New Patreon supporter Greig has reached back into the 1970's for his first pick and it from the year of the gang movie, 1979's The Wanderers!

The production of The Wanderers (1979), directed by Philip Kaufman and co-written with his wife Rose Kaufman, was an adaptation of Richard Price’s debut novel. Set in the Bronx of 1963, the film aimed to authentically portray the era's street gang culture. Filming took place on location in various Bronx neighborhoods, including Fordham Road, the Grand Concourse, and Pelham Parkway. Cinematographer Michael Chapman, known for his work on Taxi Driver and Raging Bull, contributed to the film's dynamic visual style. The cast featured emerging talents such as Ken Wahl, John Friedrich, Karen Allen, Toni Kalem, and Tony Ganios.

Despite not achieving significant box office success upon its release, The Wanderers garnered critical acclaim for its vivid depiction of adolescence and gang life. Over time, it developed a cult following, appreciated for its blend of nostalgia, pathos, and drama. The film's soundtrack, featuring a selection of late 1950s and early 1960s rock and roll, further enhanced its period authenticity. In 1996, Warner Bros. re-released the film theatrically in the United States, reflecting its enduring appeal.

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Trailer Guy Plot Summary

In a world teetering on the edge of innocence and rebellion, The Wanderers takes you back to 1963 Bronx, where leather jackets were armor and gangs ruled the streets like teenage warlords. Meet Richie and his crew — not just tough guys, but kings of the block — navigating high school, heartbreak, and turf wars in a city simmering with change. As rival gangs clash and the world around them begins to shift, these boys must face the end of adolescence and the beginning of something far more dangerous… adulthood. Get ready for fists, friendship, and the fight to find your place — this fall… The Wanderers walk alone.

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There can be only one! Well, unless there's a bunch of money up for grabs in making a sequel! Or that was the plan at last. Dave's next entry for the year of the stitch-up is the 1991 sequel to the cult classic, Highlander II: The Quickening.

The production of Highlander II: The Quickening is often cited as a masterclass in cinematic chaos. Shot primarily in Argentina, the film was plagued by financial problems from the outset. The country's volatile economy led to massive inflation during production, and the financiers seized control of the project from director Russell Mulcahy. With the original vision compromised, the resulting film veered far from the tone and mythology of the first Highlander, introducing a sci-fi backstory about aliens that baffled fans and critics alike. Mulcahy was so frustrated with the interference that he reportedly tried to have his name removed from the project altogether.

Despite returning stars like Christopher Lambert and Sean Connery, the film’s confusing script, drastic re-editing, and overreliance on shoddy visual effects left many scratching their heads. The disarray behind the scenes prompted several later attempts to salvage the movie, including the release of the Renegade Version in 1995 and The Special Edition in 2004, both of which removed the alien subplot and tried to realign the story closer to the original’s spirit. However, the damage to the franchise’s reputation had already been done. Over time, Highlander II has gained a cult following—albeit more for its notorious infamy than its cinematic merit.

If you enjoy the show we have a Patreon, so become a supporter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Trailer Guy Plot Summary

In a world where immortals once battled across centuries, Highlander II: The Quickening takes a wild detour into the future—because why not? Earth is dying, the ozone layer is toast, and Connor MacLeod, now a weary old man, must rise again when an evil tyrant from another planet—yes, another planet—sends assassins to finish what they started. Joined by his resurrected mentor Ramirez, they’ll slash their way through sci-fi nonsense, corporate villains, and the laws of continuity itself… because this time, being immortal just isn’t confusing enough. Buckle up—this isn't the sequel you asked for, it's the one that leaves you asking, what just happened?

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It's taken a bit of time for Chris to get on board with the year of the Stitch-up, but this week he's fully on board with the pick, Smokey and the Bandit 3.

The production of Smokey and the Bandit Part 3 (1983) was plagued by confusion, last-minute changes, and a noticeable lack of direction—both literally and creatively. Initially conceived as Smokey IS the Bandit, the film was supposed to center entirely around Jackie Gleason playing both Sheriff Buford T. Justice and the Bandit himself. Universal even shot a version of the film under this premise, but test audiences were so baffled by the concept that the studio pulled the plug and hastily reshot large portions of the film, reinstating Jerry Reed’s Cledus "Snowman" Snow as the new Bandit. Burt Reynolds, whose charisma had anchored the first two entries, wanted no part of the third film and only appeared in a brief cameo, further cementing the sense that the magic of the original was long gone.

Behind the scenes, the budget was slashed and the enthusiasm of the cast and crew matched it. Gleason, a comedic titan, was reportedly frustrated with the rewrites and changes, and his performance suffered under the weight of a poorly conceived script. The film’s tone teetered awkwardly between slapstick and tired repetition, and critics pounced on it for lacking the heart, fun, and chemistry of its predecessors. Despite all this, Smokey and the Bandit Part 3 did manage to close out the trilogy—albeit with a screech rather than a roar—serving as a cautionary tale of how a franchise can run out of gas when it loses its original spark.

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Trailer Guy Plot Summary

In a world where bootlegging beer is out and hauling stuffed fish is in, one retired sheriff is about to hit the road... one last time. When Big Enos and Little Enos cook up a cross-country prank, Sheriff Buford T. Justice takes the bait—literally—hauling a prized fish from Florida to Texas. But there’s a twist... Cledus “Snowman” Snow steps into the Bandit’s boots to turn the tables and reclaim the legend. Now, it’s a high-octane race filled with car crashes, barroom brawls, and enough denim to clothe a small town. Smokey and the Bandit Part 3—because when the Bandit’s away, the Smokey will play.

