Miller’s Crossing (1990) was chosen by supporter Justin, and it stands as one of the most stylish entries in the Coen Brothers’ early catalogue. After the breakout success of Blood Simple and the quirky charm of Raising Arizona, the Coens set their sights on the gangster genre, crafting a film inspired by classic Dashiell Hammett novels such as The Glass Key and Red Harvest. Their vision was to make a thoughtful, atmospheric crime drama that combined sharp, layered dialogue with the kind of morally tangled storytelling that would become their trademark.

The journey to get there wasn’t exactly smooth. Midway through writing, the brothers hit a creative wall so severe they shelved the script and instead made Barton Fink before returning to finish Miller’s Crossing. Filming in New Orleans gave the movie its richly authentic period feel, with Barry Sonnenfeld’s moody cinematography and Carter Burwell’s haunting score elevating the production. While the film didn’t set the box office on fire, its craftsmanship and style have since earned it a devoted following and cemented its reputation as one of the Coens’ most accomplished works.

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Trailer Guy Plot Summary

In a city of power, deception, and danger… One man navigates the shadows of loyalty and betrayal.

From the visionary Coen Brothers comes Miller’s Crossing — a stylish, tension-packed journey through the underworld, where every word is a weapon, every glance a threat, and nothing is as it seems. With danger lurking around every corner, alliances are tested, and the rules of the game are rewritten in blood and cunning.

Miller’s Crossing - loyalty has a price… and betrayal has consequences.

Fun Facts

1. Miller’s Crossing (1990) was directed by Joel and Ethan Coen, following their cult hit Raising Arizona (1987).

2. The film is considered one of the greatest gangster movies of the 1990s, heavily inspired by Dashiell Hammett’s novels The Glass Key and Red Harvest.

3. During production, the Coen Brothers experienced writer’s block and paused to create Barton Fink (1991) before returning to finish Miller’s Crossing.

4. The title Miller’s Crossing refers to the forested setting where some of the movie’s most pivotal scenes take place.

5. Cinematographer Barry Sonnenfeld gave the movie its iconic noir-inspired look, marking his last collaboration with the Coens before moving on to direct The Addams Family.

6. The haunting score by Carter Burwell is infused with Irish folk influences, including themes based on the traditional piece Lament for Limerick.

7. Despite a production budget of around $10–14 million, the movie only grossed about $5 million at the box office.

8. Over the years, Miller’s Crossing has been critically reappraised and is now celebrated as one of the Coen Brothers’ finest works.

9. The film is often ranked alongside Coen classics such as Fargo (1996) and No Country for Old Men (2007).

10. Today, it’s seen as a masterclass in neo-noir storytelling and has influenced a new generation of filmmakers in the gangster genre.

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Long time supporter Kent has picked the 1965 experimental film Empire for this week!. True to form in the year of the stitch-up, Kent has chosen a film that’s as unconventional and divisive as it gets. Directed by Andy Warhol, Empire exemplifies the avant-garde spirit of mid-1960s New York, pushing the boundaries of traditional cinema with radical minimalism, extreme duration, and an obsessive focus on observation as art.

The production of Empire was as audacious as the film’s concept. Warhol employed a static 8-hour continuous shot of the Empire State Building, with no camera movement or dialogue, letting the mere passage of time become the centerpiece. Shot at Warhol’s Factory studio, the production encouraged collaboration among artists and performers, embracing monotony and stillness as creative tools. Though challenging for conventional audiences, Empire has secured its place as a landmark in experimental filmmaking and continues to influence artists interested in perception, endurance, and the art of cinematic patience.

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Trailer Guy Plot Summary

Imagine… eight hours.

A single frame.

A building.

From the legendary Andy Warhol comes the film that redefines patience, perception, and what it means to watch a movie. Empire — the Empire State Building like you’ve never stared at it before, daring you to survive the longest cinematic gaze in history. Will you sit… or will time sit on you?

Empire — it’s not just a film, it’s a test.

Fun Facts

1. Originally shot in 6.5 hours – The film was filmed over approximately 6 hours and 36 minutes, from 8:06 p.m. to 2:42 a.m. on July 25–26, 1964.

