Soundtracking with Edith Bowman

As promised, we've another double-header for you on this latest episode of Soundtracking, as we span the globe with an Australian and an American.
First up is Ben Frost - a composer of extraordinary versatility. We spent much of the time discussing his scores for the mind-bending German Netflix sci-fi / thriller / mystery / time-travel drama Dark. His work on all three seasons is available to buy right now at invada.co.uk - so get ordering online at the first opportunity.
Then we bring you Radha Blank discussing The 40-Year-Old Version - a film she wrote, directed and stars in. Blurring the lines between reality and fiction, it tells the story of, you guessed it, Radha, a down-on-her luck playwright moving between the worlds of theatre and hip-hop.

It's two for the price of one on our latest episode of Soundtracking, as we bring you a superb composer and splendid writer/director.
First up is our old friend Ludwig Goransson, here to talk specifically about season two of the Mandalorian - which is streaming now on Disney +, one episode at a time.

Then we bring you Bassam Tariq on Mogul Mowgli, which had a theatrical release before the second lockdown, and is now available to watch on the BFI Player and Curzon Home Cinema. More details are available here: https://www.mogulmowgli.co.uk/

Starring former guest on this show, Riz Ahmed, It's such a startlingly original piece of filmmaking, we really wanted to give it a little bit of love. Hence the bonus guest!

Enjoy!

Our latest guest is a composer whose work you'll almost certainly know and love. As you'll hear, Steven Price took the scenic route into full blown film scoring with Attack The Block in 2011, after many years on the periphery of the business. His patience has been well rewarded - he went on to win an Oscar for Gravity, and has also worked on World's End, Baby Driver, Suicide Squad and The Aeronauts among many other things.
Steven joined Edith to discuss a couple of new projects he's done for Netflix, which you can watch right now: Glen Keane's beautiful animation, Over The Moon, and David Attenborough's A Life On Our Planet. Both very different, but both extremely moving in their own way - in no small part thanks to Steven's music.

We're really thrilled to be able to bring you this latest episode of Soundtracking, as it's the first thing we've done in front of a live audience post-lockdown.
As part of the London Podcast Festival, Edith was joined by the one and only Nick Frost before a small, socially distanced gathering at King's Place to discuss all manner of things, including his new Amazon show Truth Seekers, a comedy-horror about a team of paranormal investigators.
We're hugely grateful to Nick for making the effort - and he was on predictably fine form. Thanks also to everyone who made the effort to be there in person or join us online. We really do appreciate it!

We've got a proper friend of the show on this latest episode of Soundtracking, as Ben Wheatley returns for his fourth - yes, fourth - sitting. 
Our first ever guest, he previously joined us to discuss High Rise, Free Fire and Happy New Year, Colin Burstead. This time round he's here to talk about his take on Daphne Du Maurier's Rebecca, from a screenplay by Jane Goldman, Joe Shrapnel and Anna Waterhouse. If you haven't seen it yet, you can watch it right now on Netflix.
Rebecca sees Ben reunited with composer Clint Mansell, who also provided the scores for High Rise and Colin. 

Our latest guest on Soundtracking is Melissa Parmenter. Not only has Melissa worked alongside the great Michael Winterbottom for many years as a producer, she's also a composer who scored The Killer Inside Me and Genova. In addition, she's released the Scandinavia EP and a new album, Messapica. 

We talk to Melissa about her creative process, and how she balances her time between making films and TV shows like The Trip and making music.

Edith's latest guests on Soundtracking are a couple of documentary makers whose work she absolutely loves.
She first met Ian Bonhôte & Peter Ettedgui following the release of their debut feature, McQueen, based on the life of British fashion designer, Lee Alexander McQueen. Now Ian and Peter have turned their attentions to paralympians with Rising Phoenix, which is streaming on Netflix now.
Scored by our old friend Daniel Pemberton, Rising Phoenix plays like a superhero movie, a device that really hits the mark. 

The three of them also discuss Michael Nyman, who allowed Ian and Peter to use his music for McQueen.

Our latest guest on Soundtracking first came to Edith's attention with his barnstorming lead performance in Richard Ayoade's coming-of-age drama, Submarine.
Craig Roberts has since broadened his horizons and turned his attention to writing and directing - first with Just Jim and now the wonderful Eternal Beauty. Starring Sally Hawkins, Eternal Beauty tells the story of Jane, a young woman suffering from depression and schizophrenia in 80s suburbia following the trauma of being stood up at the altar. It's an audacious bit of filmmaking - dealing with the difficult subject mental illness with remarkable deftness of touch.
The movie is scored by Michael Price, who has been incredibly helpful in supplying us with his music - so thank you Michael, we'll get you on soon.

Our guest on this latest episode of Soundtracking is a world-famous frontman with a genuine passion for score.
SImon Neil is a guitarist and lead vocalist for Scottish rockers Biffy Clyro - whose most recent album A Celebration Of Endings went straight to the top of the UK album charts.
But as you're about to hear, he really does know his stuff when it comes to movie music too. Man, do we cover a lot of ground!
He also scored Jamie Adams' wee gem of a film, Balance, Not Symmetry, and hopes to do more scoring in the future.

Our guest on this latest episode of Edith's screen music podcast Soundtracking is an actor known for his roles in Shallow Grave, Trainspotting, Velvet Goldmine, Little Voice, Brassed Off, Star Wars and ... well, the list goes on and on and on.
Ewan McGregor's latest project sees him reunited with his good friend Charley Boorman for Long Way Up. Available now on Apple TV, Long Way Up accompanies the pair as they attempt to motorcycle all the way from the bottom of Latin America to Los Angeles - on electric Harley Davidsons! It really is a wild and hilarious adventure - and Edith is absolutely loving it.
The show features some brilliant tunes too, from familiar rock and pop to songs specific to the countries through which Ewan and Charlie travel. We also find out the unlikely band that he had in his headphones under his helmet ...