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The four members of Combo Chimbita are from Colombia. But they met and formed their band here in New York. From their home base in Queens, Combo Chimbita plays a kind of tropical futurist pop that combines elements of Afro-Colombian spirituality, razor-sharp social commentary, and booty-shaking dance rhythms. Hear their set, live from the New Sounds 40th Anniversary Party from Brooklyn Bowl, and an interview with bass/synth player Prince of Queens.
Set list:
Download or Listen to Part 1:
IRE by Combo Chimbita
The Brazilian singer and guitarist named Rogê made his mark playing his own brand of samba and samba funk in the clubs of Rio de Janeiro. [Samba in Brazil is rather like the Blues in America, a statement and sound born of the forced migration of Africans, and in both styles, these musical roots grew up and out into many more kinds of popular music.] Now, L.A.-based, Rogê is preparing to release his first album outside Brazil in early 2023, in partnership with producer/guitarist Thomas Brenneck (Menahan Street Band, producer/guitarist for Charles Bradley, Sharon Jones and The Budos Band.) It’ll be called Curyman, (his given name is Roger José Cury), and even though the record has a big, almost orchestral sound at time, thanks to string arrangements by fellow Brazilian Arthur Verocai, it all starts with the voice and guitar. Samba star Rogê performs these new tunes with percussionist Stephane San Juan, in-studio.
Set list: “A Voz Que Não Se Cala”- (by Stephane San Juan), “Existe Uma Voz”, “Pra Vida”
Watch “A Voz Que Não Se Cala” - (by Stephane San Juan):
Watch “Existe Uma Voz":
Watch "Pra Vida":
Nashville-based Appalachian Road Show are veterans of the bluegrass, folk, and roots music scenes who polish the raw emotion in tunes inspired by the Civil War and America’s barn dance eras. The American roots music supergroup features Todd Phillips (bass, bowed bass, vibraslap, vocals), Zeb Snyder (guitars, slide guitar, vocals), Jim VanCleve (fiddle, vocals) and Darrell Webb (mandolin, octave mandolin, banjo, vocals.) They play for us remotely from Blackbird Studios in Nashville, and banjo player, vocalist, and whistler Barry Abernathy chats about their spirit-lifting 2022 release, Jubilation.
Set list: Gallows Pole, The Ballad of Kidder Cole
Watch "Gallows Pole":
Watch "The Ballad of Kidder Cole":
Songwriter Jesse Harris has been a standout musical figure since the 1990s in New York, as a singer and guitarist, and lately as a producer. When his friend Norah Jones swept up all the Grammys back in 2003, it was for an album featuring five of Jesse’s songs, including his Grammy winning song of the year “Don’t Know Why”; other interpreters of his songs include Willie Nelson, Smokey Robinson, and Emmylou Harris. Jesse Harris and percussionist/producer Kenny Wolleson have just birthed an unusual collection of songs called Silver Balloon, where they aimed to experiment with (and subvert) song form, play with an imaginative sound world, and maybe bend time to suit their play as they embrace unexpected chaos.
Jesse Harris and percussionist Kenny Wolleson, along with the band, play some of these new songs in-studio, and tease the forthcoming instrumental record, Cosmo, of songs without words.
Set list: “The Hanged Man” “Hummingbird” “New Year’s Day”
Watch "The Hanged Man":
Watch "Hummingbird":
Watch "New Year's Day":
Thee Sacred Souls is a group of 20-somethings who blend the sounds of Chicano soul with its Philadelphia, Memphis, and even Panama counterparts. Their debut self-titled LP, on Daptone Records, is a smooth and sultry type of timeless soul, featuring Josh Lane’s effortless crooning vocals. Their 'retro' sound is inspired by everything from trailblazing East LA Chicano band Thee Midniters to Italian library music. The band plays in-studio.
