
Sign up to save your podcasts
Or


Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.
In his less than stellar career as an actor, Michael Goldfarb went through this process many times.
In this essay, Michael recalls his admiration for John Gielgud. He remembers The Motive and the Cue, the play about John Gielgud directing Richard Burton in Hamlet. He also had a chance meeting with the legendary actor at the stage door of the Apollo theatre in London when Gielgud was starring in David Storey's 'Home'.
By BBC Radio 34.2
8282 ratings
Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.
In his less than stellar career as an actor, Michael Goldfarb went through this process many times.
In this essay, Michael recalls his admiration for John Gielgud. He remembers The Motive and the Cue, the play about John Gielgud directing Richard Burton in Hamlet. He also had a chance meeting with the legendary actor at the stage door of the Apollo theatre in London when Gielgud was starring in David Storey's 'Home'.

7,669 Listeners

146 Listeners

1,049 Listeners

5,528 Listeners

1,795 Listeners

295 Listeners

1,753 Listeners

1,045 Listeners

1,921 Listeners

492 Listeners

584 Listeners

69 Listeners

413 Listeners

307 Listeners

759 Listeners

852 Listeners

128 Listeners

78 Listeners

244 Listeners

61 Listeners

52 Listeners

183 Listeners

4,160 Listeners

3,166 Listeners