Tough Guys was a Phelps family household favourite in the late 1980's and this week we take a look back at a movie long since forgotten.

Tough Guys brought together two Hollywood legends, Kirk Douglas and Burt Lancaster, marking their seventh on-screen collaboration and injecting star power into this comedy crime caper. Directed by Jeff Kanew, who had worked with Douglas on Eddie Macon’s Run, the film aimed to blend comedy and nostalgia with action. Set against the backdrop of the rapidly changing 1980s, the production team leaned into the contrast between the golden age of Hollywood and the modern era, using this as a thematic anchor. Filming primarily took place in Los Angeles, utilizing both urban settings and iconic locations to underscore the characters’ struggle to adapt to contemporary life.

The film was produced by Touchstone Pictures, a subsidiary of Disney, which aimed to target a slightly more mature audience with its blend of lighthearted humor and action. Douglas and Lancaster, already familiar with each other's rhythms and dynamics, brought a natural chemistry to their roles, making their performances one of the film’s standout elements. Composer James Newton Howard provided a score that balanced upbeat, jazzy tunes with more sentimental pieces to reflect the characters’ journey. This movie was a fond farewell to the screen partnership of Douglas and Lancaster, celebrating their enduring legacy in cinema.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Harry Doyle and Archie Long are two aging gangsters who are released from prison after serving 30 years for hijacking the last great train robbery. Struggling to adjust to the modern world of the 1980s, the duo quickly realise that society has moved on without them, and their old-school ways no longer fit in. Despite their attempts to go straight, the allure of one final heist proves irresistible as they plot to steal the same train they hijacked decades ago. Meanwhile, a relentless parole officer and their old nemesis, now a retired police officer, are hot on their trail.

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Never one to take the easy choices, supporter and friend of the show Spider-Dan has chosen a sequel by German Director Jörg Buttgereit, in Nekromantic 2.

Buttgereit, building on the underground success of the first Nekromantik film, aimed to create a sequel that delved deeper into themes of love, death, and societal taboos. Shot on a modest budget with a crew of close collaborators, the film maintained its predecessor's grim aesthetic while incorporating more surreal and darkly comedic elements. The production faced logistical challenges due to its provocative subject matter, with limited resources and a reliance on guerrilla filmmaking techniques. Despite these constraints, the team crafted a visually striking and unsettling film, cementing Buttgereit's reputation in the underground horror scene.

The film’s release was equally fraught, as Nekromantik 2 faced immediate backlash from censors in Germany. Authorities deemed it obscene, leading to a temporary ban and a high-profile raid during one of its public screenings. This controversy only heightened the film's cult appeal, drawing the attention of horror enthusiasts and cinephiles intrigued by its boundary-pushing content. Buttgereit, known for his defiance of traditional storytelling and societal norms, embraced the notoriety, using the controversy to highlight the artistic and philosophical underpinnings of his work. Today, Nekromantik 2 remains a polarizing but influential entry in transgressive cinema, often cited as a provocative exploration of love, death, and the limits of human desire.

Check out Dan's work at  https://www.spiderdanandthesecretbores.com.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Monika, a young woman with a macabre fascination for death, develops a romantic relationship with the corpse of Rob, the protagonist from the first film. However, Monika's life grows more complicated when she meets and begins dating a living man, Mark, a voice actor with a far more conventional approach to relationships. Torn between her attraction to the living and her morbid obsession with the dead, Monika wrestles with her desires, leading to unsettling and grotesque consequences.

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Helen's pick this week is the 2000 movie which really put Christian Bale on the map, is American Psycho! American Psycho was a journey marked by controversy, creative vision, and a touch of chaos. Initially, the project faced significant challenges, with multiple directors and actors attached to the adaptation of Bret Easton Ellis's infamous novel. Mary Harron eventually took the helm, bringing a sharp satirical perspective to the material. Her insistence on Christian Bale as the lead, despite studio pressure to cast bigger names like Leonardo DiCaprio, proved pivotal in shaping the film’s identity. Bale’s unwavering commitment to the role, including his meticulous physical transformation and deep understanding of the character, set the tone for the entire production.us costume choices. Harron’s direction, alongside co-writer Guinevere Turner, skillfully balanced the satirical elements of the story with its darker undertones. The production faced criticism and protests from the outset due to the book’s graphic contenFilmed in Toronto to replicate 1980s New York City, the movie captured the era's sleek, cold aesthetic with a mix of opulent set design and meticulot, but Harron’s adaptation reined in the gratuitousness, focusing instead on societal commentary. Despite its tumultuous path to the screen, the film ultimately became a cult classic, celebrated for its biting critique of materialism and its razor-sharp performances.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Patrick Bateman, a wealthy and seemingly successful investment banker in 1980s Manhattan, hides a dark and psychopathic side beneath his polished exterior. While obsessing over materialism and social status, Bateman’s mask of normalcy slips as he indulges in increasingly violent and depraved acts. His descent into madness blurs the lines between reality and delusion, leaving viewers to question whether his horrific crimes are real or merely figments of his deranged imagination.

