Both Sarah and I have big buzzwords outside of dark academia, and several of them are vampires and ‘Carmilla’ retelling and we added ‘Hungerstone’ to our line up so fast when we learned that this novel is inspired by ‘Carmilla’ b Joseph Sheridan Le Fanu, a sapphic vampire novella that predated ‘Dracula’.

Even with my slight aversion to historical fiction, reading this and talking about it on Season 10 was a no-brainer.

FOR WHAT DO YOU HUNGER . . . ?

Lenore is the wife of steel magnate Henry, but ten years into their marriage the relationship has soured, and no child has arrived to fill the distance growing between them. Henry's ambitions take them from London to the Peak District, to the remote, imposing Nethershaw estate, where he plans to host a hunting party. Lenore must work to restore the crumbling house and ready it for Henry's guests - their future depends on it.

But as the couple travel through the bleak countryside, a shocking carriage accident brings the mysterious Carmilla into Lenore's life. Carmilla, who is weak and pale during the day but vibrant at night, Carmilla who stirs up something deep within Lenore. And before long, girls from the local villages fall sick, consumed by a terrible hunger . . .

As the day of the hunt draws closer, Lenore begins to unravel, questioning the role she has been playing all these years. Torn between regaining her husband's affection and the cravings Carmilla has awakened, soon Lenore will uncover a darkness in her household that will place her at terrible risk . . .

But does the Gothic lead in dark academia with ‘Hungerstone’?

In this episode we discuss:

- The motifs of blood

- The crumbling estate of Nethshaw and the way it interacts with Lenore’s crumbling marriage and mental state

- Carmilla’s presence in the novel, and her lack of presence on page

It always feel like a risk to put a book on the line up that has such mixed reviews and a reasonably low Goodreads average, but ‘An Academy for Liars’ by Alexis Henderson was just calling out to be read and analysed for this season of the podcast. It sounds dark, twisty, and delicious, with a whole heap of hints at dark academia - it had to happen.

Lennon Carter’s life is falling apart.

Until she gets a mysterious phone call inviting her to sit the entrance exam for somewhere very few have heard of - Drayton College, a school of magic hidden in a secret pocket of Savannah.

Lennon has been chosen because - like everyone else at the school - she is special. She possesses the innate gift of persuasion: the ability to wield her will like a weapon and to use it to control others and, in rare cases, matter itself.
After passing the gruelling exam, Lennon must now learn how to master this devastating power.
While persuasion takes a heavy toll on her body and her mind, she is captivated by all that surrounds her - her studies, Drayton’s lush, moss-draped campus, her brilliant classmates and, most of all, by Dante, the charismatic adviser who both intimidates and enamours her.

But as Lennon becomes more adept at wielding her uncanny abilities, she uncovers more about the unsettling history of Drayton and Dante’s tragic and violent past, and is increasingly disturbed by what she finds.

For it seems that the ultimate test is to embrace absolute power without succumbing to corruption and darkness . . . and it's a test she's terrified she is going to fail.

Everything about Lennon’s adventures at Drayton College sound like some dark academia boxes could be ticked… Let’s find out!

In this episode we discuss:

• The “Dante” character archetype.

• Elitism, performance and the pressure of exclusive institution.

• The capacity and limitations of human free will and autonomy.

• Is it Dark Academia?
  

Podcast RSS

• ‘An Academy for Liars’ by Alexis Henderson

• ‘Ninth House' by Leigh Bardugo

• ‘The Secret History’ by Donna Tartt

• ‘The Whispering Dark’ by Kelly Andrew

• ‘Darkly’ by Marisha Pessl

• ‘A Study in Drowning’ by Ava Reid

• ‘The Men Who Stare at Goats' by Jon Ronson
  

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With ‘Special Topics and Calamity Physics’ and ‘Night Film’ both catapulting Marisha Pessl into the realms of early BookTube and book internet fanfare in the early 2010s, with whispers of dark academia and academia-related stories that blend with thrillers and literary fiction.

We’ve both been long-interested in Marisha Pessl as an author and the fascinating premise and stunning cover of ‘Darkly’ meant it was sent straight to the top of our dark academia wishlist…

A seemingly ordinary high school student. A mysterious summer internship. And a legendary games designer, now dead.

When an ad for an internship with the Louisiana Veda Foundation appears, Arcadia 'Dia' Gannon rushes to apply. Veda's game-making empire, Darkly, was renowned for its ingenious and terrifying games back in the day and Dia is as obsessed with them as anyone.

