Director Guillermo del Toro discusses his new film, Frankenstein, with fellow Director Bradley Cooper in a Q&A at the DGA theater in New York. In the conversation, he discusses the consideration he took in the multiple perspective structure of the story, the research and detail behind crafting intricate props and capturing authentic settings, and what he looked for in an Actor when casting the role of The Creature.

Based on the classic novel by Mary Shelley, the film tells the tragic story of the brilliant but egotistical Dr. Victor Frankenstein, who brings a monstrous creature to life. When the experiment spirals out of his control, events transpire that lead to the undoing of both the creator and his creation.

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https://www.dga.org/events/2025/december2025/frankenstein-1025

Director Joachim Trier discusses his new film, Sentimental Value, with fellow Director Frank Oz in a Q&A at the DGA theater in New York. In the conversation, he discusses working with his Writer to establish just enough of the characters for his Actors to fill in the rest, how he goes about his rehearsal process to get the right performances in the shoot, and taking time in the edit to find the perfect pacing to balance the emotional arcs of the film.

Screened as part of the DGA’s Global Cinema Series, the film tells the story of Gustav, a once-renowned film Director looking to make a comeback with his next feature. When his stage actress daughter turns down the lead role in the film, he casts a Hollywood star instead, opening old wounds that force them to face their relationship and the fragile bonds that unite them.

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https://www.dga.org/events/2025/november2025/gcs_sentimentalvalue_0925

Director Scarlett Johansson discusses her new film, Eleanor the Great, with fellow Director Frank Oz in a Q&A at the DGA theater in New York. In the conversation, she discusses how she sees table reads as essential to getting her Actors on the same wavelength, characteristics she looks for in a Directorial Team, and some of the lessons she learned from Directors when working with them as an Actor.

The film tells the story of 94-year-old Eleanor Morgenstein, who moves from her Florida retirement community to Manhattan after losing her best friend of seventy years. Soon after, she meets a group of Holocaust survivors and feels compelled to tell a story about her past that takes on a dangerous life of its own.

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https://www.dga.org/events/2025/november2025/eleanorthegreat_qna_0925

Director Werner Herzog discusses Les Blank’s film Burden of Dreams, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the value he saw in Blank documenting the making of Fitzcarraldo, shares further insight into aspects of the shoot the documentary didn’t cover, and reflects on his memories of the late Actor Claudia Cardinale.

Screened as part of the DGA’s Documentary Series, the film follows Director Werner Herzog during the filming of Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazonian jungle. As the production unfolds, the crew has to overcome a number of setbacks, including difficult Actors, unpredictable weather and the logistics of getting a boat over a mountain, all with the determination of realizing Herzog’s vision.

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https://www.dga.org/events/2025/november2025/docseries_burdenofdreams-0925

Director Benny Safdie discusses his new film, The Smashing Machine, with fellow Director Christopher Nolan in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with Actors Dwayne Johnson and Emily Blunt to summon the performances he wanted, collaborating with his composer to craft a jazz score that followed the film’s emotional beats, and how he used his cinematography to capture the interior emotions of his characters.

The film tells the true story of, Mark Kerr, a former collegiate wrestler who became a mixed-martial artist and UFC champion during the early, unregulated days of MMA. As he contends with depression, a painkiller addiction, and a volatile relationship with his girlfriend, he continues his meteoric rise in the burgeoning sport.

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https://www.dga.org/events/2025/november2025/smashingmachine_qna_1025

Director Derek Cianfrance discusses his new film, Roofman, with fellow Director David Gordon Green in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his process of researching the story by consulting with the real Jeffrey Manchester in prison, working with production to recreate a period accurate Toys”R”Us from 2004, and how he aimed to capture the nostalgia of the early 2000s by choosing to film on 35mm.

The film tells the true story of Jeffrey Manchester, a charismatic criminal who goes into hiding on the roof of a Toys “R” Us. Adopting a new identity, he begins to form a relationship with one of the employees, jeopardizing his double life as his past closes in.

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https://www.dga.org/events/2025/november2025/roofman_qna_0925

Director Jay Roach discusses his new film, The Roses, with fellow Director Jason Reitman in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with his Actors to find the right balance of dark comedy and drama in the film, collaborating with his spouse and many other musical artists to craft a soundtrack that fit the film’s tone, and how he approached remaking a foreign film for American audiences that may not receive the content in a similar way.

The film tells the story of Ivy and Theo, a couple living a seemingly ideal life with a loving marriage, successful careers and great kids. But when Theo’s career nosedives and Ivy’s ambitions take off, a tinderbox of hidden resentment and fierce competition ignites as the reality of their relationship bubbles to the surface.

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https://www.dga.org/events/2025/november2025/theroses_qna_0925

Director Paul Thomas Anderson discusses his new film, One Battle After Another, with fellow Director Steven Spielberg in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he worked with his Actors to bring to life the distinct characters they inhabited, why Vistavision was the best format to capture the story, and how he discovered the ending sequence by exploring the location.

The film follows Bob Ferguson, a former militant now living a quiet life in hiding with his daughter Willa. When Willa goes missing, Bob must track her down with the help of his fellow revolutionaries and battle the consequences of his past.

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https://www.dga.org/events/2025/november2025/onebattleafteranother_qna_0925a

Director Rob Reiner discusses his new film, Spinal Tap II: The End Continues, with fellow Director Paul Feig in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his process of discovering the story in the edit through the Actors’ many improvisational takes, how he aims for a documentary-style feel by forgoing blocking and letting crew appear in the shots, and using real world inspiration of reuniting bands and going viral on the internet as pretext for a sequel.

This follow up to the 1984 feature This is Spinal Tap finds documentarian Marty DiBergi once again shadowing the bandmates of Spinal Tap as they reunite after 15 years to put on one final show.

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https://www.dga.org/events/2025/november2025/spinaltap2_qna_0925

Director Christopher Leone discusses his new film, Code 3, with fellow Director Etan Cohen in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses collaborating with his co-Writer - who was once a real paramedic - to maintain accuracy, working with his effects team to create realistic wound portrayals, and finding the tone of the film having pulled inspiration from comedy and war films.

The film tells the story of Randy, an overworked paramedic who is about to resign. While training his replacement on his the last 24-hour shift, their routine night quickly spirals into a chaotic, citywide odyssey as they race from one emergency to the next.

See photos and a summary of this event below:

https://www.dga.org/events/2025/october2025/code3_qna_0925