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This week's pick is the turn of one of our longest supporters, Kent! And he's chosen THE road trip movie that spawned a franchise and influenced all that came after. It's the 1983 black comedy, National Lampoon's Vacation!

The movie began as an adaptation of John Hughes's short story, “Vacation '58,” published in National Lampoon magazine. The screenplay was penned by Hughes himself, marking one of his early ventures into Hollywood comedy. Directed by Harold Ramis, the film starred Chevy Chase as the hapless family patriarch, Clark Griswold. Chase’s improvisational comedy style helped shape the film’s humor, with Beverly D’Angelo, Anthony Michael Hall, and Dana Barron rounding out the Griswold family. The road trip concept, centered on the Griswold family's disastrous journey to the fictional Wally World amusement park, resonated with audiences, blending slapstick humor with relatable family dynamics.

Principal photography took place across various U.S. locations, including Arizona, California, Colorado, and Missouri, to capture the authentic feel of a cross-country road trip. Notable challenges included shooting in sweltering heat during desert scenes and the logistical complexities of filming with a live moose at the park. The film also saw some creative last-minute changes, such as altering the original ending (where Wally World was closed indefinitely) after test audiences found it too dark. The film's mix of irreverent comedy, Hughes's sharp writing, and Ramis's deft direction made it a critical and commercial success.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Clark Griswold is an overenthusiastic father, determined to take his family on the ultimate cross-country road trip to the Wally World amusement park. Along the way, Clark, his wife Ellen, and their children, Rusty and Audrey, face a series of increasingly absurd and catastrophic setbacks, including a car breakdown, disastrous stays with relatives, a flirtation with a mysterious woman in a Ferrari, and the tragic demise of their aunt's dog. Despite the chaos, Clark's relentless optimism drives the family to press on, culminating in a hilariously chaotic finale at Wally World that underscores the unpredictable and often hilarious nature of family vacations.

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Gor is a planet, a counter Earth, that sits in orbit at the opposite side of the Sun to the Earth we inhabit. And on the Vernal Equinox, this marks the New Year for most Gorean cities. This is the kind of sci-fi, fantasy sword and sorcery that Chris despises, and Dave loves. So it's only right that Dave's pick to see us into the new year would be Gor! But there might be a wildcard in this 1987 loose adaptation which has the review for this much maligned Canon picture going a different way.

The making of Gor (1987) was a quintessential Cannon Films production—big ambitions, tiny budget, and just a dash of chaos. Helmed by Fritz Kiersch (the bloke behind Children of the Corn), the film aimed to bring John Norman's Gorseries to life. Now, Norman's books are… let’s say “divisive,” so the filmmakers wisely ditched the dodgy bits and went all-in on the swords, sandals, and overly shiny chest plates. Shot in South Africa, the production made the most of the sweeping landscapes, though "epic fantasy" occasionally veered into "amateur cosplay." Still, it had that scrappy Cannon charm, the kind of vibe that screams, "This’ll look brilliant on VHS!"

As for the cast, it was a mixed bag. Urbano Barberini and Rebecca Ferratti led the charge, while Oliver Reed—bless him—turned up to chew scenery like it owed him money. Rumor has it Reed’s off-camera antics were just as entertaining as what made it into the final cut. The costumes looked like a sale at the world’s least practical armour shop, and the effects… well, let’s just say they tried. Despite the shoestring budget and dodgy execution, Gor carved out a weird little niche for itself among fantasy film enthusiasts, probably because it’s so delightfully bonkers. It’s the sort of film you stick on late at night with a few mates and some questionable snacks, knowing full well you’re in for some glorious nonsense.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Professor Tarl Cabot is a mild-mannered academic who is accidentally transported to the planet Gor, a savage world ruled by warlords and filled with brutal battles. Upon arrival, Tarl discovers that he’s seen as a prophesied hero destined to free the oppressed people from the tyranny of the evil Sarm and his minions. Armed with a mysterious magical ring and a newfound knack for sword fighting, Tarl joins forces with a group of rebels, including the brave warrior Talena, to overthrow Sarm’s regime. Along the way, Tarl must embrace his inner warrior, navigate treacherous alliances, and decide if he’s willing to leave his old life behind to become the hero Gor desperately needs.

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Recently described as the worst ever Christmas movie, Chris has chosen movie starring Thunder Lips himself, Terry Gene Bollea, or better known as Hulk Hogan. It's the Christmas movie oddity you've never heard of. And probably for good reason, until now.

