In April this year, the death was announced of the veteran Radio 3 jazz presenter Geoffrey Smith – who hosted Jazz Record Requests for over twenty years. To mark Geoffrey’s death, this week there’s another chance to hear a series of Essays from 2020 in which Geoff, as an American, explored his observations of the British relationship with Jazz.

Stan Tracey was an abiding presence in Geoffrey's jazz media life, as reviewer and interviewer, and Geoffrey thought of him not just as a paragon of British jazz, but of jazz in Britain. He was the real thing, a jazz muso to the bone, totally committed to the music. And to him that's what it was. He once told Geoffrey that when he went out to a gig, he didn't say to himself "I'm going to play some jazz", but "I'm going to play some music." Jazz was his music virtually from the time he heard it, trailing down the stairs from the flat above his family home. His route to jazz keyboard went through an accordion - with which he happily played pass-the-hat gigs in pub - to achieving his own style on piano, following trips to New York as a member of shipboard bands in ‘Geraldo's Navy’. He later became house pianist at Ronnie Scott's and a musicians' favourite - the great Sonny Rollins once asked, "does anyone here realise how good he is?" Geoffrey pays tribute to a British player with an unmistakably quirky, determined personal style.