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The Slate Music Club returns, in this special year-end edition of Hit Parade’s The Bridge! Host Chris Molanphy joins New York Times pop music critic Lindsay Zoladz, and Julianne Escobedo Shepherd of Hearing Things in a critics’ roundtable led by Slate’s own Carl Wilson. They discuss their favorite albums and singles, as well as the trends that shaped music in 2025.

Among this year’s big musical questions: Have we reached peak Bad Bunny yet? Did those animated Demon Hunters reinvent K-pop? Are Geese the saviors of rock, or just muppets with guitars? Is hip-hop ready to move on from Kendrick and Drake? Plus: Rosalia, Water for Your Eyes, Gaga, Wednesday—and of course, Taylor Swift.

Note: Slate Plus members can hear this special episode in full. Ad-supported listeners will hear the first half. Want to hear the whole discussion? Sign up for Slate Plus! Unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen.

Podcast production by Kevin Bendis.

Don’t miss the rest of this year’s Slate Music Club episode! Become a Slate Plus member! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.

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If you need confirmation of Hollywood’s vast influence on mass culture, look no further than the pop charts. From the 1937 classic Snow White and the Seven Dwarfs through this year’s KPop Demon Hunters, soundtracks have launched hits, defined genres—and sometimes even eclipsed the films that inspired them in the first place. Rock classics, funk jams, rap bangers, even Christmas standards: all became hits because we heard them first at the cinema.

Join Chris Molanphy as he unspools nearly a century of hit movie music, from Simon & Garfunkel’s groundbreaking ode to “Mrs. Robinson,” to the, ahem, titanic tin whistle of “My Heart Will Go On.”

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Hosts Alex Kirshner, Lindsay Gibbs, and Ben Lindbergh look back on 2025, picking their top sports stories from each month—from the Luka trade and torpedo bats to a Trumpy Ryder Cup and OKC’s championship. It's been a year!

On the bonus episode available exclusively for Slate Plus members, the panel unpacks Trump’s proposed Patriot Games.

January - April (3:51): CFP - Rory

May - August (26:58): Coco Gauff - Belichick

September - December (50:43): Ryder Cup - Puka Nacua

(Note: time codes are only accurate for Slate Plus members, who listen ad-free.)

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You can email us at [email protected].

Podcast production and editing by Kevin Bendis, with production assistance from Ben Richmond.

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As When We All Get to Heaven wraps up, Christina sits down with series host Lynne Gerber and producer Siri Colum. They discuss how the church has changed, the value of fleeting queer spaces, and what a decade or more spent working on this story has meant to—and taught—them.

Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen.

Produced by Palace Shaw and Merritt Jacob.

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If you need confirmation of Hollywood’s vast influence on mass culture, look no further than the pop charts. From the 1937 classic Snow White and the Seven Dwarfs through this year’s KPop Demon Hunters, soundtracks have launched hits, defined genres—and sometimes even eclipsed the films that inspired them in the first place. Rock classics, funk jams, rap bangers, even Christmas standards: all became hits because we heard them first at the cinema.

Join Chris Molanphy as he unspools nearly a century of hit movie music, from Simon & Garfunkel’s groundbreaking ode to “Mrs. Robinson,” to the, ahem, titanic tin whistle of “My Heart Will Go On.”

Learn more about your ad choices. Visit megaphone.fm/adchoices

In the final episode of When We All Get to Heaven, we catch up on what’s happened in the many years between the emergence of effective treatment for AIDS in the late ‘90s and the fall of 2025, when we recorded this episode. We linger on a moment back in June 1999, when Jim was still pastor and called on the church to remember that AIDS wasn’t over. Because—advances notwithstanding—it still isn’t over.   

For more on Gilbert Baker and the history of the rainbow flag see the  Gilbert Baker Foundation.

For more on Prep see San Francisco AIDS Foundation, What is PrEP? 

“The Path that Ends AIDS: 2023 UNAIDS Global Update” outlines a possible end to the AIDS epidemic. 

The story of Jacob’s Ladder is in the book of Genesis chapter 28, verses 10-19.

The text for “This is the Day that God Has Made” is biblical with music by Leon C. Roberts.

“We are Climbing Jacob’s Ladder” is a traditional hymn.

“This Little Light of Mine” – text traditional, music by Penelope Gneisen

“Song of the Soul” is by Cris Williamson and was sung by her at MCC San Francisco on April 24, 2000. 