2. Extended to 8 hours in projection – By projecting the film at 16 frames per second instead of the standard 24 fps, Warhol extended the runtime to roughly 8 hours.

3. Andy Warhol’s experimental movie – Empire is a landmark in avant-garde cinema, cementing Warhol’s reputation as a pioneer in minimalist filmmaking.

4. Filmed at The Factory – Production took place at Warhol’s famous New York studio, a hub for artists, musicians, and performers.

5. No camera movement – The camera remains completely static for the entire duration, emphasizing stillness and observation.

6. No dialogue or actors – The film features no spoken lines, with the Empire State Building itself as the “star” of the work.

7. Endurance viewing experience – Original screenings required audiences to sit for the full 8 hours, turning watching into a performance art experience.

8. Influence on experimental cinema – Empire inspired future filmmakers and artists interested in minimalist cinema and long-duration art films.

9. Screened in galleries and museums – Rather than conventional cinemas, Empire is often exhibited in art institutions, highlighting its status as both visual art and film.

10. Historical record of 1960s New York – The film captures the Empire State Building and surrounding skyline before major renovations, preserving a piece of mid-1960s Manhattan.

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The 1994 science fiction movie Stargate is Dave's selection for this week.  The film, which put director Roland Emmerich firmly on the Hollywood map, was marketed as an ambitious blend of ancient mythology and future spectacle long before it gave rise to a massive TV franchise.

 With Carolco Pictures supporting Emmerich and director Dean Devlin following their success with Universal Soldier, Stargate's production was ambitious for its time.  In 1994, the film's visual effects were state-of-the-art, bringing its world to life with a blend of realistic effects, intricate set design, and early computer-generated imagery.  Stargate was a huge movie office success, earning over $190 million worldwide and opening the door for Emmerich's subsequent triumphs like Independence Day and The Day After Tomorrow, despite the fact that critics had differing opinions on how it was executed.

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Trailer Guy Plot Summary

Ancient secrets… buried for thousands of years.

A mysterious artifact… that defies explanation.

And one discovery… that will open the door to another world.

From director Roland Emmerich and producer Dean Devlin comes the sci-fi adventure that launched a universe. When the key is unlocked, a journey begins—beyond the stars, beyond imagination… to a place where myths come alive, and the fate of humanity hangs in the balance.

Stargate — the gateway has been opened. Are you ready to step through?

Fun Facts

1. The film that launched a franchise – Stargate was so successful it inspired multiple TV shows, including Stargate SG-1, Atlantis, and Universe, making it one of the most enduring sci-fi franchises of all time.

2. Roland Emmerich’s big break – Director Roland Emmerich scored his first major Hollywood hit with Stargate, paving the way for blockbusters like Independence Day (1996) and The Day After Tomorrow (2004).

3. A surprise box office smash – Released in 1994, Stargate grossed over $196 million worldwide, a huge win for an original sci-fi property.

4. Record-breaking opening – At the time, Stargate set the record for the highest-grossing October opening weekend in U.S. box office history.

5. A star-making role for James Spader – Although James Spader was already respected as a dramatic actor, Stargate introduced him to a wider mainstream audience.

6. Kurt Russell wasn’t the first choice – The role of Colonel Jack O’Neil was originally offered to several actors, but Kurt Russell ultimately took it and delivered one of his most stoic performances.

7. Filming in the desert – Many of the film’s desert scenes were shot in Yuma, Arizona, and the Valley of Fire in Nevada, standing in for an alien world.

8. A nod to real mythology – The story draws heavily on ancient Egyptian mythology, blending it with sci-fi concepts to create the mystery of the Stargate.

9. A cult following grew fast – While critics were mixed on release, Stargate found a passionate fanbase that drove the demand for spinoffs and conventions.

10. The Stargate prop was massive – The iconic Stargate itself was a practical set piece, weighing over 7 tons and measuring nearly 20 feet in diameter, making it one of the largest sci-fi props of its time.

