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Episode 72
The Situation in Spain prior to the Renaissance period with a summary of developments in the Roman and Medieval periods in Spain.
The merging of religious and secular theatre at the end of the medieval period.
The ‘autos’ and how it developed out of liturgical drama and the only surviving example ‘The Play of the Three Kings’.
From the 12th Century ‘Pamphylus in Love’.
The Spanish version of the cycle play.
The poetic dialogue and its influence on theatre.
The religious plays of Juan Ruiz
The use of rustic language for comedy in 15th century plays.
The beginning of the Spanish renaissance with the plays of Gomez Manrique.
Inigo de Mendoza spanning the medieval and the renaissance.
Fernando de Rojas and the influential play ‘Celestina’.
Juan del Encina and his three-stage career, which ended by producing some of the earliest plays of the renaissance in Spain.
The religious and pastoral plays of Lucas Fernandez.
Bartolome de Torres Naharro who mixed Plautus with his real-life experiences as a soldier and churchman in his comic and satiric plays.
Support the podcast at:
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Episode 71
The continuation of the story of Renaissance theatre in France.
The rise of the two theatres in Paris as travelling players were at last allowed to perform in the city.
Antoine de Montchrestien and his version of Greek tragedy.
The three farceurs Henri Legrand, Robert Guerin, and Hugues Gueru who made the Theatre du Bourgogne the venue in Paris for comedy.
The development of the Theatre du Bourgogne under the management of Valeran le Conte and the establishment of ‘Comediens Du Roi’.
The emergence of Alexandre Hardy and his prolific life as a playwright.
A life in the theatre for the actors of the time
Theophile Viaud and Jean Mairet - champions of the Aristotelian stage
Jean du Rotrou the last French renaissance playwright
Support the podcast at:
www.thehistoryofeuropentheatre.com
www.ko-fi.com/thoetp
www.patreon.com/thoetp
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Episode 70
Catherine De Medici, her arrival in Paris for marriage to Henry, second son of Francis 1st. Her cultural influence and role as wife of the King, and mother to three successive French rulers.
The Hotel De Bourgogne, the only playhouse in Paris
Mellin de Saint-Gelais the royal librarian who penned adaptations of Italian tragedy
Etienne Jodelle was hailed as the new Sophocles after his first play, but quickly fell out of favour after his second and some intemperate praise.
The strong adherence to Aristotelian rules of theatre
Jean de La Taille continues in Jodelle’s footsteps with Greek inspired tragedy and lighter pieces.
Jean Antoine de Baif gets concerned about playwrights straying from Aristotle
Robert Garnier’s influential plays, including an adaptation of Ariosto. Including an example of how Thomas Kyd was inspired by his work.
How the monopoly on theatrical performance of the Confraternity of the Passion was broken and a description of their playhouse, the Hotel De Bourgogne. The arrival of the second playhouse and the first professional actress of the Parisian stage.
Support the podcast at:
www.thehistoryofeuropeantheatre.com
www.patreon.com/thoetp
www.ko-fi.com/thoetp
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Episode 69
The Renaissance met the Reformation in the Germanic States of Northern Europe so we start with a word on Martin Luther and his love of music and qualified approval of theatre.
Latin drama of Jacob Wimpheling and Thomas Naogeorgus.
The history of Hanswurst and Brandt's 'Ship of Fools'
'Students' by Christoph Stumble gets it's second mention on the podcast.
The versatility of Johannes Reuchlin
German biblical plays
The German plays of Henrich Julius von Braunschweig, Duke of Brunswick
The extraordinary life of Nicodemus Frischlin and his comedy 'Julius Redivivus’
The impact of the thirty years war.
Support the Podcast at:
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Episode 68
A detailed look at 'La Pellegrina', a play written for the wedding celebrations of Grand Duke Fernando of Sienna in 1589.
The background to the writing of the play commissioned by Cardinal Fernando Di Midici
A description of the plot of the play
Some commentary on the play, its relationship to Ancient Greek and Roman drama, the changes in stop characters since the beginning of Renaissance Italian Theatre and its legacy.
Support the podcast at:
www.thehistoryofeuropeantheatre.com
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www.patreon.com/thoetp
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Episode 67
In this third part of the story of theatre in the Italian Renaissance the counter reformation overshadows the work of playwrights.
We conclude the story of Giovan Maria Cecchi with a look at his later sacred drama that still managed to amuse and entertain.
The plays of Leone de'Sommi are mostly lost thanks to a library fire, but his surviving plays are of interest as we see a Jewish playwright operating both in and for the culture of his community and in the context of broader renaissance theatre.
The review concludes with the work of Giambattista della Porta, a Neapolitan playwright who was outspoken in his plays and paid and fell foul of the Italian Inquisition.
Support the podcast at:
www.patreon.com/thoetp
www.ko-fi.com/thoetp
www.thehistoryofeuropeantheatre.com
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Episode 66
Continuing from the last episode with more comedic dramatists from the Italian renaissance we meet Angelo Beolco who, under the tutorage of Ariosto, created, and became synonymous with, the character of Ruzzante.
Then on to Alessandro Piccolomini and Giovan Maria Cecchi, who both left indelible traces on the development of comedy in the sixteenth century.
Support the podcast here:
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For Christmas 2021 a reading of 'Dancing Dan's Christmas', a short story by Damon Runyon.
Episode 65
The development of tragedy and comedy in early Italian renaissance theatre happened on parallel paths as each struggeled to look forward rather than back.
The development of Tragedy following the rediscovery of the plays of Sophocles.
The continuing influence of Aristotle and Seneca.
Playwrights Giovani Trissino and Giovanni Giraldi (aka Cinthio)
The court at Ferrara and bloody tragedy
Other notable tragedians from the period.
The development of comedy as 'Comedy Erudite' and the continuing influence of Terence and Plautus
The court at Ferrara and a new form of comedy
Three great comic writers: Lodovico Ariosto, Niccolo Machiavelli and Pietro Aretino
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Episode 64
In the first part of season four we bridge the gap between the Medieval and Renaissance periods with a mention of the key artistic movements and historical events that can be used to mark the beginning of the period.
How theatre looked back to the rediscovered plays of Ancient Greece and Rome and the writings of Vitruvius on Theatre Architecture.
The earliest plays of the period, showing how the Renaissance got started in the late 1300s.
A word on the development of Opera and Ballet.
For the chance to see Lazarus Theatre production of Salome by Oscar Wilde on line until 5th December 2021 go to https://www.lazarustheatrecompany.co.uk/salomé
To support the Podcast:
www.patreon.com/thoetp
www.ko-fi.com/thoetp
and find more details on
www.thehistoryofeuropeantheatre.com
Hosted on Acast. See acast.com/privacy for more information.
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