Part I: The Doctors Are In! We diagnose a listener's musical malady, namely: "why does Charlie Puth's new jam 'BOY' make us feel so weird?!"

Part II: Guest Hanif Adburraqib, author of They Can't Kill Us Until They Kill Us, helps break down Carly Rae Jepsen's epic "Cut to the Feeling" to understand why CRJ is a different kind of pop star.

Featuring:

•Charlie Puth - BOY

•Ismael Miranda - Recordando

•Sharon Jones & The Dap Kings - Nobody's Baby

•The Beatles - She's a Woman

•The Cars - Since You're Gone

•Ludwig van Beethoven - Symphony No 5 in C Minor, I

•Carly Rae Jepsen - Cut to the Feeling

Check out more of Hanif's work at his website.

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Parliament Funkadelic has had waves of influence on popular music. Their Afrofuturist message and infectious grooves built the backbone of 70s funk, was revived in the 90s with Dr. Dre's G-Funk, and is once again in vogue with in the music of Kendrick Lamar, Childish Gambino and Kali Uchis. Bootsy Collins, bass player of Parliament Funkadelic, collaborated with Kali Uchis and Tyler the Creator on the track "After The Storm," which draws on the P-Funk sound. Similarly, Clipping pay homage to the P-Funk lineage through their Hugo nominated song "The Deep," which was produced in collaboration with This American Life. The story explores a mythology created by the band Drexciya. In the story, an underwater civilization birthed from African slaves crossing the Atlantic battles their makers to save their habitat. Listen to hear what makes both infectious tracks so effective. 

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Ariana Grande has returned with a track that is jarring yet simultaneously catchy. She uses sophisticated musical techniques to tell a story of healing, resiliency, and hope after the attack at her concert in Manchester. Listeners will learn techniques like tempo rubato, modal interchange and amen breaks, which weave together this equanimous narrative.

Songs featured:Ariana Grande - No Tears Left To CryAriana Grande - Into YouAriana Grande - Break Free ft. ZeddThe Winstons - Amen BrotherThe Prodigy - MinefieldN.W.A. - Straight Outta ComptonOasis - Do You Know What I meanFuturama Theme Song 

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There is a lot of scare about the impending future of artificial intelligence making humans irrelevant. Musician Taryn Southern examines this narrative through her song “Life Support,” written with the aid of AI composition tools. We dispel current myths about AI music and discuss its future opportunities. In the second half of the show we run a musical 'Turing test' to see if you can identify music made by a bot from that composed by the hand of a human. 

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Samantha Gongol and Jeremy Lloyd are songwriting duo Marian Hill and they are here to share their annoyingly sharp insights on music. They come bearing the wistful pop of Lorde's "Ribs," and we deconstruct its primordial roots in classical composers like Scelsi, Beethoven and Haydn. Then, we turn to Marian Hill's new single "Differently" to uncover the subtle musical shifts that outline a complex dialogue lurking among the track's sparse, funky textures.

Songs Discussed:

Lorde - Ribs

Broken Social Scene - Lover's Spit

Giacinto Scelsi - Memories

Ludwig van Beethoven - 9th Symphony

Franz Josef Haydn - Creation

Kid Rock - All Summer Long

Miley Cyrus - Party in the USA

Marian Hill - Mistaken

Marian Hill - Differently

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On her single 'Butterflies,' Kacey Musgraves demonstrates a tour de force of songwriting. This song is a wild success because it incessantly reinforces one core emotional concept: that queasy anxious feeling in your stomach. No we're not talking about your leftover lunch, we're talking about love. But this is not just a simple little love song. It is a masterclass of creativity. Musgraves uses every element of music to reinforce her core idea. The lyrics fold back onto themselves with dual meanings as the harmony, melody, orchestration and rhythm all interweave to literally give the listener butterflies. Caution: this song may induce feeling of tender sorrow and longing for mutual crushes and anxious kisses.

Songs Discussed:Kacey Musgraves - Merry Go RoundKacey Musgraves - Butterflies

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In which Nate tries to convince Charlie that Lil Pump's SoundCloud Rap hit "Gucci Gang" warps the perceptual present.

