Growing up in a family deeply entrenched in the arts, Lori Alan naturally gravitated towards the stage and microphone. Her parents were theater majors who later ventured into advertising and directing, so it’s no surprise that growing up in a creative environment played a pivotal role in shaping her career path. She looks back on the early stages of her career, including a Shakey's Pizza commercial she starred in that marked her initial foray into professional acting at the age of 5. Despite getting bullied for her unique voice, she chose to embrace her talent instead. After studying and pursuing a career in acting in New York, she decided to move to LA to explore new opportunities. This marked the beginning of her extensive work in voice acting, including iconic roles in "SpongeBob SquarePants" and "Family Guy". She shares how she honed her skills, her ability to adapt to different genres, and where she usually draws inspiration from in bringing characters to life. Lori also talks about her time in “Reefer Madness”, the show’s success, and a memorable moment when she met Warren Beatty, who had once shown interest in her mother. Beyond her acting and voice career, she is also a dedicated voice acting coach, emphasizing the importance of studying the craft, being in the moment, and giving your all in whatever you do.

Lori Alan is an award-winning actor, writer, producer, and coach who fell out of the womb sitting in front of a microphone. She is the voice of Pearl Krabs on the “SpongeBob SquarePants” animated series and among many other roles has brought to life Diane Simmons on “Family Guy”, Sue Richards aka The Invisible Woman on “The Fantastic Four”, and The Boss on the “Metal Gear Solid” video game series. She originated the role of Mae Coleman in the award-winning musical “Reefer Madness” in 1988, and is now reprising the same role in the current LA production.

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Alexi Melvin is making significant strides in the Broadway community as a producer in shows like "Here Lies Love," "The Outsiders," and "The Notebook". She highlights the struggle of balancing commercial success with artistic bravery, advocating for more support for innovative and risk-taking productions. Growing up with a professional baseball playing dad, she looks back on her journey to finding her calling, how she developed a love for the arts thanks to her mom, and the unwavering support she got from both parents along the way. With almost 100k followers on TikTok, she reflects on her experience with social media, transitioning from queer relatable content to theater-focused posts, and how her audience has positively received this shift. She also delves into the role of social media in modern theater marketing, and how shows like "The Outsiders" leverage platforms like TikTok to reach more audiences. As more and more shows feature queer stories and diverse casting like "The Notebook" and "Illinois", she stresses the need for more queer representation on stage and the challenges of achieving this in an industry dominated by big-budget musicals. Alexi opens up about her journey with pronouns and gender identity, sharing her transition from they/them to she/they and the importance of creating a safe environment for self-exploration. Whether it’s producing or posting on social media, she encourages aspirants to channel their “fan girl energy” and not shy away from doing what you're a fan of.

Alexi Melvin is a multi-Tony Award-nominated Broadway producer for her work on “Illinois” and “The Outsiders”. She has also done work on the producing teams of “Here Lies Love” and “The Notebook”. A writer and actor who takes the term multi-hyphenate to an all-new level, she is a proud member of and advocate for the LGBTQ-plus community and is deeply involved with type one diabetes organizations such as JDRF and Beyond Type 1. She has notable voice work in “Rogue One: A Star Wars Story” and “Star Wars: The Last Jedi”, onscreen appearances in “Time Out of Mind”, and “Quarter”, and a significant presence as an LGBTQ-plus creator on TikTok with almost 100,000 followers.

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From loving TikTok to enjoying cold readings playing “delightfully stupid” characters, Mary Testa is a talented actress who’s “not on a stardom path and never will be”. She starts off where her acting journey began: choosing between law school and performing. Ultimately, she pursued the latter and eventually moved to New York in 1976, explaining why she just likes working on interesting things with people she loves. She discusses self-taping auditions during the pandemic, and that while she believes it's better to be in the room for auditions, she understands the preliminary role of self-tapes. Known for playing strong-willed characters, Mary reflects on her career as a character actress. She recalls asking Michael John LaChiusa to write a role for her as “a very stupid character”, challenging the usual type casting she gets. She also admits to loving cold readings, the spontaneity, and the challenges that come with them. Reflecting on her journey, she gets real as she talks about perfectionism, how insecurities can lead to tyrannical behavior, and why self-awareness and being comfortable in your own skin is important to keep you grounded.

Mary Testa is an actress with a phenomenal career spanning almost 50 years, which includes 12 Broadway shows such as “Oklahoma!”, “42nd Street”, and “On the Town”, resulting in her three Tony Award nominations. Her TV and film credits beginning in 1979 include “Cagney & Lacey”, “Sex and the City”, “Whoopi”, “The Battery's Down”, “Eat, Pray, Love”, and “The Good Fight”, “The Blacklist”, and many, many more. She's been a part of the “Ratatouille”, the TikTok musical, and is an experienced voiceover artist. She can be heard in the podcast comedy TWITS: A Streampunk Distraction available everywhere you find your podcasts.