Set list: "Future Lover", "Easier Said Than Done", "Can I Call You Rose"
Thee Sacred Souls by Thee Sacred Souls
New York singer/songwriter Nick Hakim has been producing records of gently psychedelic soul here for almost a decade. Occasionally, he drops the gentle psychedelia in favor of something more obviously trippy – it happens several times on his newest album, Cometa. (The title is Spanish for “kite,” although the American-born Hakim sings in English.) He is one of those singers whose voice rarely seems to rise above a whisper – and though he’s probably sick of being compared to the ill-starred but still-mythic English folkie Nick Drake, Hakim’s songs can sound a little like Nick Drake fronting a psychedelic soul band from the early 70s. Nick Hakim and his band perform these songs in-studio. (-John Schaefer)
Set list: Vertigo, Happen, Feeling Myself
Violinist and composer Layale Chaker has done something exquisite in her music with the Ensemble Sarafand from the record, Inner Rhyme: she has gone about capturing the “shape and essence of epic testimonials on life, death, war and love that make the heart of Arabic poetry,” (Layale Chaker.) It’s an alchemical wedding of music derived from the form, rhythm and structure of Arabic sung poetry using chamber music instruments: her violin, along with piano, cello, double-bass, and hand percussion. Chaker and Sarafand perform some of these Arabic-poetry inspired, jazz-embracing chamber music works, in-studio. (From the Archives, 2019.)
Watch the session here:
Who wants to know what The Shuffle Man knows? The playful and surreal British musician and songwriter Robyn Hitchcock does. His latest batch of songs, 'Shufflemania!', is primed for the sub-personalities within - feathery serpent god, the shuffle man, vampire, scorpio tv detective. Robyn’s love of trams and Raymond Chandler are steady, as is his ability to balance the inane and the poignant in lyrics musing about inner lives, vegan casserole, crawling fish, hemlock-drinking, and the inevitability of death. Robyn Hitchcock plays songs from his latest, and a tune from his vast back catalogue, in-studio. - Caryn Havlik
Set: "The Shuffle Man", "Noirer than Noir", "The Man Who Loves the Rain", "Glass Hotel"
Watch "The Shuffle Man":
Watch "Noirer Then Noir":
Watch "The Man Who Loves the Rain":
Watch "Glass Hotel":
British singer and songwriter Beth Orton has found distinctive ways to blend her folky acoustic guitar-playing with the sounds of the electronic music world. But her latest record, Weather Alive, settles in a distinctly personal space where genres don’t so much collide as fade away, and the basis for the album wasn't guitar, but tracks she recorded on a beat-up, questionably-tuned upright piano she bought at a street market. Orton also says that she got to collaborate with herself - as she produced the record - and with that old piano, which "really spoke to me," (Pitchfork.) Additionally, in keeping with her wide ranging musical circle (she's worked with Chemical Brothers, William Orbit, Nick Cave, Emmylou Harris, Four Tet, to drop a few names), she collaborated remotely on Weather Alive with multi-instrumentalist Shahzad Ismaily, the Smile drummer Tom Skinner (Sons of Kemet), and guitarist Grey McMurray, and other folks during lockdown.
Beth Orton and her band play some of these tunes in-studio.
Set list: "Friday Night", "Fractals", "Arms Around a Memory"
Weather Alive by Beth Orton
The three singers who lead the group Say She She all like different things: 70s style New York dance music, classic soul and R&B, the swirling psychedelia of Turkish pop or Hindi film music. The resulting global pop is something close to ‘discodelic soul’ and revolves around the sweet harmonies of the three singers. Say She She has just put out a debut album called Prism, a post-disco confection built around the eclectic and thrilling harmonies of their three singers, Piya Malik, Nya Gazelle Brown, and Sabrina Cunningham. The full 7-piece band plays in-studio.
Set list: "Fortune Teller", "Blow My Mind", "Prism", "Forget Me Not"
Bonus Dance Moves in this operatic song, "Forget Me Not":
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