The #1 Musical Experience

The #1 Musical Experience

By Herb WilliamsArtsPerforming Arts
Download on the App Store

The #1 Musical Experience episodes

  • Vivaldi Storm - Portrait of a Lady on Fire Version
    Storms have also been portrayed in many works of music. Examples of storm music include Vivaldi's Four Seasons violin concerto RV 315 (Summer) (third movement: Presto), Beethoven's Pastoral Symphony (the fourth movement), a scene in Act II of Rossini's opera The Barber of Seville, the third act of Giuseppe Verdi's Rigoletto, and the fifth (Cloudburst) movement of Ferde Grofé's Grand Canyon Suite. #ourtownlive.net #herbw79

    Hosted on Acast. See acast.com/privacy for more information.

    1 hr 2 min
  • George Gershwin Classics-Cuban Overture, Prelude #1, Others
    George Gershwin was an American composer, pianist and painter whose compositions spanned both popular and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue and An American in Paris, the songs "Swanee" and "Fascinating Rhythm", the jazz standard "I Got Rhythm", and the opera Porgy and Bess, which gave birth to the hit "Summertime".Wikipedia
    Born:
    Jacob Bruskin Gershowitz, September 26, 1898, Brooklyn, New York City, U.S.
    Died:
    July 11, 1937, Los Angeles, California, U.S.
    Resting place:
    Westchester Hills Cemetery

    Hosted on Acast. See acast.com/privacy for more information.

    35 min
  • Rachmaninoff - Piano Concerto No. 2, Op. 18 (Rubinstein)
    Sergey Rachmaninov was the last, great representative of the Russian Romantic tradition as a composer, but was also a widely and highly celebrated pianist of his time. His piano concertos, the Rhapsody on a Theme of Paganini, and his preludes famously test pianists' skills. His Symphony No. 2, the tone poem Isle of the Dead, and his Cello Sonata are also notable. The passionate melodies and rich harmonies of his music have been called the perfect accompaniment for love scenes, but in a greater sense they explore a range of emotions with intense and compelling expression.

    Sergey Vasilyevich Rachmaninov, born in Semyonovo, Russia, on April 1, 1873, came from a music-loving, land-owning family; young Sergey's mother fostered the boy's innate talent by giving him his first piano lessons. After a decline in the family fortunes, the Rachmaninovs moved to St. Petersburg, where Sergey studied with Vladimir Delyansky at the Conservatory. As his star continued to rise, Sergey went to the Moscow Conservatory, where he received a sound musical training: piano lessons from the strict disciplinarian Nikolay Zverev and Alexander Siloti (Rachmaninov's cousin), counterpoint with Taneyev, and harmony with Arensky. During his time at the Conservatory, Rachmaninov boarded with Zverev, whose weekly musical Sundays provided the young musician the valuable opportunity to make important contacts and to hear a wide variety of music.

    Hosted on Acast. See acast.com/privacy for more information.

    34 min
  • Four Seasons ~ Vivaldi
    Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79

    The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. They were written around 1716–1717 and published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention).

    The Four Seasons is the best known of Vivaldi's works. Though three of the concerti are wholly original, the first, "Spring", borrows patterns from a sinfonia in the first act of Vivaldi's contemporaneous opera Il Giustino. The inspiration for the concertos is not the countryside around Mantua, as initially supposed, where Vivaldi was living at the time, since according to Karl Heller they could have been written as early as 1716–1717, while Vivaldi was engaged with the court of Mantua only in 1718.

    They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, and warm winter fires.

    Unusual for the period, Vivaldi published the concerti with accompanying sonnets (possibly written by the composer himself) that elucidated what it was in the spirit of each season that his music was intended to evoke. The concerti therefore stand as one of the earliest and most detailed examples of what would come to be called program music—in other words, music with a narrative element. Vivaldi took great pains to relate his music to the texts of the poems, translating the poetic lines themselves directly into the music on the page. For example, in the middle section of "Spring", when the goatherd sleeps, his barking dog can be heard in the viola section. The music is elsewhere similarly evocative of other natural sounds. Vivaldi divided each concerto into three movements (fast–slow–fast), and, likewise, each linked sonnet into three sections.

    Hosted on Acast. See acast.com/privacy for more information.

    43 min
  • Brandenburg Concerto No. 2 in F Major-Trumpet by Winston Marsalles
    Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79

    The trumpet part is still considered one of the most difficult in the entire repertoire, and was originally written for a clarino specialist, almost certainly the court trumpeter in Köthen, Johann Ludwig Schreiber. After clarino skills were lost in the eighteenth century and before the rise of the historically informed performance movement of the late twentieth century, the part was usually played on the valved trumpet, and sometimes on a modern F trumpet, a French horn, or even a B♭ piccolo trumpet.

