Known in Yiddish as Der Schvartze Khazn--the Black Cantor--Thomas LaRue Jones was an African American tenor who sang Jewish music in the early decades of the twentieth century. Famed for his soulful voice and perfect Yiddish pronunciation, he performed in synagogues and theatres across the Eastern United States and toured Germany, Poland and Palestine. But after his death in 1954, LaRue Jones disappeared from memory, leaving behind only one recording, made in 1923. Drawing on research by the veteran musician and producer Henry Sapoznik, Maria Margaronis unpacks the mystery of LaRue Jones' career. What drew him to this music? What does his life tell us about race, faith and identity in America a hundred years ago? And why was he so quickly and utterly forgotten?

LaRue Jones' story is entwined with the history of Newark, New Jersey, where he spent most of his life. Once known as the City of Opportunity, old Newark drew migrants from Europe and the American South in flight from persecution and searching for a new life. Blacks and Jews lived side by side in the city's poorer districts, absorbing each other's culture and musical traditions.

But by mid-century, Newark's Jews were moving out in search of the suburban dream. Black people, hemmed in by racism and housing segregation, were left behind in an increasingly impoverished city. Thirteen years after LaRue Jones' death, the Newark riots, or rebellion, sealed the division of the two communities. LaRue Jones, like the world that made him, was consigned to oblivion--until zealous research by Henry Sapoznik tracked down that one recording and LaRue Jones' unmarked grave, and raised the curtain on the Black Cantor once more.