This week (episode 3 of season 13) we return to our tradition of almost entirely unstructured rambling. Jonathan and Gary consider such questions as to whether a novel can be good SF, but not much good in literary terms, or a good literary novel not much good as SF.

While we recognize that many popular subgenres, from military SF to heroic fantasy, have plenty of readers loyal to the old traditions, we muse about whether many of today’s writers feel some pressure to meet both traditional literary and SF standards, and Jonathan namechecks R.F. Kuang. Some writers we mention, such as Arkady Martine, seem to effortlessly do both. On the other hand, why were several genre mystery readers of the 1930s and 1940s, like Hammett and Chandler, were later recognized as major literary figures, the same didn’t seem to have to SF writers of the same period.

Toward the end, we touch upon Paul Kincaid's provocative new essay, "A Taxonomy of Reviewing" and his book on Brian W. Aldiss, amongst other things. 

As always, we hope you enjoy the episode. 

This week Jonathan and Gary are back, a little early, to talk about the annual science fiction calendar, the awards season, how there are so many awards, what books they’re reading, and what books they’ve worked on.  Oh, and for a short moment, they touch on movies and TV too.

All in all, episode two of season 13, sounds pretty much like most of the other episodes we've recorded over the past twelve years, so if they were your jam, this might be too. 

As always, we hope you enjoy it and are very grateful to everyone for listening in...

Welcome to The Coode Street Podcast. With 2021 barely in the rearview mirror, it's time to kick off season 13 with a brand new episode. A little over a month ago we sat down with James Bradley, Alix E. Harrow, and Ian Mond to discuss 2021: The Year in Review in Episode 568. At the end of that chat, we all said we'd back to discuss the books we're looking forward to in 2022, and here we are!

This week we discuss 25 or so books that we are looking forward to or, maybe, have read already and can recommend that you check out (along with a few strays). Pre-order links are below. We also are clear we've definitely missed books we'll end up loving.

As always, our sincere thanks to James, Alix, and Ian for making time to chat with us.  We hope you enjoy the episode and that you'll see us again in a couple weeks.

JAMES

1. The Candy House, Jennifer Egan

ALIX

1. Siren Queen, Nghi Vo

IAN

1. The This, Adam Roberts

JONATHAN

1. The Original Bambi: The Story of a Life in the Forest, Felix Salten (trans. Jack Zipes)

1. A Mirror Mended, Alix E. Harrow

(1) Pre-order not yet available.

The Coode Street Podcast kicked off in May 2010.  Over the next 568 episodes Jonathan and Gary, and far too many friends of the podcast to be named here individually, talked about a shared love of science fiction, fantasy, and horror in all of their many forms. 

Just a week ago, the members of the World Science Fiction Convention awarded the Coode Street Podcast with the Hugo Award for Best Fancast.  This time out we take a moment, on the very edge of the holidays, to say thank you. Thank you to everyone out there involved, no matter how small or how large your contribution to our ongoing conversation. We will ever be in deeply in your debt for your support.

We'll be back in 2022, but for now we'd like to wish you a safe, happy, and healthy holiday season and a thoroughly magical New Year. See you again soon!

The holiday season is upon us, another strange, unforgettable year is almost done, and here at Coode Street it's time for our annual gift guide/year in review, where we recommend some books we loved during the year.

This time out we invited special guests and good friends James Bradley, Alix E. Harrow, and Ian Mond to join us to recommend just a few of the books we'd loved the most during 2021. Perhaps more than in any other year, this was a time when we all were almost surprised at how much great reading we found.

Because this is Coode Street, traditions are traditions and we had some technical issues. All is good for most of the hour of the recording, but there's a jump or two towards the end. We hope you'll excuse this, and that the recommendations will prove of interest.

As always, our thanks to Alix, James, and Ian for making time to talk to us. We hope you enjoy the podcast and that the guide is of some use. To help, the recommendations are below. And we're in talks to maybe return in January for a books we're looking forward to chat as well...

• Jennifer Mills, The Airways

and also mentioned:

• Alexandra Kleeman, Something New Under the Sun

Alix E. Harrow recommended:

• Lee Mandelo, Summer Sons

And I also loved/mentioned/endorsed:

• Becky Chambers, A Psalm for the Wild-Built
  

Ian Mond recommended:

• Build Your House Around My Body, Violet Kupersmith

Jonathan recommended:

• The Hood, Lavie Tidhar

and passingly mentioned The Detective Up Late by Adrian McKinty.

