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Writer Taffy Brodesser-Akner jokes that “family is a chronic condition,” but eventually, we all figure out that we are lucky to have it. She talks to us about this theme in her newest novel and its sprawling exploration of how a Jewish family from Long Island contends with their own intense intergenerational trauma by simply surviving together. It’s called “Long Island Compromise,” and despite the heavy elevator pitch, it is a biting satire with a lot of laughs, too.
Taffy Brodesser-Akner previously wrote “Fleishman is in Trouble,” which became a hit TV series starring Jesse Eisenberg. She is also a staff writer at The New York Times, where she is known for covering high-profile figures like Tom Hanks, Gwyneth Paltrow, Taylor Swift and Bradley Cooper.
In this episode, we learn about Brodesser-Akner’s creative process, how she developed a minimalist approach to interviewing celebrities, her circuitous journey toward writing her first two novels, and why she thinks it’s quite alright to write about trauma because we all live with it in one way or another.
By American Masters | PBS4.5
245245 ratings
Writer Taffy Brodesser-Akner jokes that “family is a chronic condition,” but eventually, we all figure out that we are lucky to have it. She talks to us about this theme in her newest novel and its sprawling exploration of how a Jewish family from Long Island contends with their own intense intergenerational trauma by simply surviving together. It’s called “Long Island Compromise,” and despite the heavy elevator pitch, it is a biting satire with a lot of laughs, too.
Taffy Brodesser-Akner previously wrote “Fleishman is in Trouble,” which became a hit TV series starring Jesse Eisenberg. She is also a staff writer at The New York Times, where she is known for covering high-profile figures like Tom Hanks, Gwyneth Paltrow, Taylor Swift and Bradley Cooper.
In this episode, we learn about Brodesser-Akner’s creative process, how she developed a minimalist approach to interviewing celebrities, her circuitous journey toward writing her first two novels, and why she thinks it’s quite alright to write about trauma because we all live with it in one way or another.

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