Comedian and actress Leslie Jones has lived a lot of life and she wants you to know it. The Saturday Night Live alum and veteran stand-up comic returns with a new special, called “Leslie Jones: Life Part 2.”

In this interview, Jones traces the long road to discovering her comedic voice. She speaks candidly about family life and the comedians like Richard Pryor who influenced her at a young age. We talk about the time she first fell in love with comedy in college and the many years she spent honing her craft. Jones contends that our current generation needs to accept the struggle, and not try to shortcut the process. We learn about what that creative process is for Jones as she developed her newest special. She offers her take on whether comedians have a responsibility in our culture to provoke thought or if simply getting a laugh is enough.

Comedian Phoebe Robinson is a girl boss in recovery. As the creator and star of projects like 2 Dope Queens and Everything’s Trash, she’s long been one of the hardest-working voices of her generation. But in her new comedy special, I Don’t Wanna Work Anymore, Robinson takes a sharp, self-aware look at the millennial hustle-culture mentality.

In this episode, Phoebe Robinson shows us the hard work that goes into crafting a special about not wanting to work anymore. She gives us a candid look into the full arc of her creative process, from spreadsheets to the comedy club. We talk about the convergence of art and commerce, the shortcomings of today’s comedy climate, and how to resist making “fast-food” comedy in pursuit of something greater.

Hi all! We're taking a break from our usual episodes of Creative Spark this week to share a podcast from our friends at The Peabody Awards and the Center for Media and Social Impact. Their show is called We Disrupt This Broadcast.

Host Gabe Gonzalez introduces us to the brilliant, absurdist, hilarious Peabody Award-winning HBO series Fantasmas. In a funny, enlivening conversation with creator, writer, and comedian Julio Torres, they explore how Torres uses humor to uncover the real absurdity of our immigration, healthcare, and economic systems. They discuss how creating fiction – like the “proof of existence” that the fictional Julio is so desperate to avoid – can expose our even stranger realities, like the “aliens of extraordinary abilities” visa that real Julio applied for when immigrating to the U.S. In the second half, Gabe speaks with Andrew DeWaard, author of Derivative Media: How Wall Street Devours Culture. Andrew’s work focuses on the cultural cost of the financialization of media. And don’t worry, he also explains what the word “financialization” means.

Singer-songwriter Sarah McLachlan says, “we need opportunities to feel connection and to feel less alone.” For her, music is the salve. The three-time Grammy Award winner is back with her tenth studio album, Better Broken. Amidst our tense collective cultural moment, McLachlan aims to create music that bridges divide.

In this episode, Sarah McLachlan talks about touring between Canada and the United States and finding common ground with people from all walks of life. We explore the lasting impact of Lilith Fair, the all-women music festival she founded in the 1990s, which featured artists like Sheryl Crow, Jewel, Fiona Apple, Tracy Chapman, and more. McLachlan also shares the influence of Peter Gabriel on her sound, details her own songwriting process, and reflects on the challenges of parenting and how she has imbued those experiences into her new single, “Gravity.”

Actress Natasha Rothwell returns as Belinda in The White Lotus Season 3, a role that’s earned her two Emmy nominations and cemented her status as the show’s moral center. 

In this episode, Rothwell shares how she connects to Belinda’s journey of self-discovery and how she collaborated with creator Mike White to bring greater nuance to the character. She reflects on the importance of diverse storytelling in Hollywood, the inspiration she drew from actress Nell Carter, and why she believes the arts are an empathy machine. Rothwell also opens up about her experience as a neurodivergent creator, the power of destigmatizing diagnoses, and the untapped potential of art. As she puts it, “From water lilies to Lily Tomlin, it’s all awesome.”

Actor Daniel Dae Kim is no stranger to breaking barriers. From his groundbreaking role on Lost, to his Tony-nominated turn in Yellow Face, Kim continues to affirm his title as one of Time Magazine’s 100 most influential people. With his new show, Butterfly, he steps into the spotlight as the leading man of a high-stakes international spy thriller.