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Jessica Fontana admits that her need to feel like she’s in control impacts her journey in balancing her professional and personal life. Her passion for performing arts began with ballet, which eventually set the stage for her career in musical theater. While Jessica’s mom highly supported her artistic endeavors, her father initially wasn’t. She talks about her college experience at the University of Michigan and its role in shaping her career and changing her dad’s mind. Married to fellow actor, Santino Fontana, she recalls how they met at Birdland Jazz Club, recounting how he left before they could get a drink together, only to friend her on Facebook later that night, slipping into her DMs. Jessica explained her shift from performing regularly to creating her album, "Every Day Special" – a transition that allowed her more control over her creative work and schedule, reflecting her desire for creative autonomy and finding joy and fun in whatever she does.

Jessica Fontana is an actress, and the writer, host, co-creator, and co-executive producer of “Everyday Special”, an improvised satirical podcast. She has starred on Broadway in the title role of Rodgers and Hammerstein’s “Cinderella”, “Baby It's You”, and “Pipe Dream” in New York City Center's Encores! Series. She's been seen in the hit web series “Submissions Only”, and has starred in the world premiere productions at regional theaters, including the Goodspeed Opera House, Paper Mill Playhouse, Signature Theater, and Carnegie Hall. Also a songwriter, she recently released her solo debut album, “Every Day Special”.

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Listen in behind the scenes with this special episode featuring media room speeches from 2024 Tony Award winners Shaina Taub, Dede Ayite, Tom Scutt, George C. Wolfe, Justin Peck, Ryan Rumery, Nikiya Mathis, Will Brill, Kara Young, Daniel Radcliffe, Kecia Lewis, Branden Jacobs-Jenkins, Sarah Paulson, Jonathan Groff, and Maleah Joi Moon.

Guest hosted and edited by fellow Broadway Podcast Network host Sarah Goodman! Make sure to check out her podcast too.

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• Listen and follow the podcast at http://bpn.fm/goodshow

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"I love this show and I love this production. This production was so much fun because it spans all theater fans, all ballroom fans, and just people who want to go have a good time will like this." This bonus episode is a recap of "CATS: The Jellicle Ball" featuring Mike and Alan Seales of the Theatre Podcast recorded immediately after seeing a preview of this incredible production. This episode contains a few spoilers about the show but gives a breakdown of the what to expect when you enter the PAC. Mike and Alan give the production high praise and rave about it from start to finish. Be sure to check out this Jellicle masterpiece during their limited run.

Produced by:

Alan Seales & Broadway Podcast Network

Instagram/Twitter/Tik Tok: @TheWrongCatDied

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Currently captivating audiences as Jay Gatsby in the Broadway production of “The Great Gatsby”, Jeremy shares insights into his career, both on stage and screen as we join him for a special press event discussing the upcoming pro-shot release of “Bonnie and Clyde”. After initially performing B&C on Broadway in 2011. He shares the differences between the Broadway and West End productions, especially the challenges of maintaining continuity in his costumes during the filming process, admitting that the lack of tech rehearsals with costumes led to some fun on-the-fly decisions. He also shares his favorite moment in the production, specifically "Bonnie," a solo he performs on the ukulele that makes him feel like a musician.

Jeremy Jordan is an incredibly versatile and dynamic Tony Award-nominated performer, and is currently captivating audiences as Jay Gatsby in the Broadway production of “The Great Gatsby''. He has established himself as a prominent figure in both theater and television, with credits such as “Waitress”, “Newsies”, “American Son”, “The Last Five Years”, “The Flash”, and “Supergirl” among others. Fans are eagerly anticipating the upcoming pro-shot release of “Bonnie and Clyde” on June 24, 2024, where he will once again bring his extraordinary talent to the screen in the beloved musical.

