Emily Bazelon talks with author and Yale professor Judith Resnik about her new book, Impermissible Punishments: How Prison Became a Problem for Democracy. They discuss the history of the prison system’s use of punishments like whipping, how the practice came to an end, and more.

Tweet us your questions @SlateGabfest or email us at [email protected]. (Messages could be quoted by name unless the writer stipulates otherwise.)

Podcast production by Cheyna Roth.

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In the rarefied world of smash pop singles, there are No. 1s—and there are No. 1 debuts. Entering Billboard’s Hot 100 at the top is one of the hardest tricks in music. In fact, it wasn’t possible in the U.S. until 1995. That’s when the record labels hacked the Hot 100 and figured out how to send new singles straight into the chart penthouse. 

But scoring a No. 1 in Week One doesn’t mean it’s built to last. For every enduring hit like “Fantasy,” “Shake It Off” or “Hello,” there are plenty of one-off oddities, coronation pabulum from American Idol finalists, and even a few missteps from chart luminaries. Within a couple of years these fast-breaking hits may be forgotten—never to be spun on the radio or streamed on Spotify.

Join Chris Molanphy as he explores the chart calculus, superfan interventions, and fluky conditions that create a perfect storm of pop-chart insta-success. It’s a parade of pop bangers that scored a fast pass to the front of the line.

Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.

Podcast production by Kevin Bendis and Olivia Briley.

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There is a “stuckness” to American political life right now, which has become a seemingly inexorable centrifuge of polarization, victimization and power grabbing. The constitution is brandished as sword and shield, and also as though it is the word of God. Americans, it seems, have lost the ability to think creatively and expansively about the constitution, and our ability to amend it. On this week’s Amicus, Dahlia Lithwick is in conversation with Jill Lepore, whose new book “We The People: A History of The U.S. The Constitution is a thorough and bold excavation of a central, but utterly neglected part of America’s constitutional scheme: the amendment process. In her book, and in this interview, Lepore challenges Americans to rekindle their constitutional imaginations and really think about what the act of mending, repairing, or amending has meant through the nation’s history, and could mean for a country on the brink. 

Want more Amicus? Join Slate Plus to unlock weekly bonus episodes with exclusive legal analysis. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Amicus show page on Apple Podcasts and Spotify. Or, visit slate.com/amicusplus to get access wherever you listen.

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Sped-up voices. Wacky instruments. Songs about cavemen, bathtubs, bikinis, and mothers-in-law. From the dawn of rock ‘n’ roll through the 1970s—the age of streaking, CB radios, disco and King Tut—novelty songs could be chart-topping hits. But by the corporate ’80s, it was harder for goofballs to score hits on regimented radio playlists. Until one perm-headed, mustachioed, accordion-playing parodist who called himself “Weird” rebooted novelty hits for the new millennium. 

In the second part of this encore episode of Hit Parade, Chris Molanphy explores the history of novelty hits on the charts.

Podcast production by Justin D. Wright and Kevin Bendis.

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Political Gabfest host Emily Bazelon talks with Jonathan Mahler about his new book, The Gods of New York. They discuss the unraveling of Mayor Ed Koch’s New York City; how the city’s current mayoral race is mirroring the past; and more.

Tweet us your questions @SlateGabfest or email us at [email protected]. (Messages could be quoted by name unless the writer stipulates otherwise.)

Podcast production by Cheyna Roth.

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Sped-up voices. Wacky instruments. Songs about cavemen, bathtubs, bikinis, and mothers-in-law. From the dawn of rock ‘n’ roll through the 1970s—the age of streaking, CB radios, disco and King Tut—novelty songs could be chart-topping hits. But by the corporate ’80s, it was harder for goofballs to score hits on regimented radio playlists. Until one perm-headed, mustachioed, accordion-playing parodist who called himself “Weird” rebooted novelty hits for the new millennium. 

In this encore episode of Hit Parade, Chris Molanphy explores the history of novelty hits on the charts.

Podcast production by Justin D. Wright and Kevin Bendis.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Experimental archeology is, simply put, archeology that involves running experiments. Where traditional archaeologists may study, research, analyze, and theorize about how artifacts were made or used, experimental archaeologists actually try to recreate, test, and use them to see what they can learn. In doing so, they have given the field a whole new way to glean clues and get insights into the lives of our ancestors.

Sam Kean is the author of a new book all about experimental archaeology called Dinner with King Tut. With help from him and a few archaeologists, we dig into a number of puzzles that experimental archaeology has helped solve—conundrums involving ancient megafauna, bizarre cookware, and deep sea voyages.

In this episode, you’ll hear from archaeologists Susan Kaplan of Bowdoin College and Karen Harry of University of Nevada, Las Vegas, and Native Hawaiian activist and storyteller Nāʻālehu Anthony.

To learn more about the story of Hokule’a and its first navigator, Mau Piailug, watch Nāʻālehu Anthony’s 2010 documentary, Papa Mau: The Wayfinder, as well as The Navigators: Pathfinders of the Pacific.

This episode was produced by Katie Shepherd and Max Freedman. Decoder Ring is also produced by Willa Paskin and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. We had mixing help from Kevin Bendis.

We’d also like to thank Metin Eren and Paul Benham.

If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.

Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.

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From the Statue of Liberty to the Golden Gate Bridge, and places in between like Yellowstone and the site of the Battle of Gettysburg, the National Park Service has been a point of American pride since its inception. And with a small budget and actually generating revenue, even fiscal hawks had no reason to complain. 

So why is the Trump administration cutting their budget? 

Guests:

Jon B. Jarvis,18th director of the National Parks and executive director for the Institute for Parks, People and Biodiversity at UC Berkeley.

Kevin Heatley, former superintendent of Crater Lake National Park, Oregon.  

Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen.

Podcast production by Ethan Oberman, Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther.

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Outward is going on a little summer break, in the meantime we’re leaving you with a delightfully queer episode of Slate’s Hit Parade with Chris Molanphy:

Little Richard was rock ‘n’ roll’s flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom.

What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today’s more openly queer stars.

For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It’s a celebration of these artists’ quest to feel… mighty real.

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When Kendrick Lamar took the Super Bowl halftime stage in 2025 and had the stadium chanting along to “Not Like Us”, it was clear: diss tracks had gone stratospheric.

The Kendrick vs. Drake beef echoes legendary rap rivalries like Biggie vs. Tupac and Jay Z vs. Nas—but diss tracks stretch back through a century of American pop, long before hip-hop, all the way to the days of Tin Pan Alley. From Eddie Cantor and James Brown, to John Lennon and Carly Simon, to Kool Moe Dee and Lauryn Hill, artists have been turning personal grudges into hits for over a century.

Step this way and join Chris Molanphy as he traces the history of answer records, diss tracks and rap beefs that shaped the charts and the culture.

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