    The clarino does not play in the second movement, as is common practice in baroque era concerti. This is due to its construction, which allows it to play only in major keys. Because concerti often move to a minor key in the second movement, concerti that include the instrument in their first movement and are from the period before the valved trumpet was commonly used usually exclude the trumpet from the second movement.

    The first movement of this concerto was chosen as the first musical piece to be played on the Voyager Golden Record, a phonograph record containing a broad sample of Earth's common sounds, languages, and music sent into outer space with the two Voyager probes. The first movement served as a theme for Great Performances in the early-to-mid 1980s, while the third movement served as the theme for William F. Buckley Jr.'s Firing Line; a revival featuring Margaret Hoover would also use the first movement.

    Recent research has revealed that this concerto is based on a lost chamber music version for quintet called "Concerto da camera in Fa Maggiore" (Chamber Concerto in F major): catalogue number is BWV 1047R. It's similar to the orchestra version, in that the trumpet, flute, oboe and solo violin parts are the same, but the orchestra part has been arranged for basso continuo (or piano) by Klaus Hofmann. This reconstructed quintet arrangement is also the very first piano reduction of the 2nd Brandenburg Concerto ever published by Bärenreiter Verlag (Product Number BA 5196).

    Hosted on Acast. See acast.com/privacy for more information.

    6 min
  • Baroque Music for All Ages
    Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79

    The term "baroque" is generally used by music historians to describe a broad range of styles from a wide geographic region, mostly in Europe, composed over a period of approximately 150 years. Although it was long thought that the word as a critical term was first applied to architecture, in fact it appears earlier in reference to music, in an anonymous, satirical review of the première in October 1733 of Rameau's Hippolyte et Aricie, printed in the Mercure de France in May 1734. The critic implied that the novelty in this opera was "du barocque", complaining that the music lacked coherent melody, was filled with unremitting dissonances, constantly changed key and meter, and speedily ran through every compositional device.

    Jean-Jacques Rousseau, who was a musician and composer as well as philosopher, wrote in 1768 in the Encyclopédie: "Baroque music is that in which the harmony is confused, and loaded with modulations and dissonances. The singing is harsh and unnatural, the intonation difficult, and the movement limited. It appears that term comes from the word 'baroco' used by logicians." Rousseau was referring to the philosophical term baroco, in use since the 13th century to describe a type of elaborate and, for some, unnecessarily complicated academic argument.

    The systematic application by historians of the term "baroque" to music of this period is a relatively recent development. In 1919, Curt Sachs became the first to apply the five characteristics of Heinrich Wölfflin's theory of the Baroque systematically to music. Critics were quick to question the attempt to transpose Wölfflin's categories to music, however, and in the second quarter of the 20th century independent attempts were made by Manfred Bukofzer (in Germany and, after his immigration, in America) and by Suzanne Clercx-Lejeune (in Belgium) to use autonomous, technical analysis rather than comparative abstractions, in order to avoid the adaptation of theories based on the plastic arts and literature to music. All of these efforts resulted in appreciable disagreement about time boundaries of the period, especially concerning when it began. In English the term acquired currency only in the 1940s, in the writings of Bukofzer and Paul Henry Lang.

    As late as 1960, there was still considerable dispute in academic circles, particularly in France and Britain, whether it was meaningful to lump together music as diverse as that of Jacopo Peri, Domenico Scarlatti, and Johann Sebastian Bach under a single rubric. Nevertheless, the term has become widely used and accepted for this broad range of music. It may be helpful to distinguish the Baroque from both the preceding (Renaissance) and following (Classical) periods of musical history.

    Hosted on Acast. See acast.com/privacy for more information.

    1 hr 37 min
  • Camille Saint-Saëns-The carnival of the animals-The Swan
    Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79

    time you talk with your kids about the sea and the underwater world, add some music to your story – play them “The Aquarium – Carnival of the Animals“The Aquarium – Carnival of the Animals” by Camille Saint-SaënsC. If they like it and want more, let them listen “Hens and Roosters”, “Royal March of the Lion”, “Kangaroos”, “The Elephant”… Tell them that they can even hear how different spring, summer, fall and winter sound on a violin.

    Hosted on Acast. See acast.com/privacy for more information.

    1 hr 4 min
  • Edvard Grieg - Peer Gynt Suites 1 & 2 (1888-91)
    Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79


    Grieg (1843-1907) was one of the definitive leaders of Scandinavian music and his influence was great. Although composing many short piano pieces and chamber works, the work Grieg did for Henrik Ibsen stood out. Originally composing 90 minutes of orchestral music for the play, he later went back and extracted certain sections for the suites. Peer Gynt's travels around the world and distant lands are represented by the instruments Grieg chooses to use.

    When Ibsen asked Grieg to write music for the play in 1874, he reluctantly agreed. However, it was much more difficult for Grieg than he imagined. "Peer Gynt progresses slowly," he wrote to a friend in August 1874, “and there is no possibility of having it finished by autumn. It is a terribly unmanageable subject.”