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Welcome to a crossover episode of "Was it Chance" where Alan Seales and Heather Vickery peel back the layers of serendipity to uncover the hard work and opportunities behind what looks like mere chance. In today's episode, we bring you a conversation with the extremely handsome and talented Andy Mientus, a true maverick of the stage and screen. From accidentally becoming one of Broadway's first social media managers to his heartwarming experience with Dolly Parton on the set of Heartstrings, and one amazing Broadway production credit after another, Andy's journey is one you don’t want to miss. Andy shares with us his belief in staying proximate to your aspirations, even if the connection seems tangential, and how this philosophy led him to astounding opportunities—like touring with Spring Awakening and soaking in the Wicked Tour which felt like a "warm bath.” We're also have some juicy revelations—such as Alan Seales' surprising stance on Sondheim, the unexpected significance of The Met Gala for the theatre community, and the personal tales of failure that Andy calls his "close friends," teaching him resilience and the art of bouncing back. Moreover, Andy gives us a glimpse into his life beyond the stage lights. As a best-selling author of YA books and an actor who's not shied away from portraying significant LGBTQ+ roles, like the openly Gay character Hartley Rathaway in The Flash, Andy is a testament to the diverse avenues of artistic expression.

Connect with Andy on Instagram. Get his books The Backstagers series: Backstagers and The Ghost, Backstagers and The Theater of the Ancients, Backstagers and the Final Blackout as well as his latest book, Fraternity.

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Eden Espinosa’s performance as Tamara in “Lempicka” garnered her a Tony Award nomination for Best Actress in a Musical…and she’s not guilty about it. She highlights both the triumphs and tribulations of her career – from being a part of Colby's Clubhouse and working at Disneyland when she was young to dealing with rejections and criticisms. Maybe best known for her role in “Wicked”, she shares how she got involved with the show (thanks to fellow Disney performer Stephanie J. Block) and why chose to be a standby over understudy. She delves into her recent role in the musical "Lempicka", how she auditioned for the part, and why ever since then, she made sure it was in her contract that if she had to be replaced, they’d have to pay her. She opens up about the challenges faced by the production, including dealing with its unexpected closing. She reflects on the importance of authentic representation, particularly in portraying queer characters, and the responsibility she feels to honor such roles. Eden shares a memorable interaction with an audience member during the show’s final performance, where she broke character to address a disruptive phone use incident. Despite the show’s sudden closing, Eden’s motivation to connect with others in any way, shape, or form is definitely not going anywhere.

Eden Espinosa made her Broadway debut in 2003 in the original cast of “Wicked” as the Elphaba standby and Nessarose understudy. She also garnered critical acclaim playing Elphaba full-time in the sit-down productions in Los Angeles and San Francisco. She originated the lead role in the show “Brooklyn” in 2004, before going on to the closing company of “Rent” as Maureen in 2008. She graced the screen with roles in shows like “Rapunzel's Tangled Adventure”, and “Alice's Wonderland Bakery” for which she earned an Emmy nomination for her portrayal of Queen of Hearts in 2022. She has two complete solo albums to her name, “Look Around” and “Revelation”, and most recently, her performance in the world premiere of “Lempicka” garnered her a Tony Award nomination for Best Actress in a Musical.

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Dorian Harewood's career journey is anything but ordinary, and he's got three wonderful women (and luck) to thank for it. And after over 45 years, he’s back on the Broadway stage as Older Noah in “The Notebook”. He shares what made him want to come back, owing it to his manager who pushed him to audition for the role. With almost 200 credits under his name, he looks back on what got him to performing – from starting as a singer and auditioning for a four-year scholarship as advised by his teacher to moving to New York at 22 and doing a musical with the legendary Bette Davis, who also became his acting mentor. He looks back on his first acting role, “Don’t Call Back”, and why even though the show opened and closed the same night, it led him to even better opportunities. Being in an industry inherent to rejection and hardship, he discusses the necessity of having hobbies outside of one's profession and pursuing one's passion to help navigate life's challenges. Aside from theater, he actually has more passions: bowling, pool, and blackjack and shares the importance of respecting passions other than theater, whatever they may be, in order to stay happy and healthy. Currently starring as Older Noah in Broadway’s “The Notebook”, he talks about the challenge of keeping performances fresh for the audience and the communal experience live theater offers. With so many accomplishments and lasting legacy to leave behind, Dorian isn’t done learning new things. He shares his philosophy of viewing every day as a "birthday" and a new beginning, expressing gratitude for life itself.

Dorian Harwood made his Broadway acting debut in the 1971 production of “The Two Gentlemen of Verona”. His additional Broadway credits include “The Mighty Gents”, “Streamers”, and “Don't Call Back”. He pivoted to TV and film for almost the next 50 years, racking up a total of 187 credits on IMDb. His film credits include “Gothika”, “Levity”, “Pacific Heights”, and “Full Metal Jacket”. His TV credits include “7th Heaven”, “Criminal Minds”, “Twelve Angry Men”, and “The Roots: The Next Generations”. He's a voiceover artist for cartoons and video games and is now a Tony-nominated actor for his role as Older Noah in “The Notebook” on Broadway, which also happens to be his first time back on the Broadway stage since 1978.

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