Directed by John Murlowski, the film was produced on a relatively modest budget, which was probably spent entirely on Hogan’s appearance fee and the special effects, none of which were convincing enough to make this a holiday classic. Attempting to blend action, slapstick humor, and Christmas cheer into one very messy package, the result is a film that feels as awkward as a wig on a bodybuilder.

Despite the lack of chemistry, a confused premise, and a budget that was far less than what was needed for the visual effects, the production team managed to pull something together—although “together” seems a generous term. The filming was done mostly on location in the sunny California suburbs, which doesn't exactly scream "winter wonderland." And yet, there were attempts at creating Christmas magic, including a series of disjointed action sequences, an obligatory villain, and a final scene that looked like it was filmed in a single afternoon, probably after the crew had already packed up for the holiday season. Hogan himself was reportedly less than thrilled with his role but went through with it because, well, it was work. When it was finally released, Santa with Muscles didn't exactly set the box office on fire, but it did secure a spot in the annals of 'so-bad-it’s-good' cinema.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Blake Thorne, a wealthy and self-absorbed businessman, suffers amnesia after an accident and believes he is actually Santa Claus. After the accident, he stumbles into a mall where a group of orphans and their caretaker are being threatened by a villain who wants to take control of the orphanage. With his newfound belief that he is Santa, Blake, now in the role of an unexpectedly jolly and bumbling hero, must save the children and foil the villain’s plans. All while struggling with his confused identity and learning the true meaning of Christmas.

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Matt, aka the Black Country Vlogger, has chosen the iconic Run Lola Run from 1998 this week. Checkout Matt's vlog here: ⁠https://www.youtube.com/@BlackCountryVlogger⁠

The production of Run Lola Run was a testament to director Tom Tykwer's innovative vision and determination to push the boundaries of German cinema. Filmed predominantly in Berlin, the movie leveraged the city’s vibrant and modern aesthetic to create an urban, pulsating backdrop for the story. Tykwer’s use of kinetic camera work and rapid editing, combined with a blend of live-action and animated sequences, gave the film its distinct and high-energy style. The unique visual approach was complemented by a techno-heavy soundtrack, composed by Tykwer and collaborators Johnny Klimek and Reinhold Heil, which underscored the tension and pace of Lola’s journey. These creative choices not only shaped the film’s unique identity but also aligned with the burgeoning techno culture of 1990s Berlin.

Casting was a critical aspect of the production, with Franka Potente taking on the physically demanding role of Lola. Her fiery red hair, a decision made during pre-production, became an iconic visual marker of the film. The production schedule was tight, requiring a mix of meticulous planning and on-the-spot improvisation to capture the dynamic movement through the city. Tykwer’s hands-on approach and collaboration with his team ensured that the film’s technical challenges—like its seamless transitions between timelines—were executed flawlessly. Released to critical acclaim, Run Lola Run became a breakout success internationally, cementing its reputation as a modern classic and demonstrating the potential of German cinema to innovate on a global stage.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Lola embarks on a desperate mission to save her boyfriend, Manni, who has lost 100,000 Deutsche Marks meant for a dangerous gangster. With only 20 minutes before Manni resorts to a desperate act, Lola sprints through the city, encountering different people and obstacles along the way.

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In supporter Mike's last pick and appearance he went with a classic 90's British flick, Trainspotting. And this time he's swung the dial to little renowned sword and sorcery adventure, Dragonslayer!

Dragonslayer (1981) was an ambitious collaboration between Paramount Pictures and Walt Disney Productions, marking a rare foray into darker, more mature fantasy for Disney. Directed by Matthew Robbins, the film was developed as a gritty and realistic take on medieval mythology, deviating from the lighter tone often associated with fantasy films of the time. The screenplay, written by Robbins and Hal Barwood, aimed to explore themes of faith, power, and heroism. Principal photography took place in the rugged landscapes of Wales and Scotland, chosen for their authentic medieval atmosphere, and the production faced significant challenges in capturing the epic scope of the story while dealing with unpredictable weather and remote locations.

The standout feature of the film was its groundbreaking special effects, particularly the creation of the dragon, Vermithrax Pejorative. To bring the creature to life, the production team employed a combination of animatronics, puppetry, and the pioneering go-motion technique developed by Industrial Light & Magic (ILM). This approach allowed for smoother, more lifelike movements than traditional stop-motion animation. Phil Tippett, the lead visual effects artist, played a crucial role in crafting Vermithrax, which has since been hailed as one of the most convincing cinematic dragons ever created. Despite mixed reviews upon release, Dragonslayer gained a cult following and remains a landmark in special effects innovation, bridging the gap between the practical techniques of the past and the CGI-dominated future of filmmaking.