Featuring:

Lil Pump - Gucci Gang

Gustav Mahler - Der Abschied / Das Lied von der Erde

Franz Schubert - String Quintet / Adagio

Conlon Nancarrow - Study for Prepared Piano 21

Check out Jonathan Berger's article on musical time in Nautilus.

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"Make Me Feel," is the first hit from Janelle Monáe's upcoming album Dirty Computer. It is a sensual song about the fluidity of desire. In the pre-chorus, the singer proudly expresses that she is a "sexual bender." Fans have embraced the song for breaking free of normative sexual expectations. But these non-binary statements aren't limited to the lyrics. The message is reinforced with musical concepts drawn from the blues, Prince and Michael Jackson. To help break down this track, Nate and Charlie are joined by singer/rapper Lizzo. She and Monáe both collaborated with Prince, making Lizzo uniquely qualified to unwind his influence on the song (Prince was recently named as a collaborator on the track). We also discuss Lizzo's song "Truth Hurts" and her podcast "Good As Hell" where she talks to the queens of hip hop. Hands down, Lizzo is one of the most talented, knowledgeable and fun guests. You don't want to miss this episode.

Songs DiscussedJanelle Monáe - Make Me FeelMichael Jackson - The Way You Make Me FeelMichael Jackson - Beat ItFats Domino - Blueberry HillPrince - KissYing Yang Twins - Wait (The Whisper Song)Lizzo - Truth HurtsSister Nancy - BamBonus MaterialGet tickets for Lizzo's Sister Sister Sister tour with Haim: www.lizzomusic.comDon't miss Lizzo's podcast "Good As Hell" on SpotifyAlso if you haven't read it, Quincy Jones Vulture interview is utterly mad

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In Camila Cabello's "Havana" we hear both her Cuban roots and the modern sounds of Atlanta. Though the singer and featured guest Young Thug reference these two geographic identities, the song says so much more through its core musical elements. A Roland TR-808 kick drum evokes an entire repertoire of Atlanta Hip Hop, while the track's supporting piano montuno descends from a Cuban style lamenting the loss of one's traditional home. 

Also in this episode, we discuss Camila's unlikely path to number one with writer Hannah Steinkopf-Frank — and the musical glass ceiling that holds so many young women artists back.

RecommendationsSwitched On Pop recommends the podcast about sound: Twenty Thousand Hertz Hannah recommends the book: Girl Groups Girl Culture by Jacqueline WarwickCheck out more music and writing from Kwami Coleman at his websiteYou can listen to you playlist of 808s and Montunos on Spotify

Featured SongsCamila Cabello - HavanaTI - Whatever You Like2NE1 - I Am The BestMarvin Gaye - Sexual HealingMariah Carey, Jermaine Dupri - Always Be My BabyOutkast - So Fresh, So CleanLil Jon - Get LowGucci Mane ft. Migos - I Get The BagCompay Segundo - Guajira GuantanameraCuarteto Caney - Guajira GuantanameraBig Mama Thorton - Hound DogElvis - Hound DogLittle Mix & Missy Elliott- How Ya Doin?The Shangri Las - Leader Of The PackSleater-Kinney - I Wanna Be Your Joey RamoneSpice Girls - WannabeSpice Girls - Spice Up Your LifeThe Ronettes - Be My BabyThe Shirelles - Will You Love Me TomorrowTLC - No Scrubs

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Gina Delvac of the Call Your Girlfriend podcast and Darryl W Bullock, author of David Bowie Made Me Gay, join Nate and Charlie to dig into the poetry of Troye Sivan's "My My My!", the history of LGBT pop music, and the songs we love to hate.

And also be sure to check out:

Darryl Bullock's playlist of LGBT pop, from his book David Bowie Made Me Gay

and the brilliant Call Your Girlfriend podcast, produced by Gina. 

Featuring:

•Troye Sivan - My My My!

•Taylor Swift - Style

•West Side Story - Cool

•Billy Murray - Pretty Baby

•Ma Rainey - Prove it on Me

•Irving Kaufman - Masculine Women, Feminine Men

•Lesley Gore - You Don't Own Me

•Jackie Shane - Any Other Way

•Lavender Country - Back in the Closet Again

•John Grant - Glacier

•Alex Clare - Too Close

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