The remaining games are priced like highly sought-after works of art, with the rarest and most notorious commanding tens of millions of dollars at auction. Now, Dia is thrust into the enigmatic heart of the operation. But who are these other interns? Why do they all seem to have something to hide? And why was she really chosen? It soon becomes clear that this summer will be the most twisted Darkly game of all.

But will ‘Darkly’ live up to our inflated dark academia dreams?

In this episode we discuss:

- The many pop culture, movie, TV and literary influences and connections we found in ‘Darkly’

- The way that the media villainise creative, successful women, and the way that the men around them support and facilitate it

- The role of romance, Poe Valois III and Choke Newington

This will forever go down as a Podcast highlight for us. Being given the opportunity to talk with the one and only M L Rio about Dark Academia, her new book ‘Graveyard Shift’, while also waxing lyrical about ‘If We Were Villains’ was something me and Sophie could have only dreamed of when we started The Dark Academicals.

M L Rio's novella is summarised thusly:

“Every night, in the college's ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story.

One dark October evening in the defunct churchyard, they find a hole that wasn't there before. A fresh, open grave where no grave should be. But who dug it, and for whom?

Before they go their separate ways, the gravedigger returns. As they trail him through the night, they realize he may be the key to a string of strange happenings around town that have made headlines for the last few weeks--and that they may be closer to the mystery than they thought.”

In this episode we discuss:

The rising trend of the Dark Academia genre

M L Rio's writing patterns, preferences, influences and processes

THAT ENDING of ‘Graveyard Shift’

The cultural and linguistic legacy of Shakespeare and his works

A sneaky little insight into the next novel, ‘Hot Wax'

And a whole lot of tangents…

This historical fantasy is from the realms of classic YA and we’re both super excited to revisit this novel that we both read around 10 years ago for the podcast as from what we remember, it has definite dark academia fantasy vibes.

While this series is now out of print, ‘The Great and Terrible Beauty’ is still available in ebook, and it stands as a touchstone of YA.

It's 1895, and after the death of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in British India to Spence Academy, a proper boarding school in England.

Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception at Spence is a chilly one. To make things worse, she's being followed by a mysterious young Indian man who has been sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls – and their foray into the spiritual world – lead to?

But how will it hold up to the tropes of dark academia and a reread a decade later?

In this episode we discuss:

Revisiting a classic YA novel fifteen years later

Sophie’s issues with historical fiction and the subjugation of women

An unexpected treatise on politics, reading, and how everything is political in the wake of the 2024 US Presidential Election

And a whole lot of tangents…

This debut novel has been everywhere all year and it’s about time we got around to reading it. ‘The Four’ by Ellie Keel sounds super dark and it gives real dark academia vibes already: scholarship students in an elite institution, a dead friend, and the mystery of what happened.

We were always The Four. From our very first day at High Realms.

The four scholarship pupils. Outsiders in a world of power and privilege.

It would have made our lives a lot easier if Marta had simply pushed Genevieve out of our bedroom window that day. Certainly, it would have been tragic. She would have died instantly.

But Marta didn’t push her then, or – if you choose to believe me – at any other time. If she had, all of what we went through would not have happened.

I’ve told this story as clearly as I could – as rationally as I’ve been able, in the circumstances, to achieve. I don’t regret what we did. And I would do it all again.

There are good dark academia tingles coming from this synopsis and we’re so excited to see if it lives up to that and delivers on the dark academia.

In this episode we discuss:

The importance of character arcs and development (and when it falls short)

Institutional maltreatment, generational expectations (and exploitation) and morality vs elitism

Justice for Marta

We read the first book in this series, ‘Belladonna’, back in season seven and we’re so excited to revisit Signa at Thorn Grove following the cliffhanger at the end of the first novel.

‘Belladonna’ is one of the most fun books we’ve read for the podcast and I think this is just going to be just enjoyable.

The dangerous, seductive and suspenseful New York Times bestselling sequel to the Gothic fantasy romance Belladonna.

A duke has been murdered. The lord of Thorn Grove has been framed. And Fate, the elusive brother of Death, has taken up residence in a sumptuous estate nearby. He's hellbent on revenge after Death took the life of the woman he loved many years ago . . . and now he's determined to have Signa for himself, no matter the cost.

Signa and her cousin Blythe are certain that Fate can save Elijah Hawthorne from prison if they will entertain his presence. But the more time the girls spend with Fate, the more frightening their reality becomes as Signa exhibits dramatic new powers that link her to Fate's past. With mysteries and danger around every corner, the cousins must decide if they can trust one another as they navigate their futures in high society, unravel the murders that haunt their family, and play Fate's unexpected games-all with their destinies hanging in the balance.