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The next VHS Strikes Back pick comes from Chris, and he’s gone for the high-octane 1989 comedy Cannonball Run III: Speed Zone — also known in some regions as Cannonball Fever. Chris has a history of picking sometimes questionable movies, and this one certainly fits the bill. Directed by Jim Drake, who was best known for his work in television sitcoms, the film was the third entry in the loose Cannonball Run franchise, following The Cannonball Run (1981) and Cannonball Run II (1984). Despite its connection to the series, Speed Zone leaned heavily into slapstick comedy, celebrity cameos, and outrageous stunt work, attempting to capture the same chaotic energy that made the earlier films cult favorites.

The production brought together a star-studded cast, including John Candy, Eugene Levy, Donna Dixon, and Brooke Shields, with many familiar comedic faces from the era lending their talents. Shot in both Canada and the United States, the movie doubled down on big stunt sequences and over-the-top gags, but it struggled critically and commercially upon release. However, in the decades since, Speed Zone has developed a reputation among fans of offbeat ‘80s comedies as a guilty pleasure, bolstered by its eccentric mix of stars and its place in the larger, gloriously messy Cannonball Run legacy.

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Trailer Guy Plot Summary

Buckle up… because the road is about to get ridiculous. When a cross-country race brings together the most outrageous drivers ever put behind the wheel, chaos takes the fast lane. With comedy legends like John Candy and Eugene Levy trading punches with traffic laws, and stunt drivers risking it all for the biggest gags on four wheels… this isn’t about winning — it’s about surviving the ride. Speed Zone… where the gas pedal meets pure madness.

Fun Facts

1. John Candy joined the cast after turning down several roles in the late ‘80s.

2. The movie features a star-studded cast, including Brooke Shields, Eugene Levy, Donna Dixon, and Tim Matheson.

3. Despite being packed with comedic talent, the movie bombed at the box office, making less than $1 million in the U.S.

4. Brooke Shields won a Golden Raspberry Award (Razzie) for Worst Supporting Actress for her role in Speed Zone.

5. Director Jim Drake had previously directed Police Academy 4: Citizens on Patrol.

6. The movie’s stunt work involved real high-speed chases, with stunt drivers performing dangerous maneuvers instead of relying on camera tricks.

7. The working title during production was Cannonball Run III, but rights issues prevented the official branding.

8. John Candy and Eugene Levy would later reunite in other comedy projects, solidifying their reputations as Canadian comedy legends.

9. The film has since developed a cult following among fans of bad movies, often celebrated for its over-the-top humor and chaotic energy.

10. The film was released internationally under different titles, including Cannonball Run III in some regions, which confused audiences but helped it connect to the more successful franchise.

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This week’s VHS Strikes Back pick comes from Patreon supporter Timothy, and he’s chosen Out for Justice from 1991. By this point, Steven Seagal had already punched and wrist-locked his way into Hollywood as the latest in a long line of action stars. Out for Justice was his fourth movie in just a few years, with Warner Bros. doubling down on his image as a ponytailed, tough-talking enforcer. Unlike the big, explosive blockbusters of Stallone or Schwarzenegger, Seagal’s films leaned on a supposed “authentic” martial arts style — though whether that really translated to convincing screen action is up for debate.

The film was directed by John Flynn, a respected filmmaker who had delivered solid crime thrillers like The Outfit and Best Seller. Flynn brought a gritty, street-level feel to the project, shooting largely on location in Brooklyn. Behind the scenes, however, reports suggest the production wasn’t the easiest, with Seagal throwing his weight around and shaping both the story and the fight scenes to suit his ego. Despite mixed reviews, Out for Justice still turned a tidy profit at the box office — proof that in the early ’90s, audiences were still willing to buy what Seagal was selling, even if the moves looked more like clumsy shoves than martial arts mastery.

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Trailer Guy Plot Summary

Brooklyn, 1991. The streets are mean, the accents are thick, and justice… wears a ponytail. Steven Seagal is Gino Felino, a cop with a badge, a bad attitude, and a fighting style that looks suspiciously like pushing people through windows.

When crime takes over his neighborhood, one man will grunt, squint, and wrist-lock his way to vengeance. He’s not fast, he’s not flashy… but he’s got a leather jacket, and apparently that’s enough. Steven Seagal is… Out for Justice.

