Noah Baumbach (“The Squid and the Whale,” “Margot at the Wedding,” “The Meyerowitz Stories”) talks about how and why he makes movies. Through equal parts comedy and drama, Baumbach’s films frequently deal with the pains of family life with stunning clarity. His most recent film “Marriage Story,” now nominated for six Academy Awards including Best Picture, explores the complicated fallout of a failing coast-to-coast marriage.

Pulitzer Prize-winning playwright Lynn Nottage talks about the origin of her Broadway play, “Sweat,” and the time she spent developing the story through her conversations with working class residents in Reading, Pennsylvania. Her focus on the struggles of this de-industrialized Rust Belt town predicted a national conversation around identity, race and economy that remains a focal point of political discussions today.

Actor, writer and director Ethan Hawke (“Before Sunrise,” “Training Day,” “First Reformed,” “Boyhood”) talks with his close friend and fellow actor Josh Hamilton about formative projects from Hawke’s career, reflecting on his own origin story and musing on how one can prioritize life goals and discover meaning through artistic pursuits. Hawke and Hamilton also discuss Malaparte, the theater company they co-founded in the 1990s to stage their own independent productions.

Academy Award-winning actress Lee Grant (“Shampoo,” “In The Heat of the Night,” “Valley of the Dolls”) sits down with American Masters creator Susan Lacy for an in-depth conversation about her upbringing, surviving years on the Hollywood blacklist during the McCarthy era, and her career as an actress and documentary filmmaker. Grant describes how key moments of difficulty in her life emboldened her toward new heights.

Academy Award-winning writer and actor Tarell Alvin McCraney talks about his semi-autobiographical play “In Moonlight Black Boys Look Blue,” and the Academy Award-winning film “Moonlight” that followed. He discusses the centrality of Florida to his work, and the importance of building a sense of community above all else. McCraney’s recent work includes the TV series “David Makes Man” on the OWN Network, the Broadway play “Choir Boy,” and a run of shows as part of the prestigious Steppenwolf Theatre in Chicago.

In 2019, Joy Harjo became the first Native American Poet Laureate of the United States. She joins us from her hometown Tulsa, Oklahoma to talk about the responsibilities that come with this honor and the importance of representing rich Native American storytelling traditions. She talks about the transcendent nature of language, our human origins as storytellers, our innate connection to the Earth, and lessons she learned from one of her inspirations, writer N. Scott Momaday.

Best-selling author R.O. Kwon writes with an empathy that can attract religious and non-religious readers alike. She talks about her debut novel, “The Incendiaries,” a fierce story that deals with faith, loss and fanaticism, and describes how her own loss of faith in high school, and the grief that followed, led to this bold new work.

One of the most influential artists of the 20th century, Mark Rothko’s signature style helped define Abstract Expressionism. After a screening of the new American Masters documentary, Rothko: Pictures Must Be Miraculous at the Museum of Modern Art in New York, Rothko’s daughter and son, Kate Rothko Prizel and Christopher Rothko, sat down with series executive producer Michael Kantor and director Eric Slade to discuss their father’s legacy. This is a bonus episode of the American Masters Podcast.

A confessional-style comic, Chris Gethard is unafraid to mine his past. He talks about cramming the entire set of his TV show, “The Chris Gethard Show,” into the back of his car’s trunk, and how he pulls off hour-long phone calls with strangers every week on his podcast, “Beautiful Stories from Anonymous People.” Amidst a tumultuous cultural change, Gethard also discusses the current state of comedy and his HBO special, “Career Suicide,” which chronicles his history with depression and anxiety.

Pop icons and twins Tegan and Sara look back at their early days during the height of grunge and rave culture in a new memoir, “High School,” and companion album, “Hey, I’m Just Like You.” The duo discuss the book’s honest account of the drugs, music and relationships they each explored in their formative years, and how they crafted a new album from recently discovered high school demo tapes.