But will it hit any of the tropes to make it dark academia? Or will the mystery win out?

In this episode we discuss:

The way the novel raises issues of women, marriage, bodily autonomy in a vague historical setting

Fate vs Death

The need for justice for Blythe and Eliza

Our dark academia adjacent title for this season is one of Sophie’s favourite books. ‘Rebecca’ by Daphne du Maurier is a masterclass in Gothic suspense and it’s something that we’ve needed to tackle on the podcast for a very long time.

On a trip to the South of France, the shy heroine of Rebecca falls in love with Maxim de Winter, a handsome widower. Although his proposal comes as a surprise, she happily agrees to marry him. But as they arrive at her husband's home, Manderley, a change comes over Maxim, and the young bride is filled with dread. Friendless in the isolated mansion, she realises that she barely knows him. In every corner of every room is the phantom of his beautiful first wife, Rebecca, and the new Mrs de Winter walks in her shadow.

Not since Jane Eyre has a heroine faced such difficulty with the other woman. An international bestseller that has never gone out of print, Rebecca is the haunting story of a young girl consumed by love and the struggle to find her identity.

This is going to be Sarah’s first read of this novel and we’re so excited to head to Manderley for an adventure into the Gothic - a foundation of dark academia.

In this episode we discuss:

Villains and sympathising with villains

Maxim’s obsession with Mrs De Winter’s youth and innocence

We discuss the power of weather and seasons acting as a character

Our second episode of this season takes us to London, Karachi and New Dehli in Ayesha Manazir Siddiqi’s debut novel, ‘The Centre’.

This one leapt onto our radar as soon as that incredibly arresting cover was unveiled and we found out it was about a prestigious translation centre - it had to be a podcast book!

Welcome to The Centre. The cost may be high, but you'll never be the same . . .

Anisa Ellahi longs to become a translator of 'great works of literature', but right now she is stuck in her London flat writing subtitles for Bollywood films.

Then she is told about the Centre, an elite, invite-only programme that guarantees complete fluency in any language in just ten days. Seduced by all that it could make possible, Anisa enrols. But the Centre's services come at a disturbing hidden cost. Still - it's worth it, right? After all, success comes at a price . . .

By turns dark, funny and surreal, The Centre by Ayesha Manazir Siddiqi takes the reader on a journey through Karachi, London and New Delhi. Throughout it interrogates the sticky politics of language, translation and appropriation and asks: what price would you be willing to pay for success?

‘The Centre’ is undoubtedly going to be an interesting and thought-provoking read, but how does it fit into dark academia?

In this episode we discuss:

The intersection of translation and colonialism

The potentially meta nature of a book within a book

Privilege, money, power and the intersections with living abroad

Season 9 of ‘The Dark Academicals’ is HERE - we’re back! - and we’re starting off with a huge debut that is being marketed as dark academia Black vampires and honestly, say less.

Hidden in our world, a society of vampires originating in Africa, can only feed from select human bloodlines. Each bloodline represents a House more cutthroat than the next. To ensure peaceful co-existence and inherit their legacy, human children of these families must study at an elite university before choosing a vampire companion.

Lost Heiress, Kidan Adane grew up far from Uxlay University. She is obsessively protective, mildly nihilistic, and willing to do anything to save her loved ones. When her sister, June, disappears, Kidan is convinced a vampire stole her - the alluring yet dangerous Susenyos Sagad, the same vampire bound to her own House.

To stay in Uxlay, Kidan must study an arcane philosophy, work with four enigmatic students, and survive living with Susenyos - even as he does everything to drive her away. It doesn't matter that Susenyos' violence speaks to her own and tempts Kidan to surrender to a life of darkness. She must find her sister and kill him at all costs.

When a murder mirroring June's disappearance shakes Uxlay, Kidan sinks further into the ruthless underworld of vampires, risking her very soul. Here, she discovers a centuries-old threat. And June could be at the very centre of it.

The Cruel Prince meets Ninth House in this dangerously romantic dark academia debut, where a lost heiress must infiltrate a secret society and live with the vampire she suspects kidnapped her sister.

With calls to ‘Ninth House’ and ‘The Cruel Prince’, vampires and a whole new mythology, this could be starting off the season with a bang. But how does this fantasy really live up to the tropes of dark academia?

In this episode we discuss:

Vampire lore within literature

The cause and effect of genre and literary categorisation

Susenyos, Kidan, and everything it could have been.