ensuring a fair & just Energy Transition, that ensures no recession, and addresses realistically the transformation of the power industry. In the podcast, you will listen to open conversations with senior executives and industry experts about 1, 2, or even 3 of the poles of the Trilemma. Jose A. Martinez "JAM" and Ravi Krishnan are seasoned professionals with knowledge and connections in the Global Energy Market

Unlocking The Energy Trilemma

Um podcast para discutir o melhor do audiovisual brasileiro (ou quase isso). Apresentado por Matheus Venzi e Yuri Vieira.

Janela Invisível

Joy and Conversation is a podcast about Jewish history and culture. It is propelled by curiosity and a passion for teaching and learning. Eclectic but accessible, it is like looking into a kaleidoscope and seeing the vibrant colors, complex shapes, and rich dimensions of Jewish life and identity--but for your ears. It illuminates Jewish diversity by focusing on under-told stories. It emphasizes vitality and dynamism by showcasing humanity and creativity. Centered on asking questions and dedicated to sharing knowledge, Joy and Conversation breaks silences, crosses borders, cultivates understanding, and encourages compassion. Finding joy in conversation is a mitzvah. To learn more, visit joyandconversationpodcast.com or Twitter @JandCpodcast.

Featured

We will dive into funny stories of our past as youngsters.
making you laugh as you take a walk into our past.

We will dive into funny stories of our past as youngsters. making you laugh as you take a walk into our past.

What's The Damn Deal With M-Z

Join Blake and Sarah every week at the Vendde Innovation Centre to discuss cars, lifestyle, entrepreneurship, and everything in-between!

Vendde Life

Don't Know Much Podcast Show. 3 dudes talk about life, gaming, and Tech.

Follow the show on :

Twitter: https://twitter.com/DkmPodcast

Join our Discord server: https://discord.gg/J22rMBD7Mp

YouTube: https://youtube.com/channel/UCuPVv9Y56KZ_VT4GqijWGBg

Follow Pepper on:

Twitter: https://twitter.com/peppertweetboi

YouTube: https://www.youtube.com/user/sgtPepper714

Twitch: https://www.twitch.tv/pepperstreamboi

Follow Kenny on:

Twitter: https://twitter.com/IAMBUTTERED

Twitch: https://www.twitch.tv/iambuttered

Follow Marcos on:

Twitter: https://twitter.com/DKM_TANG

Don't Know Much Podcast Show. 3 dudes talk about life, gaming, and Tech. Follow the show on : Twitter: https://twitter.com/DkmPodcast Join our Discord server: https://discord.gg/J22rMBD7Mp YouTube: https://youtube.com/channel/UCuPVv9Y56KZ_VT4GqijWGBg Follow Pepper on: Twitter: https://twitter.com/peppertweetboi YouTube: https://www.youtube.com/user/sgtPepper714 Twitch: https://www.twitch.tv/pepperstreamboi Follow Kenny on: Twitter: https://twitter.com/IAMBUTTERED Twitch: https://www.twitch.tv/iambuttered Follow Marcos on: Twitter: https://twitter.com/DKM_TANG

DKM (Don't Know Much) Podcast

Beats and Bookings  :y.powermusic@gmail.com
☎️:+(244) 930 545 618

Beats and Bookings :y.powermusic@gmail.com ☎️:+(244) 930 545 618

YOUNG POWER PRODUCER ✪

Hello my Good People. Welcome to the 86iT Podcast, where Justin and Dewayne don't have a filter. Everything is fair play when you are listening to us and we are here to have a GREAT time while we are entertaining you guys. Here on this channel you will get anything from sports talk to your local news. So, anything news worthy or topic worthy Justin and Dewayne got you. If you guys want to get live interactions with us. You can join us on the Stereo App every Tuesdays night at 8:30pm EST/7:30 CT.

The 86iT Podcast with Justin Jones and Dewayne Vannoy

All about bible discussion that helps people&#39;s daily life, motivating to continue living in accordance to God&#39;s word.

All about bible discussion that helps people's daily life, motivating to continue living in accordance to God's word.