Gary recommended:

• Karin Tidbeck, The Memory Theatre

Pus a couple of titles that were also on other folks’ lists, like The Hood and The Chosen and the Beautiful.

Welcome to episode 25 of Season 12 of The Coode Street Podcast. This week Jonathan and Gary sit down with the very talented and extremely busy Sheree Renée Thomas to discuss her award-winning collection Nine Bar Blues, her first year editing the venerable Magazine of Fantasy & Science Fiction, the lasting impact of her Dark Matter anthologies, her forthcoming anthologies Trouble the Waters: Tales from the Deep Blue (co-edited with Pan Morrigan and Troy L. Wiggins) and Africa Risen: A New Era of Speculative Fiction (co-edited with Oghenechovwe Donald Ekpeki and Zelda Knight, her own experiences growing up as an SF and horror reader, and the new age of recognizing African and African diaspora SFF.  It’s a pretty lively conversation.

As always, our sincere thanks to Sheree Renée Thomas, and we hope you enjoy the episode.

Order now!

Welcome to episode 24 of Season 12 of the Coode Street Podcast. As the year draws to a close and winter comes to Chicago and summer to Perth, Gary and Jonathan sit down for an unexpected and unplanned conversation about life achievement awards and their meaningfulness, a brief foreshadowing of a discussion about interrogating the sociopolitical assumptions of a work of fiction, and more.

This time out there were a few technical issues in the final five minutes of the recording, but those have hopefully been addressed by editing. Two episodes remain in the season - a good time to be discussing the year in review and the best fiction of 2021 - before we go on hiatus, but for now we hope you enjoy the episode!

Welcome to episode 23 of Season 12 of The Coode Street Podcast. This week, after a brief and mostly irrelevant discussion of whether the proposition that Ray Bradbury as the quintessential October writer means anything at all outside North America, Jonathan and Gary actually try to focus on an important question: whether posthumous publications actually do anything to enhance an author’s reputation.

We make distinctions between works that the author clearly wanted to be published (like Philip K. Dick final four novels), works that the author clearly did not intend for publication (like some late Heinlein manuscripts), and works which the author may or may not have tried to publish during their lifetimes (such as a number of R.A. Lafferty manuscripts completed or continued by other hands, including novels by Walter M. Miller, Jr., Robert Jordan, and Terry Pratchett). We even touch upon whether the J. Michael Straczynski The Last Dangerous Visions is a useful idea decades after Harlan Ellison began the project. Do author's estates see posthumous publication as a means of keeping an author’s name alive, as a purely commercial proposition, or as a way of arguing for an author’s canonical status? Other authors touched upon include J.R.R. Tolkien, John M. Ford, Philip José Farmer, and even a few examples from mainstream fiction, such as John Kennedy Toole's A Confederacy of Dunces, which won a Pulitzer Prize more than a decade after its author's death.

As always, we hope you enjoy the episode.

Welcome to episode 22 of Season 12 of The Coode Street Podcast. In this episode, Gary and Jonathan talk to Oghenechovwe Ekpeki, author of the Otherwise Award-winning and Theodore Sturgeon Memorial Award, British SF Award, and Nebula Award-nominated novella "Ife-Iyoku, the Tale of Imadeyunuagbon", editor of The Year's Best African Speculative Fiction, and co-editor with Zelda K. Knight of the British Fantasy Award-winning anthology Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora. 

Oghenechovwe joins us from Lagos, Nigeria to discuss growing up reading speculative fiction in Nigeria, his hopes for The Year's Best African Speculative Fiction series, the challenges facing writers from Africa to get a chance to be a part of the international science fiction community, his upcoming anthology African Risen for Tordotcom (co-edited with Sheree Renee Thomas and Zelda K. Knight), and much more.

While there are, later in the podcast, a few moments where static affected our Skype connection, we hope you'll bear with the episode. As always, we'd like to thank Oghenechovwe for taking the time to talk to us, and hope that you enjoy the episode.

Available for order now:

Welcome to episode 21 of Season 12 of The Coode Street Podcast.Once again, it's just Jonathan and Gary, talking about the various roles anthologies have played in the history of science fiction and how that role may be different these days, the nominees and winners of the 2021 Ignyte Awards from FIYAHCON 2021, N.K. Jemisin being named as one of Time Magazine's top 100 most influential people, how SF has begun to shift its historical perspective in terms of colonialism and international literatures, new media adaptations of Asimov and Herbert, and, as always, how genre and other barriers are breaking down and how neither of us is quite keeping up with all the fascinating new fiction published every month, suggesting that maybe 2021 is turning out to be a pretty exciting year.