Fun Facts

1. Out for Justice was Steven Seagal’s fourth starring role, following Above the Law (1988), Hard to Kill (1990), and Marked for Death (1990).

2. The film was directed by John Flynn, who also made Lock Up (1989) with Sylvester Stallone.

3. Seagal’s character, Gino Felino, was originally written with a more serious tone, but many critics felt Seagal’s wooden delivery undercut the drama.

4. The movie was shot in Brooklyn, New York, and made heavy use of authentic neighborhood locations.

5. William Forsythe plays the villain Richie, and he reportedly gained weight for the role to emphasize his character’s sleaziness.

6. Despite being marketed as a martial arts showcase, Seagal uses very little traditional martial arts in Out for Justice — relying instead on Aikido wrist locks and throws.

7. The film’s tagline was: “He’s a cop. It’s a dirty job… but somebody’s got to take out the garbage.”

8. Critics often describe Out for Justice as one of Seagal’s “grittier” early films, though many also call it one of his most unintentionally funny.

9. The film opened at number one at the U.S. box office, grossing over $10 million in its opening weekend.

10. Out for Justice has become something of a cult favorite for fans of “so-bad-it’s-good” action cinema, especially among Steven Seagal skeptics.

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This week’s VHS Strikes Back pick comes courtesy of our Patreon supporter Tony Farina, who’s chosen the cult classic Death Race 2000 from 1975. Produced by the legendary Roger Corman, the film was made on a shoestring budget of around $300,000 and shot in just a few weeks — a hallmark of Corman’s efficient, low-cost production style. Director Paul Bartel brought a tongue-in-cheek, satirical flair to the project, blending dark comedy with over-the-top action. The movie was distributed by New World Pictures and became one of Corman’s biggest hits, pulling in several million dollars at the box office and cementing its place in grindhouse cinema history.

Filming took place largely in Southern California, with many of the driving scenes shot on open roads and rural highways. The film’s custom-built cars — designed to look like weaponised racing machines — were actually modified VW Beetles and other inexpensive chassis, cleverly dressed to appear more menacing on screen. Death Race 2000 also gained attention for casting then-up-and-coming Sylvester Stallone alongside established star David Carradine. Its satirical take on American culture, paired with outrageous vehicular mayhem, helped it develop a long-lasting cult following and inspire numerous sequels, remakes, and reimaginings in the decades that followed.

If you enjoy the show we have a Patreon, so become a supporter ⁠here⁠.

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Trailer Guy Plot Summary

In the year 2000, the world’s most dangerous sport isn’t played in a stadium — it’s fought on the open road.

Five killers behind the wheel. One cross-country death race. And every pedestrian is just another way to score.

David Carradine is Frankenstein — the unstoppable champion shrouded in mystery. Sylvester Stallone is Machine Gun Joe — the hot-headed challenger with a taste for blood. In a future where speed kills… and killing wins… there’s only one rule:

Drive fast. Hit hard. Stay alive.

Fun Facts

• Filming in Record Time – Production reportedly wrapped in just three weeks, with multiple car stunts done in single takes to save money.

• Controversial on Release – Upon release, some critics called it tasteless and violent, while others praised its biting social commentary.

• Improvised Dialogue and Action – Many scenes were ad-libbed, giving the movie its quirky, off-the-cuff charm.

• Influence on Pop Culture – The movie inspired multiple remakes, sequels, comic books, and video games, cementing its cult status.

• Filmed Across California – Despite being set in a dystopian America, most scenes were shot in California’s backroads and desert landscapes.

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This next movie pick comes from VHS Strikes Back Patreon Matt Bates, and he’s chosen a gritty, bloody, and proudly British cult favourite: Dog Soldiers (2002). Directed by Neil Marshall in his feature debut, this film has become a fan-favourite among horror and action enthusiasts alike, thanks to its blend of pitch-black humour, practical effects, and relentless werewolf mayhem. It’s a howling good time—and an ambitious low-budget thriller that punches well above its weight.

