In part three, we dive into aspects of the later essays that make this collection so important.

Kimberly might not have loved Ferrante’s My Beautiful Friend, but she’s OBSESSED with The Lost Daughter. (Plus, the movie’s great.) In part one, Kimberly will argue why you should read this creepy little gem, discuss names in the novel, and dive into the opening of the book.

In part three, Kimberly digs into the depiction of maternity in the novel, and the close of the work.

In part two, Kimberly analyzes the uncanny, strange feel of the novel, and the important pattern of proliferation of mothers, daughters and dolls.

No reading required! In this Dickens crash-course, Kimberly equips you to get even more out of Barbara Kingsolver’s incredible Demon Copperhead. Or to decide if you want to tackle this new bestseller! You’ll find out why Demon fits so well into a long literary tradition and why Kingsolver was SUCH a genius to choose this insanely effective scaffolding for her recent gem. 

In part two, Kimberly discusses the peripheral, third-person (“sidekick”) narrator, Mitford’s world-class dialogue and the novel’s pacing.

In part three, Kimberly discusses the artful depiction of maternity, Mitford’s humor, the novel’s blend of comedy/tragedy and the close of the book.

In part two, we look at structure, digression, narrative voice, and the use of found objects.

In part three, Kimberly explores the plot, motifs of memory, and the important inversion that makes the novel so moving

Some of you might be a little surprised at this title popping up here but tune in to find out how Hilderbrand’s serious talent means that this book rose to Kimberly’s very high standards. In part one, Kimberly will argue why you should read the book, take a quick dip into Hilderbrand’s bio., and explore the opening pages.