Season 3 intermission

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In our second look at The Nightmare Before Christmas, we discuss the enormous contirbutions of the voice talent in this cast. We also continue looking at great moments from the film's score, discuss the orignal motion picture soundtrack album, and analyze the remaining songs from the middle of the film - all the way to it's dramatic finale.

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Danny Elfman's contribution to Tim Burton's The Nightmare Before Christmas is enormous, as the composer not only wrote the score, but helped with story development by writing the songs. He even stars as the lead singer. Elfman's songs are discussed, along with stories behind this musical's development. 

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In 1989, Danny Elfman redefined the sound of superheroes on the silver screen. His theme for the Batman is explored, as well as his musical treatment of the Joker and Vicki Vale. Prince's music is also discussed, and we break down Elfman's use of rhythm, themes, and textures.

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Danny Elfman's origin story is as fascinating as his music. We discuss his incredible success with Oingo Boingo, as well as his long-time collaboration with director Tim Burton. We explore the origin of his European "Doom-pah" sound, his humor, and his very first films with Burton: Pee-Wee's Big Adventure, and Beetlejuice.

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The music of The Goonies is a unique mix of classic film scoring, 80s pop, and film nostalgia, all combined with Dave Grusin's contemporary musical sensibilities. The result is a very effective film score that breathes life, adventure, and humor into this cult classic.

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Let's sit back and enjoy Casablanca and its music with this feature-length commentary. Max Steiner's wonderful music is dissected, and many behind-the-scenes stories about Casablanca's production are discussed. The commentary also touches on the fascinating stories behind the actual Warner brothers.

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One of the greatest films to ever be produced by the classic Hollywood studio system features a song that infuriated composer Max Steiner. Regardless, he produced one of the most memorable and effective film scores of his entire career. The history of Casablanca's troubled production is explored, as is the time period: Casblanca debuted shortly after the United States entered World War II.

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Our look at the music and sound of Raiders of the Lost Ark concludes with a breathtaking truck chase, scoring Indy in disguise, and the climactic opening of the Ark. 

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Our adventures continue with Indiana Jones in Cairo, where John Williams and Steven Spielberg masterfully use film score and diegetic music to tell a story of mystery, danger, and romance. 

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