For images and links about this episode visit https://www.heavenpodcast.org/episode-10.

When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits.

This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org).

Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds.

The music for this episode is from the Metropolitan Community Church of San Francisco’s archive. It was performed by MCC-SF’s musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.

Thanks to Dr. Judy Auerbach of the University of California at San Francisco. 

Thanks to Sue Fulton for permission to use “This Little Light of Mine.” 

Thanks to Cris Williamson for permission to use “Song of the Soul.” 

Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  

Some links to good groups:

The Metropolitan Community Church of San Francisco – the congregation’s current website. 

Metropolitan Community Churches – the denomination of which MCC San Francisco is a part. 

San Francisco AIDS Foundation – a place to seek information about HIV. 

POZ Magazine – a place to learn everything else about HIV (information included).

Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   

LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. 

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In 1996 everything changed. With the introduction of antiretroviral medications called the “AIDS cocktail,” people started getting better – some dramatically – and surviving AIDS became a real possibility. In the wake of these changes, MCC found itself taking stock of what they lost to AIDS and using what they learned to address larger social issues– from medical marijuana to homelessness. Sometimes these political stances felt heroic and a way to use that collective energy, and other times it made the church very unpopular with the changing Castro neighborhood.

“Freedom is Coming”  is by Anders Nyberg. 

“All Things New” is by Rory Cooney.

“Blessed Assurance” is by Franny Crosby.

“Gloria (Angels We Have Heard on High” is a traditional Christmas hymn. 

“The Potter’s House” is by V. Michael McKay. 

For images and links about this episode visit https://www.heavenpodcast.org/episode-9.

Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen.

Production credits: 

When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits.

This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org).

Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds.

The music for this episode is from the Metropolitan Community Church of San Francisco’s archive. It was performed by MCC-SF’s musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.

Special thanks to Tom Ammiano, Tommi Avicolli-Mecca, Stuart Gaffney, John Lewis, Dr. Jen Reck, Matt Sharp, and Dana Van Gorder for their help with this episode. 

Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  

Some links to good groups

Lyric Center for LGBTQQ+ Youth

The Ali Forney Center

The Trevor Project’s 2022 report on LGBTQ youth and homelessness

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Conservatives have long complained that teaching American history with slavery and genocide and systemic oppression is just too negative, and the Trump administration has gone as far as attacking the Smithsonian for focusing too much on “how horrible our country is.” But omitting the shameful aspects of America’s past doesn’t just distort history—it impairs our ability to understand the present. 

Guest:  Clint Smith, staff writer at The Atlantic and author of How the Word Is Passed: A Reckoning With the History of Slavery Across America and the new poetry collection Above Ground.

Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen.

Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther.

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In 1995 Rev. Jim Mitulski became HIV positive -- what's known as seroconversion. It was 14 years into the epidemic and people knew what HIV/AIDS was, how you got it, and how you could prevent it. And when Jim got sick, he got very sick. What was it like to become ill so publicly? How would the church and the community respond? And what could Jim possibly preach about on his first Sunday back?

“My Soul Doth Magnify” is from Camille Saint-Saens’ Christmas Oratorio, Op. 12, 1858.

“The 23rd Psalm (Dedicated to My Mother)” is by Bobby McFerrin. 

The biblical story of the death of the prophet Elijah is in Second Kings, chapter 2. 

For images and links about this episode visit https://www.heavenpodcast.org/episode-8.

When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits.

This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org).

Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds.

The music for this episode is from the Metropolitan Community Church of San Francisco’s archive. It was performed by MCC-SF’s musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. 

Thanks to Ed Wolf and Frank DePelisi for talking us through the issues around HIV status and sero-sorting in the mid-1990s. 

And thanks to Bobby McFerrin and Linda Goldstein for use of “The 23rd Psalm (Dedicated to My Mother).” You can see McFerrin conducting his VOCAbuLarieS singers singing the piece here. 

Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  

Some links to good groups:

National Resource Center on HIV and Aging – resources for older adults living with HIV. 

Surviving Voices – an oral history documentary project on how different communities have experienced HIV and AIDS. The most recent focuses on lifelong and long-term HIV survivors. 

Let’s Kick Ass – AIDS Survivors Syndrome – support for long-term HIV survivors. 

Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen.

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