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In 1980, the synagogue in Paris was bombed, killing four and injuring 40 others. Over four decades later, French authorities settled on one suspect, despite the fact that the perpetrators could have been a neo-Nazi group, which had bombed a Jewish site on that same date years earlier. Canadian academic Dr. Hassan Diab was extradited to France to stand trial. He spent 38 months in near solitary confinement in Fleury-Merogis, Europe’s biggest maximum security prison, while the French magistrates investigated his case. The two French judges–experts in cases of terrorism–dismissed the case in 2018. Canadian Prime Minister Justin Trudeau declared that Dr, Hassan should never have had to suffer.
Nevertheless, French prosecutors appealed the case, and in 2023 Hassan Diab was convicted in absentia for this unsolved crime. Former Secretary General of Amnesty International Canada, Alex Neva, described the prosecution of Hassan Diab as, “surreal and disgraceful.” Diab was sentenced to life, despite all of the evidence indicating that he could not possibly have committed it. He is currently facing re-extradition from Canada to France.
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liuand Azeezah Kanji talk with Dr. Hassan Diab, as well as Michelle Weinroth, a long-term member of the Hassan Diab Support Committee, and Bernie Farber, former head of Canadian Jewish Congress who previously advocated for the extradition of Dr. Diab, but now has become one of his supporters.
www.palumbo-liu.com
https://speakingoutofplace.com
Bluesky @palumboliu.bsky.social
www.instagram.com/speaking_out_of_place
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews Ching-In Chen & Kate Hao about the cancellation of the Asian American Literary Festival 2023.
This August, the Asian American Literary Festival was to take place in Washington, DC.. The longstanding event had been on hiatus because of the pandemic, so this year’s event had generated a lot of buzz. Organized by the Smithsonian Asian Pacific American Center (APAC), the event had already garnered substantial investments and expectations from both national and international groups and states.
Ching-In Chen is a poet who was curating a festival event featuring books by trans and nonbinary writers. Kate Hao is a program coordinator who was on contract with the Smithsonian for the festival. They discuss the controversy and the issues it raises about art for the community vs. art that must conform to state institutional preferences and politics. We discuss why this festival is absolutely essential for the present day, where we have Asian Americans being used to help dismantle affirmative action, and where we see persistent and deadly acts of anti-Asian violence. We also hear about possible plans to go forward without the Smithsonian, and ways we can help support the artists and organizers.
https://www.chinginchen.com
www.palumbo-liu.com
https://speakingoutofplace.com
Bluesky @palumboliu.bsky.social
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews Jennifer Jacquet, who is an Associate Professor in the Department of Environmental Studies and Director of XE: Experimental Humanities and Social Engagement at NYU. She is also deputy director of NYU's Center for Environmental and Animal Protection. Her research focuses on animals and the environment, Agnotology, and attribution and responsibility in the Anthropocene. She is author of The Playbook: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World-- a work of 'epistolary non-fiction' that makes the business case for scientific denial. Among other things, we learn how corporations create an arsenal of experts and pseudo-experts at prestigious universities to create misinformation and disinformation for corporate profit, and at great cost to the public. At the end, we make the case for a partnership between the sciences and the humanities to fight such lies and violence.
Jennifer Jacquet’s research focuses on animals and the environment, Agnotology, and attribution and responsibility in the Anthropocene. She is author of The: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World (Pantheon/Penguin, 2022)-- a work of 'epistolary non-fiction' that makes the business case for scientific denial. She also wrote Is Shame Necessary? (Pantheon/Penguin, 2015) about the evolution, function, and future of the use of social disapproval in a globalized, digitized world. She is the recipient of a 2015 Alfred P. Sloan research fellowship and a 2016 Pew Fellowship in Marine Conservation.
https://jenniferjacquet.com
https://as.nyu.edu/faculty/jennifer-jacquet.html
www.palumbo-liu.com
https://speakingoutofplace.com
Bluesky @palumboliu.bsky.social
"This is a book for anyone who is a student of the craft. More particularly, though, this is a book for younger and newer Black writers in undergraduate and graduate workshops and in absolutely no workshop at all. We hope teachers find these words useful for their students, and we hope students who have yet to find their teachers learn from these thirty-two pieces born out of absolute generosity and hope for the future of Black writing."
How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?
In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.
www.jerichobrown.com
www.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?
In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.
"This is a book for anyone who is a student of the craft. More particularly, though, this is a book for younger and newer Black writers in undergraduate and graduate workshops and in absolutely no workshop at all. We hope teachers find these words useful for their students, and we hope students who have yet to find their teachers learn from these thirty-two pieces born out of absolute generosity and hope for the future of Black writing."
www.jerichobrown.com
www.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Have you ever experienced the feeling of being alone and not having a community? How can we build an atmosphere of inclusion and greater understanding?
Brooklyn-based artist Elliot Lee fuses dark pop melodies with edgy vocals and innovative electronic-rock soundscapes to create an unpredictable sound, acting as a voice for the voiceless. Elliot Lee holds an awareness of what music that is unhindered by norms can do for the underrepresented. Elliot’s single "Easy To Be You” is dedicated to the LGBTQIA+ community and was released during PRIDE Month. Elliot confides that the release is, "about struggling with self image and identity expression as a queer person.
"I started to feel like a person who wasn't really me, in that world of being super feminine. It's definitely a night and day difference from that and when, for a while, I was super masculine and people were gendering me. Looking at me, they'd say I was a boy. Those two different worlds are very different. And how people treated me was like night and day. I definitely got more respect when I was masculine. I'd find from people, especially men, were more willing to listen to me and willing to hang out with me and all that without making it weird.