    Letter from Henrik Ibsen to Grieg, January 23, 1874.
    "The more he saturated his mind with the powerful poem, the more clearly he saw that he was the right man for a work of such witchery and so permeated with the Norwegian spirit," his wife wrote of him and his music. Even though the premiere was a "triumphant success", it prompted Grieg to complain bitterly that the Swedish management of the theatre had given him specifications as to the duration of each number and its order: "I was thus compelled to do patchwork... In no case had I opportunity to write as I wanted... Hence the brevity of the pieces," he said.
    For many years, the suites were the only parts of the music that were available, as the original score was not published until 1908, one year after Grieg's death, by Johan Halvorsen.
    classical music ,classical music news ,classicalmusicworldusic youtube ,classical music composers ,classical music radio ,music history ,classicalmusic lover ,classicalmusicblog ,classical music downloads ,classical music concerts ,classical music for babies ,classical music for studying ,classical music for kids ,classical music online ,classical music of the united kingdom ,australian classical music ,classical period (music) ,italian classical music ,music of ireland ,classical music mp3 ,classical music symphonies operas and ballets ,classical baby music show ,what is classical music ,modern classical music ,best classical music ,1905 regina music box: classical overture ,classic music or classical music ,the best of classical music ,greatest russian classical music ,chopin relaxing classical music ,contemporary classical music

    Hosted on Acast. See acast.com/privacy for more information.

    34 min
  • Violin Concerto in B Minor, Op. 61: I. Allegro Yehudi Menuhin/London Symphony Orchestra
    Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79

    Yehudi Menuhin was born in New York City to a family of Lithuanian Jews. Through his father Moshe, he was descended from a distinguished rabbinical dynasty.[1] In late 1919, Moshe and his wife Marutha (née Sher) became American citizens, and changed the family name from Mnuchin to Menuhin.[2] Menuhin's sisters were concert pianist and human rights activist Hephzibah, and pianist, painter and poet Yaltah.

    Menuhin's first violin instruction was at age four by Sigmund Anker (1891–1958); his parents had wanted Louis Persinger to teach him, but Persinger refused. Menuhin displayed exceptional musical talent at an early age. His first public appearance, when he was seven years old, was as solo violinist with the San Francisco Symphony Orchestra in 1923. Persinger then agreed to teach him and accompanied him on the piano for his first few solo recordings in 1928–29.

    Hosted on Acast. See acast.com/privacy for more information.

    50 min

About The #1 Musical Experience

From the publisher's feed

Works of classical repertoire often exhibit complexity in their use of orchestration, counterpoint, harmony, musical development, rhythm, phrasing, texture, and form. Whereas most popular styles are…

More shows like The #1 Musical Experience

Classical Performance by Classical Performance

Classical Performance

348 Listeners

Classical Music Free by Shiloh worship music

Classical Music Free

199 Listeners

Sticky Notes: The Classical Music Podcast by Joshua Weilerstein

Sticky Notes: The Classical Music Podcast

2,182 Listeners

Boring Books for Bedtime Readings to Help You Sleep by Sharon Handy

Boring Books for Bedtime Readings to Help You Sleep

1,261 Listeners

Sleep - Meandering Piano by Meandering Piano

Sleep - Meandering Piano

256 Listeners

I Can’t Sleep by Benjamin Boster

I Can’t Sleep

1,057 Listeners

Get Sleepy: stories for sleep by Slumber Studios

Get Sleepy: stories for sleep

9,350 Listeners

Sleep Tight Relax - Bedtime Stories That Take You Somewhere Peaceful by Sleep Tight Media | Calming Bedtime Podcasts for Kids & Starglow Media

Sleep Tight Relax - Bedtime Stories That Take You Somewhere Peaceful

886 Listeners

Just Sleep - Bedtime Stories for Adults by Bedtime Stories with Taesha Glasgow

Just Sleep - Bedtime Stories for Adults

756 Listeners

Sleep Magic: Sleep Hypnosis & Meditation for Sleep Podcast by Sleepiest: Hypnosis for Sleep Podcast

Sleep Magic: Sleep Hypnosis & Meditation for Sleep Podcast

1,613 Listeners

White Noise and Sleep Sounds (12 Hours) by White Noise and Sleep Sounds (12 Hours) to Sleep | Study | Relax | Soothe a Baby

White Noise and Sleep Sounds (12 Hours)

236 Listeners

Sounds for Deep Sleep: White Noise, Ambience, Nature Sounds by Sounds for Deep Sleep

Sounds for Deep Sleep: White Noise, Ambience, Nature Sounds

92 Listeners

Sleep & Relaxation Music to Calm the Nervous System by SOMA Sound

Sleep & Relaxation Music to Calm the Nervous System

129 Listeners

Boring History for Sleep by Velvet

Boring History for Sleep

560 Listeners