Mike & Dave have a monthly Star Wars pod with fellow VHS support Maff, plus Mike, Dave & Chris have collaborated on numerous podcast in the past, to find all of Mike's links, go here: https://linktr.ee/GenuineChitChat

As Mike noted in his recording, he has discussed Dragonslayer in-depth with his wife Megan, fellow VHS supporter Spider-Dan and Ria Carrogan of the Femme On Collective, in their series "Disney Discussions", found on the feeds of Genuine Chit-Chat, Spider-Dan & The Secret Bores and Femme On. The episode was released on Spider-Dan's pod in September 2022! Listen wherever you're listening to the VHS Strikes Back, or find all DD episodes (with video) in this YouTube playlist: https://www.youtube.com/playlist?list=PLcO1Ib_BGD8ajqsEDJPAYC0DSuIUqa26e

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Young sorcerer’s apprentice Galen embarks on a perilous quest to slay Vermithrax Pejorative, a fearsome dragon terrorizing a kingdom that appeases it with human sacrifices. Armed with his late master’s enchanted amulet and his growing confidence, Galen ventures into danger, facing the dragon’s fiery wrath and uncovering political intrigue that reveals the kingdom’s rulers have sinister motives of their own. Combining themes of heroism, faith, and sacrifice, the film delivers a gritty, visually striking fantasy tale that stands out for its groundbreaking special effects and its unflinching portrayal of medieval darkness.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠

Cry-Baby is the pick of this week's supporter, Lucky LouLouGreen!

Cry-Baby (1990), directed by John Waters, was a deliberate foray into mainstream filmmaking while retaining Waters' signature offbeat style. Set in 1950s Baltimore, the movie serves as a satirical homage to teen musicals like Grease and rebellious youth culture. Waters assembled a unique cast, headlined by Johnny Depp in his first major film role post-21 Jump Street, as he sought to break free from his teen heartthrob image. Alongside Depp, the ensemble included Ricki Lake, Traci Lords, and Patricia Hearst, with Waters blending Hollywood newcomers with eccentric cult personalities. Filmed on location in Maryland, the production leaned heavily on a retro aesthetic, featuring vibrant costumes, classic cars, and rockabilly-inspired musical numbers. Waters worked closely with choreographers and musicians to infuse the film with both authenticity and absurdity, creating a stylized yet tongue-in-cheek tribute to 1950s pop culture.

Despite Waters' reputation as a cult filmmaker, Cry-Baby was produced with significant studio backing from Universal Pictures, granting it a larger budget than his previous works. This collaboration with a major studio presented challenges, as Waters had to balance his trademark subversive humor with the commercial expectations of a broader audience. The film’s over-the-top humor and campy sensibilities divided critics upon release, but it gained a devoted following over time, particularly among fans of musical comedies and Waters' unconventional storytelling. While Cry-Baby didn’t achieve box office success, it cemented Waters' ability to inject mainstream cinema with his rebellious flair and ultimately inspired a Tony-nominated Broadway adaptation in 2007, solidifying its status as a cult classic.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Rebellious teen, Wade "Cry-Baby" Walker, captures the heart of Allison Vernon-Williams, a straight-laced girl from the conservative "square" crowd. Their romance sets off a rivalry between the rowdy, leather-clad "drapes" and the prim, uptight "squares", leading to a series of musical showdowns, quirky antics, and over-the-top drama.

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It's time to go back to the summer of 1997 with the British comedy and Dave's pick for the week, The Full Monty.

Directed by Peter Cattaneo and written by Simon Beaufoy, the film was shot on a tight budget of £3.5 million in Sheffield, England, the industrial city where the story is set. The choice of location was pivotal, as it allowed the filmmakers to authentically depict the struggles of a working-class community hit hard by economic decline. The production team used local landmarks and worked with real residents to add an extra layer of realism to the film. Despite financial constraints, the crew maximized resources, crafting a story that was both intimate and universal.

Casting played a crucial role in bringing the film to life, with Robert Carlyle leading the ensemble as Gaz. Many of the actors were lesser-known at the time, which lent authenticity to their portrayals of everyday men grappling with unemployment and self-doubt. The iconic final striptease scene was a nerve-wracking challenge for the cast, as it required them to overcome their own anxieties to deliver a pivotal, uplifting moment. Set to a soundtrack of classic tunes like Hot Chocolate's You Sexy Thing and Tom Jones's You Can Leave Your Hat On, the film captured a perfect blend of humor and pathos. To the surprise of its creators, The Full Monty became a sleeper hit, earning over $250 million worldwide and multiple awards, including an Oscar for Beaufoy's screenplay.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

A group of unemployed steelworkers in Sheffield, England, are struggling with financial woes and feelings of inadequacy. They hatch a bold plan to perform a one-night-only striptease act to earn quick cash. Led by the charming but down-on-his-luck Gaz, the ragtag group includes his best friend Dave, who battles body image issues, and Gerald, their former boss hiding his own unemployment. As they awkwardly rehearse their routine, the men bond over their shared struggles, discovering newfound confidence and camaraderie.

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