Dive into a magical behind-the-scenes journey with the cast and creative team of The Little Mermaid, now running at Paper Mill Playhouse through June 29th! This special bonus episode takes you inside the rehearsal room and onstage with the artists who are reimagining the classic Disney tale with heart, humor, and fresh perspective. From the emotional depth of the parent-child relationship to the physical challenges of portraying life under the sea, this production brings new layers to a story we all thought we knew.

Hear from director/choreographer Joanne Hunter on how she approached the story from a modern lens, and enjoy candid conversations with the cast as they share what makes this version of The Little Mermaid so special. From bold audition choices to unexpected emotional moments, this episode is a celebration of theatrical creativity and connection.

Get your tickets now at https://papermill.org/.

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What starts as a conversation about acting quickly turns into a heartwarming reunion between two North Carolina natives who had no idea they practically grew up next door. Molly Griggs opens up about her Southern roots, early theater experiences at the Cape Fear Regional Theatre, and how growing up in Fayetteville shaped her worldview both on and off stage. From MerleFest memories to reflections on leaving—and later embracing—her hometown identity, this episode is full of unexpected nostalgia.

Molly also talks about her emotionally charged role in John Proctor Is the Villain on Broadway and why it felt like the universe handed her the script at just the right moment. She reflects on the vulnerability required to bring parts of her younger self to the stage, the tension between people-pleasing and truth-telling, and what it means to play “the one you love to hate” in Netflix’s The Residence. It’s a layered, funny, and refreshingly honest look into how personal growth and performance are deeply intertwined.

Molly Griggs is a stage and screen actor currently starring as Bailey Gallagher in John Proctor Is the Villain on Broadway. Her previous credits include Minnie Fay in Hello, Dolly!, as well as TV roles in Succession, Servant, Doctor Death, and Netflix’s The Residence, where she plays Lily Schumacher.

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Rob Madge grew up staging living room musicals with wigs, smoke machines, and the unwavering support of their parents and grandmother—but what started as childhood play eventually became the viral, heartfelt, and Olivier-nominated solo show My Son’s a Queer (But What Can You Do?). In this episode, Rob shares how those home videos evolved into a theatrical sensation, and how a show born during lockdown has become a powerful celebration of queer joy, family, and radical acceptance—now heading to New York City Center for its limited U.S. debut.

We talk about everything from queer theory and comedy as activism to being a theater kid in a small UK village and why their grandmother was the ultimate co-conspirator. Rob opens up about the emotional weight of visibility, the importance of letting kids be themselves, and the unshakable confidence that comes from being loved early and completely. Plus, they reflect on their journey from Gavroche to leading their own story—and the joy of tweaking the show for each new audience.

Rob Madge is a writer and performer whose solo show My Son’s a Queer (But What Can You Do?) earned an Olivier Award nomination following its West End run. They began their career as a child actor in Mary Poppins, Oliver!, and Les Misérables, and trained at Sylvia Young Theatre School before studying English Literature at Warwick University. Rob also stars as the Emcee in Cabaret on the West End, and continues to explore themes of identity, family, and theatricality through their writing and performance.

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Anthony Veneziale and Aneesa Folds return to the podcast with the same brilliance and warmth that made their first appearances unforgettable—this time teaming up to talk about their new boundary-breaking musical, Co-Founders, premiering at ACT in San Francisco. With its Bay Area hip hop roots, tech satire, and cutting-edge stage visuals powered by Unreal Engine, the show challenges both theatrical norms and late-stage capitalism, all while telling a deeply personal story about representation, equity, and belonging. We unpack the eight-year journey behind the show’s creation, how Aneesa came aboard, and how both artists bring authenticity and heart into every moment—onstage and off.

We also dive into hip hop’s regional influence on the show’s score, the emotional toll of being labeled a “breakout star,” and why community and kindness are non-negotiable parts of the creative process. And if that’s not enough, we improvise the plot of a musical called Mystical Desperate Zebras. This episode is a celebration of art that disrupts, heals, and uplifts—don’t miss it.

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Just in time for Broadway’s biggest night, the 2025 Tony Awards, Survival Jobs hosts ⁠Jason A. Coombs⁠ and⁠ Samantha Tuozzolo⁠ drop a special bonus episode today featuring The Theatre Podcast host and Broadway insider Alan Seales. This fun, laid-back conversation is packed with 2025 Tony Award predictions, hot takes, and heartfelt reflections on this year’s standout nominees. Whether you’re a seasoned theatergoer or just catching Tony fever, this bonus episode is the perfect companion to the excitement building up to Sunday night.

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This celebratory episode shines a spotlight on the incredible artistry represented in this year’s nominees and invites listeners to laugh, debate, and cheer along as the trio shares their favorite picks and unexpected predictions. Don’t miss out—stream the episode now on all podcast platforms, and get ready for the 2025 Tony Awards airing Sunday, June 8 at 8 p.m. ET on CBS!

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If you enjoy Survival Jobs: A Podcast be sure to subscribe and follow us on your preferred podcast listening app! Also, feel free to follow us on ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ and ⁠⁠⁠⁠TikTok⁠⁠⁠⁠ Thank you!!

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Julia Knitel grew up immersed in theater, with parents who ran a community company out of a church basement. From an early age, she was surrounded by costumes, sets, and the collaborative chaos that comes with putting on a show — and she was hooked. After booking her Broadway debut as a teen in Bye Bye Birdie, Julia continued to carve her own path through the industry, landing the lead in Beautiful, touring with Come From Away, and now earning her first Tony nomination for Dead Outlaw. In this conversation, she opens up about what it means to embrace your weirdness, trust your instincts, and find your place in a profession that often tries to put you in a box.