Shot on a modest budget of around £2 million, Dog Soldiers was filmed almost entirely in Luxembourg, standing in for the Scottish Highlands. Neil Marshall, previously known for his editing work, wrote the script and directed the film with a scrappy indie spirit. The movie faced its share of production hurdles—tight schedules, unpredictable weather, and the ever-present challenge of doing creature effects on a budget. Instead of CGI, Marshall opted for practical werewolf suits, a choice that helped cement the film’s cult status. Despite limited theatrical release, it became a sleeper hit on home video and has since earned a reputation as one of the best werewolf films of the modern era, launching Marshall’s directing career and paving the way for his later hits like The Descent and Doomsday.

Check out Matt’s YouTube channel here. 

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Trailer Guy Plot Summary

They were just soldiers… on a routine training mission in the remote Scottish Highlands. But when night falls, the hunt begins. Now, cut off from command, outgunned, and outnumbered, a ragtag squad must face a nightmare that doesn’t sleep, doesn’t reason… and definitely doesn’t bleed. From the director of The Descent comes a relentless, blood-soaked battle for survival. This time, the enemy isn’t human… it’s hungry. Dog Soldiers - lock, load, and pray for daylight.

Fun Facts

1. No CGI Werewolves – The film proudly used practical effects and full-body creature suits instead of CGI, giving the werewolves a more physical and grounded presence.
2. Filmed in Luxembourg – Although set in the Scottish Highlands, the movie was shot in Luxembourg due to funding and tax incentive reasons.
3. Delayed U.S. Release - Although released in the UK in 2002, Dog Soldiers didn’t hit U.S. theaters or DVD shelves until 2005, building anticipation through word-of-mouth.
4. Cult Status – The film was a festival favourite, winning the Audience Award at the Brussels International Festival of Fantasy Film.
5. Practical Explosions – All explosions and gunfire effects were done live on set, giving the action scenes a visceral, old-school war movie feel.

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This week’s stitch-up comes courtesy of Dave, who’s chosen Universal Soldier II: Brothers in Arms from 1998. A made-for-TV sequel to the 1992 cult hit Universal Soldier, this entry was produced by Trimark Pictures and aired as part of a two-part Canadian-American miniseries.

Rather than bringing back Jean-Claude Van Damme and Dolph Lundgren, the production recast the lead roles with Matt Battaglia and Andrew Jackson, respectively. Filmed back-to-back with Universal Soldier III: Unfinished Business, the sequels were shot primarily in Toronto, Canada, with a lower budget and a tighter shooting schedule to accommodate television constraints. The movies were directed by Jeff Woolnough, a Canadian television director who would go on to build a solid reputation for his work on genre series like The Expanse and Vikings.

The production was backed by Trimark Pictures and Saban Entertainment, with the intention of launching a possible syndicated series or franchise expansion outside the theatrical model. Despite ambitious plans, the sequels were met with criticism for their lack of continuity with the original film, absence of the original cast, and noticeable drop in production quality. Nevertheless, they found an audience among late-night cable viewers and curious fans of the original film, gaining a degree of cult status for their earnest—if underwhelming—attempt to extend the Universal Soldier mythos into the TV movie realm.

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Trailer Guy Plot Summary

They turned him into the ultimate weapon… but now, the mission is off the books, the budget is slashed, and the action? Downgraded. In a world where the original Universal Soldier is nowhere to be found, Matt Battaglia steps in as the new Luc Deveraux—locked and loaded for a sequel no one asked for, but someone definitely greenlit. Explosions! Conspiracies! And Canadian parking lots doubling for top-secret military bases! This time, it’s not about winning the war… it’s about stretching the franchise to its absolute limits. Universal Soldier II: Brothers in Arms — the only thing more unstoppable than the soldiers… is the confusion.

Fun Facts

1. Former NFL linebacker and actor Matt Battaglia stepped into the role of Luc Deveraux, originally played by Jean-Claude Van Damme in the 1992 film.

2. Despite being set in the U.S., the movie was primarily filmed in Toronto and Hamilton, Ontario, a popular cost-saving move for TV productions in the 1990s.