I've always been outspoken, partially because of my autism, I think, because I just don't really have a filter and I find that in a lot of my relationships, I overshare sometimes. And I talk about things that maybe weren't the right thing to talk about to that person. And I've learned to get better at that. But music has been more of an outlet for me to be okay with saying whatever I want to say. And there aren't really boundaries, so I don't have to worry about that anymore.
So in my image, I'm just kind of me, which is nice. I get to just be me and not worry about fitting into society or fitting into what people want me to be. I can overshare and I can advocate for things that mean a lot to me, and I can be open about who I am. And since I have this community of people supporting me, then I'm safe doing so."
www.elliotlee.com
https://song.space/2nldde/song/2477503
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I think so much of acceptance by foreign countries as immigrants, I think, lies with this ideal of assimilation. And assimilation in one respect, it's the negation of your own heritage and your own identity. Because it requires this kind of knowing adoption of a different set of standards and cultural practices, which are alien to you. And in order to assimilate, you have to make them feel as though they're your own. And I think that as a society we're trying to move past assimilation as an ideal for acceptance and moving into a more heterogeneous understanding of a culture that is able to absorb and tolerate different cultural practices and still preserve a common sense of identity that doesn't require necessarily assimilation.
My parents used to say, 'You keep your head down, and you just try to do better than anyone else. And that'll be enough.'"
How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?
Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize’s history. Tom Lin is currently pursuing an English doctorate at the University of California Davis.
https://twotreeforest.com
www.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brown
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Image courtesy of Little, Brown and Company & Tom Lin
How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?
Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize’s history. Tom Lin is currently pursuing an English doctorate at the University of California Davis.
"I think so much of acceptance by foreign countries as immigrants, I think, lies with this ideal of assimilation. And assimilation in one respect, it's the negation of your own heritage and your own identity. Because it requires this kind of knowing adoption of a different set of standards and cultural practices, which are alien to you. And in order to assimilate, you have to make them feel as though they're your own. And I think that as a society we're trying to move past assimilation as an ideal for acceptance and moving into a more heterogeneous understanding of a culture that is able to absorb and tolerate different cultural practices and still preserve a common sense of identity that doesn't require necessarily assimilation.
My parents used to say, 'You keep your head down, and you just try to do better than anyone else. And that'll be enough.'"
https://twotreeforest.com
www.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brown
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Image courtesy of Little, Brown and Company & Tom Lin
"The Chicago School in the 1970s said: Capitalism has been doing really well. What we need to do is take their training wheels off and get rid of regulation, because they believed this would lift everybody out of poverty. That didn't happen. What happened was, if you don't regulate markets, suddenly all of that money goes to the top. So I'm going to give you an example of how skewed our global system is. There are currently eight billionaires in the world, and they're all white males who own the same wealth as the bottom 4 billion people. That suggests that neoliberalism has not worked."
Can we imagine a world where we leave half the earth to the natural environment and use the other half for ourselves? Can we change history and protect the Indigenous, the vulnerable, and the very poorest in society?
Mark Maslin is a Professor of Earth System Science at University College London. Maslin is a leading expert in understanding the anthropocene and how it relates to the major challenges facing humanity in the 21st century. He has written a number of books on the issue of climate change, his most book is How to Save Our Planet: The Facts.
www.geog.ucl.ac.uk/people/academic-staff/mark-maslin
www.penguin.co.uk/books/320155/how-to-save-our-planet-by-maslin-mark/9780241472521
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Image courtesy of Mark Maslin
Can we imagine a world where we leave half the earth to the natural environment and use the other half for ourselves? Can we change history and protect the Indigenous, the vulnerable, and the very poorest in society?
Mark Maslin is a Professor of Earth System Science at University College London. Maslin is a leading expert in understanding the anthropocene and how it relates to the major challenges facing humanity in the 21st century. He has written a number of books on the issue of climate change, his most book is How to Save Our Planet: The Facts.
"The Chicago School in the 1970s said: Capitalism has been doing really well. What we need to do is take their training wheels off and get rid of regulation, because they believed this would lift everybody out of poverty. That didn't happen. What happened was, if you don't regulate markets, suddenly all of that money goes to the top. So I'm going to give you an example of how skewed our global system is. There are currently eight billionaires in the world, and they're all white males who own the same wealth as the bottom 4 billion people. That suggests that neoliberalism has not worked."
www.geog.ucl.ac.uk/people/academic-staff/mark-maslin
www.penguin.co.uk/books/320155/how-to-save-our-planet-by-maslin-mark/9780241472521
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
All images courtesy of Mark Maslin
From the publisher's feed
Social Justice & Activism episodes of the popular The Creative Process podcast. We speak to activists, environmental organizations, indigenous groups, artists, writers & others who have devoted their life to making a difference.
Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, leaders & public figures share real experiences & offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts & Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso, EARTHDAY.ORG, Neil Gaiman, UNESCO, Joyce Carol Oates, Mark Seliger, Acropolis Museum, Hilary Mantel, Songwriters Hall of Fame, George Saunders, The New Museum, Lemony Snicket, Pritzker Architecture Prize, Hans-Ulrich Obrist, Serpentine Galleries, Joe Mantegna, PETA, Greenpeace, EPA, Morgan Library & Museum, and many others.
The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition.

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