“I was astonished by the experience of standing there, where the two oceans met. I knew at that very moment this would be my concept: the meeting of worlds".

For centuries, the art establishment had been defined and dictated by predominantly white, wealthy, western critics and curators. Then in the early 90’s a young man who was born in Nigeria and studied Political Science in New York came onto the scene and said, ‘no more’.

With an eye for aesthetic and a burning fire of political concern, curator and educator Okwui Enwezor transformed the art world. He placed non-western art histories on an equal footing with the long-established narrative of European and North American art. He was a man with a mission, utterly confident and determined.

Sir David Adjaye, the architect perhaps best known for his largest project to date – the Smithsonian Institute’s National Museum of African American History and Culture - champions the ground-breaking life of Okwui Enwezor, who became both his friend and collaborator. He is joined by Chika Okeke-Agulu, one of the foremost scholars of African Art and Professor of African and African Diaspora Art at Princeton University.

Presented by Matthew Parris