3. This film was shot simultaneously with its follow-up, Universal Soldier III: Unfinished Business, to reduce production costs and maximize continuity.

4. This TV sequel is not considered canon in the Universal Soldier film timeline, especially after the theatrical release of Universal Soldier: The Return in 1999.

5. The existence of multiple sequels with different continuities has made the Universal Soldier timeline notoriously confusing for fans.

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The next movie pick comes courtesy of Chris, who’s known for his love of high-energy, action-packed flicks. Following on from his previous picks, Chris has chosen Universal Soldier (1992)—a film that perfectly captures that early ’90s blend of sci-fi and adrenaline-fueled spectacle.

Universal Soldier is a 1992 science fiction action film directed by Roland Emmerich in his Hollywood debut. The movie stars Jean-Claude Van Damme and Dolph Lundgren, two iconic action stars of the early 1990s. Produced on a mid-range budget, the film combined practical effects with emerging visual techniques, helping to establish Emmerich’s reputation for large-scale action spectacles.

Filmed primarily in California, Universal Soldier features intense fight choreography and explosive set pieces that defined ‘90s action cinema. Despite mixed critical reviews at release, the film became a cult favorite and launched a successful franchise with multiple sequels. Its production marked an important milestone for both the director and its lead actors, highlighting the era’s appetite for high-energy, science fiction-inspired action movies.

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Trailer Guy Plot Summary

Two unstoppable forces. One relentless mission. In a world where science pushes the limits of man and machine, only the toughest survive. Brace yourself for explosive action, high-octane thrills, and a battle that blurs the line between human and weapon. Get ready—because this summer, the war for control just got personal.

Fun Facts

• Universal Soldier marked the Hollywood directing debut of Roland Emmerich, who previously worked on German films before breaking into the U.S. market.

• Released by TriStar Pictures, Universal Soldier received mixed reviews upon release but grew into a cult favorite among action fans.

• The production had a budget of approximately $22–23 million, blending intense practical stunts with early computer-generated effects.

• Principal photography was filmed mostly in Southern California, utilizing desert landscapes and urban settings to create its futuristic military vibe.

• Jean-Claude Van Damme performed many of his own stunts

• The film’s popularity led to a franchise with multiple sequels and made-for-TV spin-offs, maintaining the sci-fi action legacy.

• Roland Emmerich later directed other blockbuster hits such as Independence Day (1996), Godzilla (1998), The Patriot (2000), The Day After Tomorrow (2004), and 10,000 BC (2008).

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This week’s pick is courtesy of Patreon supporter John Hammond—an undisputed master of chaos, who previously cursed us with the likes of For Your Height Only, Bloody Muscle Body Builder in Hell, and Devil Fetus. Now, he's reached deep into the arthouse-horror void and pulled out Santa Sangre (1989), a film beloved by critics, film students, and probably no one with a functioning sleep schedule. While some might call it a surrealist masterpiece, others might say it’s the kind of movie that would clear a room at a house party.

Directed by Alejandro Jodorowsky—yes, the same man behind El Topo and other “What did I just watch?” experiences—Santa Sangre was his return to cinema after a ten-year break. Co-produced by Claudio Argento, it was shot in Mexico City with a mix of circus performers, real-life street characters, and Jodorowsky’s own sons. The film draws from real-life crime, religious trauma, and about five pounds of metaphor, creating a hallucinatory, blood-soaked experience that critics loved. Allegedly. With elaborate practical effects, dreamlike sequences, and enough symbolism to choke a film studies syllabus, it’s a cult darling that dares you to understand it—or even enjoy it.

If you enjoy the show we have a Patreon, so become a supporter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Trailer Guy Plot Summary

He was a child of the circus... broken, silent, and bound to a mother whose grip reached beyond the grave. In a world of twisted faith, shattered minds, and blood-soaked revenge, one man’s descent into madness becomes a symphony of horror and illusion. From visionary director Alejandro Jodorowsky comes Santa Sangre—a surreal, nightmarish journey through trauma, obsession, and the haunting legacy of a past that refuses to die. When the curtain rises, there’s no escape from the spectacle.

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