
Sign up to save your podcasts
Or
“You couldn’t have made this movie three years ago,” said Robert Zemeckis, the director of “Here.”
The film stars Tom Hanks and Robin Wright, and is based on a 2014 graphic novel that takes place in a single spot in the world over several centuries. The story mostly takes place in a suburban New Jersey living room. It skips back and forth through time, but focuses on a baby-boomer couple — played by Hanks and Wright — at various stages of their lives, from age 18 into their 80s.
Before A.I. software, Zemeckis could have had multiple actors play each character, but the audience might have gotten lost trying to keep track. Conventional makeup could have taken a decade off Hanks, who is now 68, but not half a century. The issue with C.G.I. is time and money. Persuading us that we’re watching Hanks and Wright in their 20s would have required hundreds of visual effects artists, tens of millions of dollars and months of postproduction work. A.I. software, though, changed all that accounting.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
4.3
100714100,714 ratings
“You couldn’t have made this movie three years ago,” said Robert Zemeckis, the director of “Here.”
The film stars Tom Hanks and Robin Wright, and is based on a 2014 graphic novel that takes place in a single spot in the world over several centuries. The story mostly takes place in a suburban New Jersey living room. It skips back and forth through time, but focuses on a baby-boomer couple — played by Hanks and Wright — at various stages of their lives, from age 18 into their 80s.
Before A.I. software, Zemeckis could have had multiple actors play each character, but the audience might have gotten lost trying to keep track. Conventional makeup could have taken a decade off Hanks, who is now 68, but not half a century. The issue with C.G.I. is time and money. Persuading us that we’re watching Hanks and Wright in their 20s would have required hundreds of visual effects artists, tens of millions of dollars and months of postproduction work. A.I. software, though, changed all that accounting.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
3,875 Listeners
1,442 Listeners
90,421 Listeners
37,904 Listeners
25,753 Listeners
8,781 Listeners
133 Listeners
2,063 Listeners
86,250 Listeners
56,140 Listeners
9,995 Listeners
1,468 Listeners
12,633 Listeners
299 Listeners
7,576 Listeners
5,418 Listeners
31,626 Listeners
469 Listeners
52 Listeners
2,277 Listeners
380 Listeners
5,988 Listeners
6,631 Listeners
5,377 Listeners
14,859 Listeners
1,492 Listeners
9,759 Listeners
1,413 Listeners
7 Listeners
16 Listeners
388 Listeners
1,065 Listeners
305 Listeners