The Foxed Page

NO READING REQUIRED! PLOT seems simple but understanding its nuances can make a huge impact on how you read. Treat yourself to this discussion featuring Madame Bovary, Orlando, Kennedy's The Feast and Babitz's Slow Days, Fast Company.

Kimberly explores the similarities and profound differences between oft-compared literary GENIUSES Joan Didion and Eve Babitz . . . before digging in to why people keep lumping Emma Cline, and her new novel, in with these legends.

Kimberly breaks down the GENIUS in Gabrielle Blair's crucial book. Urgent and funny at times, the lecture also touches on Kimberly's own book. If you listen to one podcast here at the foxed page, MAKE IT THIS ONE.

Building on Claire Dederer’s defense of this incredible novel, Kimberly walks you through this new way to think about the misunderstood classic. She delves into why the prose is so insanely great and wraps up with a look at the genius sleight-of-hand that makes the book not only deeply engaging but also important.

If you don’t know what to do with great art made by horrible people, you need Monsters. Dederer’s surprisingly personal look at the issue is insightful and soooo smart. Her thoughts on Woody Allen, Michael Jackson, Virginia Woolf—and Nabokov’s Lolita—are fascinating and revelatory.

In part two, Kimberly focuses on the titular essay, “The White Album.”

In part three, we dive into aspects of the later essays that make this collection so important.

Kimberly might not have loved Ferrante’s My Beautiful Friend, but she’s OBSESSED with The Lost Daughter. (Plus, the movie’s great.) In part one, Kimberly will argue why you should read this creepy little gem, discuss names in the novel, and dive into the opening of the book.

In part three, Kimberly digs into the depiction of maternity in the novel, and the close of the work.

In part two, Kimberly analyzes the uncanny, strange feel of the novel, and the important pattern of proliferation of mothers, daughters and dolls.