In this episode, Daniel Dae Kim reflects on his upbringing and how an early fascination with American pop culture became the foundation for a career in the arts. He explores television’s power to foster empathy across cultural divides, shares the story behind developing Butterfly, and opens up a new dialogue on the issue of ethnic-specific casting.

Writer, producer and host Phil Rosenthal makes television for the whole family. First, he created the Emmy Award-winning sitcom classic, Everybody Loves Raymond. Now he has taken his vision to food and travel with Somebody Feed Phil. Through his global travels - to places as close to home as Las Vegas, Nevada, and as far away as Sydney, Australia - Phil Rosenthal aims to emphasize our shared humanity through food and comedy.

In this episode, Rosenthal talks about the importance of his everyman persona in Somebody Feed Phil, how to be a respectful tourist, and how humor and a good meal can bridge any cultural divide. We also discuss the important role of the diner in America, how his childhood influenced his career in comedy, and how immigrants enrich the world around us.

TV on the Radio co-founder Tunde Adebimpe is a force of positivity. In the face of unimaginable loss, Adebimpe has channeled his grief into Thee Black Boltz, an upbeat, high-energy solo debut.

You might know Tunde Adebimpe from TV on the Radio, the band whose era-defining hits like “Wolf Like Me” helped shape the 2000s New York indie scene. Or you’ve seen his work in film and television, with standout roles in projects like Star Wars: Skeleton Crew, Twisters, and Spider-Man: Homecoming. But this is his first time going solo, and he’s poured years of personal loss and growth into Thee Black Boltz.

In this episode, Adebimpe opens up about that journey. We learn how underground cartoonists like Robert Crumb, Joe Matt, Mary Fleener, and Maurice Vellekoop taught him to mine the personal for his art, and how a lifelong DIY punk ethos continues to shape his multidisciplinary practice. He reflects on hitting the reset button, rediscovering the basics, and finding the joy of creating art once again.

For Tony-winning playwright and theater director George C. Wolfe, the “landscape of America is rich and complicated and messy.” He takes the greatest joy in putting that messiness on the Broadway stage. This time, he’s directing the Broadway revival of “Gypsy,” widely considered the best of the Golden Age musicals. Alongside the show’s lead actor Audra McDonald, Wolfe has dug into the past to modernize Rose, the most famous stage mother in history. Their work has been nominated for a Tony Award for Best Revival of a Musical.

In this episode, George C. Wolfe talks to us about the harrowing photographs he unearthed during his research into the Great Depression and the economic uncertainty of the era in which “Gypsy” takes place. He shares how he reshaped the production to portray Rose as a more sympathetic and modernized character. Wolfe reflects on the importance of finding joy in troubled times, both on the stage and off.

You can also learn more about the choreographer of “Gypsy” in our new short documentary, “Camille A. Brown: Giant Steps” here. This film is part of our digital series called “In The Making” and directed by Michelle Parkerson and Shellée M. Haynesworth.

You might know rapper and actor Daveed Diggs from his performances in Broadway’s “Hamilton” or 2024’s “Nickel Boys.” But he is also one-third of the hip-hop group clipping. Known for their love of genre storytelling, the group’s new album “Dead Channel Sky” is not their first foray into science fiction. Along with William Hutson and Jonathan Snipes, the trio was previously nominated for a Hugo Award for their 2016 rap space opera “Splendor & Misery.”

Now, the group is turning its attention to cyberpunk for the first time. Aesthetically, “Dead Channel Sky” is a clear nod to inspirations ranging from Blade Runner and The Matrix to William Gibson’s Neuromancer. The noisy, glitchy, and dense album presents itself conceptually as a mixtape found in the dustbins of a dystopian future - but it also doubles as prescient commentary on our current moment.

In this episode, Daveed Diggs talks to us about his creative process behind writing and rapping on “Dead Channel Sky.” He confesses that we might already be living in the middle of our own “pretty mundane” cyberpunk apocalypse - and it’s “just not that cool.” Through hip-hop, he seeks to craft an alternate present that feels just a little bit more exciting. Diggs also talks to us about growing up in an artistically vibrant Bay Area, the rappers who influenced his creative approach, and why it’s so important that we all keep making things with our immediate community.