Tron's film score is as innovative and groundbreaking as the movie itself: part synth score, part orchestral score, it carefully balances tech-savvy storytelling with the triumph of the human (and program) spirit. We discuss the plot to Tron, how it was received by critics and audiences in 1982, and how the movie, and music has aged in the years since. 

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In our final look at Back to the Future, we discuss how themes are used, and how often. Secondary themes are examined, taking a close listen to how they're all related. We discuss the relationships between characters, and how music functions as a storytelling device. We even talk about the blues, and how Marty McFly was able to jam out with very little instruction given to his bandmates.

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In part II of our analysis of the music in Back to the Future, we focus on how the orchestral score is presented to us, and its important relationship to the pop music in the movie. The decision to use pop music is also analyized, as we musically break down the movie's transition from teen comedy, to science fiction and time traveling adventure.

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In our first look at Back to the Future, we take a deep look at the past, discussing stories that brought composer Alan Silvestri, director Robert Zemeckis, and producer Steven Spielberg together. The main themes fo Back to the Future are also discussed, and a musical breakdown is given for why they fit the story so perfectly. We compare Back to the Future to other famous works, play clips, and so much more.

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In part 2 of our interview with former Disney Music President Chris Montan, we discuss his work with legendary film composers like Hans Zimmer, Jerry Goldsmith, Randy Newman and more. Mr. Montan takes us back to the early days of Pixar, and describes how Toy Story invented their magic musical formula. Different composer's styles and sound are discussed, as are the challenges of adapting Disney classics for Broadway, and so much more.

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In part 1 of our interview with former Disney Music President Chris Montan, we discuss his incredible career as an executive music producer on some of the most memorable soundtracks, musicals and song scores of the past 35 years, including The Lion King, Beauty and the Beast, The Little Mermaid, and even live action films like Pretty Woman, Beaches, Sister Act, and more. Beyond film, his Broadway and television music is also covered, with incredible behind-the-scenes stories about working with the most talented musicians and songwriters in show business.

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We take a first look at the work of composer Max Steiner, and sample his work from King Kong, Casablanca, Gone With The Wind and more. We also discuss the incredible influence that Steiner has on today's most beloved film franchises, and the important role he played in the development of modern film music techniques.

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In Part II, David watches the second half of Jurassic Park. More behind-the-scenes stories and insights are revealed, as well as discussions about script-writing, character arcs, and how music was used to reinforce the drama. 

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In Part I, David watches the first half of Jurassic Park. Characters, musical themes, sound design and story are heavily discussed, as are background stories about the film's technical achievements. 

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Jurassic Park doesn't always function like a typical film score. In this episode, we discuss the role that music plays throughout the film. We also touch on the film's amazing sound design, the appearance of "Dies Irae," a breakdown of a theme for predators, and so much more. 

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