We talk about her journey from ensemble kid to leading lady, why she swears by film photography and beta blockers, and how Dead Outlaw gave her the rare opportunity to be fully herself onstage — quirks, noodle cowboy, and all. Julia also shares her thoughts on staying grounded, celebrating individuality, and the power of telling yourself you’re a star before you step into the spotlight.

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Joy Huerta and Benjamin Velez might come from very different musical worlds — Latin pop and musical theatre — but their collaboration on Real Women Have Curves proves just how powerful a cross-genre partnership can be. Meeting for the first time over Zoom in the middle of the pandemic, these two composers built trust, respect, and a Tony-nominated Broadway score entirely online before ever meeting in person. In this episode, they share how they developed unique musical identities for each character, the surprising ways their backgrounds complemented each other, and why their creative process was built on laughter, voice memos, and a lot of mutual admiration.

They also open up about the challenges of adaptation, the emotional toll of cutting songs, and the magic of writing a show that celebrates culture, womanhood, and resilience. Joy discusses her transition from pop music to theatre and how it expanded her creative vocabulary, while Benjamin talks about learning to let go of perfection and embrace joyful collaboration. Plus, the duo reflects on what it means to be “activated” — a word you’ll never hear the same way again after this conversation.

Joy Huerta is a Grammy Award-winning singer-songwriter, best known as one half of the internationally acclaimed Latin pop duo Jesse & Joy. Benjamin Velez is an ASCAP award-winning composer whose work has been developed by Lincoln Center Theater, Ars Nova, and the Public Theater. Together, they co-composed the original Broadway score for Real Women Have Curves, now playing at the James Earl Jones Theatre.

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After first joining the podcast back in episode 96, Taylor Trensch returns with a Tony nomination under his belt and a powerful performance in Floyd Collins that's leaving audiences breathless. We dive into the fascinating real-life story behind the show, his emotionally raw portrayal of journalist Skeets Miller, and how a tragic event from 100 years ago still mirrors today’s media culture. Taylor shares what it’s like to be the emotional center of a musical, how his understanding of connection has deepened post-lockdown, and the joy (and challenge) of performing for an audience that includes a dog with pink ears in the front row.

From mental health advocacy to navigating the tension between real-life presence and online identity, Taylor gets candid about the evolution of his craft and the culture around him. He even takes us on a comedic detour into the plot of Cats (kind of) and imagines a version of Into the Woods that features Titus Burgess in every role, with the Muppets rounding out the cast. Whether you’re here for the insight, the artistry, or the chaos—it’s all here.
Taylor Trensch is a Tony-nominated actor currently starring as Skeets Miller in Floyd Collins at Lincoln Center Theater. His past Broadway credits include Dear Evan Hansen, To Kill a Mockingbird, The Curious Incident of the Dog in the Night-Time, Hello, Dolly!, and Matilda. He's also known for his advocacy around mental health and his commitment to emotionally resonant storytelling on stage.

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Kevin Csolak shares his journey from growing up in his mom’s New Jersey dance studio to starring as Tulsa in the Broadway revival of Gypsy. He opens up about performing alongside Audra McDonald and Danny Burstein, the artistic influence of the live orchestra, and how the cast is breathing new life into a classic. Kevin also reflects on what it means to approach each show with intention and curiosity—even months into the run.

He takes us behind the scenes of his whirlwind audition for Steven Spielberg’s West Side Story, including the surreal moment of dancing in front of the director himself. Plus, he recalls the unexpected overlap between his commercial dance career and Broadway—like performing at the Super Bowl with Justin Timberlake just hours before starting Mean Girls rehearsals. Throughout, Kevin shares insight into how rejection can fuel reinvention, and why staying creatively sharp is non-negotiable.

Kevin Csolak is a Broadway, TV, and film actor known for playing Tulsa in Gypsy, Diesel in West Side Story, and Aaron in Mean Girls. His screen work includes roles on Jessica Jones, Boardwalk Empire, Animal Kingdom, and the Apple TV+ series The Crowded Room. He's also danced in major live performances with artists like Justin Timberlake and Hayley Kiyoko.

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Erika Henningsen opens up about the real ups and downs of a life in the spotlight, from early rejection to career-defining roles. Known for originating Cady Heron in Mean Girls on Broadway, Erika dives into the emotional rollercoaster of auditioning, the shift from seeking audience approval to prioritizing collaboration, and why working with people she admires—like Jonathan Groff and Alex Timbers in Just In Time—makes all the difference.

She also shares what it’s like to voice animated characters in Hazbin Hotel and Helluva Boss, and how she’s currently balancing stage work with her new Netflix series The Four Seasons, where she stars alongside Steve Carell and old friend Tina Fey. With heart, humor, and hard-earned wisdom, Erika brings honesty to the realities of navigating the business—and the joy of finding creative freedom along the way.

Erika Henningsen originated the role of Cady Heron in Broadway’s Mean Girls, earning a Drama Desk nomination. Other stage credits include Les Misérables, Joy, and Just In Time, in which she currently stars as Sandra Dee. Her voice work includes Charlie Morningstar in Prime Video’s Hazbin Hotel and Bethany in Helluva Boss. On screen, she appears in Peacock’s Girls5Eva and Netflix’s The Four Seasons.

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