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Blake has done it again! After bringing us cinematic gems like Surf Nazis Must Die, Bad Taste, and the legendary disasterpiece The Room, our resident connoisseur of chaos has picked another fever dream for us to unravel—Peter Jackson’s Meet the Feebles. If Bad Taste showed Jackson’s love for over-the-top gore, Meet the Feebles proves he was just as committed to pushing the boundaries of decency, this time with puppets.

Meet the Feebles was envisioned as a satirical take on the entertainment industry, blending puppetry with extreme violence, crude humor, and dark social commentary. The project was initially planned as a television series but evolved into a full-length film when Jackson and his team realized the scope of their chaotic vision.

The film was produced on a shoestring budget in Jackson’s native New Zealand, with much of the work done by a small, dedicated team—including many who would later go on to work on The Lord of the Rings. The puppets were created by hand, with their grotesque designs pushing well beyond anything audiences had seen in traditional puppet-based entertainment. Despite limited distribution and a niche audience at the time of release, Meet the Feebles has since gained a cult following, solidifying its place as one of the most bizarre and audacious films in Jackson’s early career.

If you enjoy the show we have a Patreon, so become a supporter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Trailer Guy Plot Summary

In a world... where puppets have problems just like the rest of us—only much, much worse—one variety show is about to become a full-blown disaster. Behind the curtain of The Fabulous Feebles, drug deals are going down, backstabbing is rampant, and the star of the show, Heidi the hippo, is on the verge of a total meltdown. As betrayals stack up and tensions reach a breaking point, this cast of misfit puppets hurtles toward an explosive, blood-soaked finale. From the twisted mind of Peter Jackson comes a no-holds-barred assault on good taste—get ready to Meet the Feebles!

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Sometimes, you can see a stickup coming a mile off. Other times, they come in the dressing of a movie with lots of awards and credibility. But Maff might've just played a blinder here in The Year of the Stichup.

Naked Lunch (1991) was a challenging and experimental adaptation of William S. Burroughs' novel, helmed by Canadian director David Cronenberg. The film’s production was marked by its complex narrative and the integration of surreal, often disturbing imagery, which reflected Burroughs' unorthodox storytelling style. Cronenberg, known for his work in body horror, worked closely with the cast, including Peter Weller, who portrayed the lead role of William Lee, to create a psychological and disorienting atmosphere. Filming took place in various locations, including Toronto, where the filmmakers utilized practical effects and innovative set designs to create the film's nightmarish world. The production team also employed a mixture of animation and special effects to bring Burroughs' hallucinatory visions to life, making Naked Lunch a visually striking, albeit polarizing, adaptation of the cult novel.

If you enjoy the show we have a Patreon, so become a supporter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Trailer Guy Plot Summary

In a world where reality is blurred and paranoia runs deep, Naked Lunch follows William Lee, a writer who becomes entangled in a web of drugs, conspiracy, and bizarre creatures. As he tries to escape his hallucinatory nightmare, Lee finds himself in the midst of a deadly game involving corrupt agents, mysterious organizations, and a sinister plot to control the world. With his mind unraveling, Lee must navigate a twisted labyrinth of absurdity and horror, where nothing is what it seems, and the lines between fantasy and reality are dangerously thin. Prepare for a journey into madness that will leave you questioning what’s real and what’s not.

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When it comes to supporters of the show, Tony Farina is the OG. And when it comes to stitch ups, the same could be said! Back when Chris and Dave were still finding their way with Comics In Motion, Tony found the podcast and suggested both Speed Racer and Tank Girl. And at the time, Chris believed these were the worst movies he'd ever seen. Fast forward to 2025, Tony has chosen a favourite of his. The much maligned, Hudson Hawk.

Hudson Hawk was an infamously chaotic and overblown affair, marked by creative clashes, ballooning costs, and a shifting tone that left even the filmmakers unsure of what they were making. Conceived as a pet project for Bruce Willis, who co-wrote the story, the film was meant to be a stylish, fast-paced heist comedy with a quirky sense of humor. However, as production went on, the film became a strange hybrid of slapstick, action, and self-aware absurdity. Director Michael Lehmann, best known for Heathers, struggled to balance the various tones, while Willis—at the peak of his Hollywood power—reportedly had significant influence over creative decisions, leading to constant rewrites and improvisation on set.

Adding to the mayhem, Hudson Hawk had a bloated budget of around $65 million, due in part to its globe-trotting locations, elaborate stunts, and extensive reshoots. The film was primarily shot in Italy, making use of grand European backdrops for its bizarre plot about an art heist intertwined with Leonardo da Vinci’s inventions. Despite its high production values and an ensemble cast including Danny Aiello, Andie MacDowell, and Richard E. Grant, the film flopped spectacularly at the box office and was widely panned by critics. Over time, however, Hudson Hawk has developed a cult following, appreciated for its sheer audacity, oddball humor, and the sheer spectacle of witnessing Hollywood excess at its most baffling.

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Trailer Guy Plot Summary

In a world where stealing priceless artefacts is just another day at the office, legendary cat burglar Hudson Hawk is fresh out of prison and ready to go straight, until he's blackmailed into pulling off the heist of a lifetime. With his loyal partner Tommy Five-Tone by his side, Hawk must dodge ruthless criminals, corrupt CIA agents, and a deranged billionaire couple who want him to steal Leonardo da Vinci’s secret alchemy machine. From the rooftops of Rome to high-speed chases and over-the-top action, Hudson Hawk sings, cracks wise, and fights for his life in a high-stakes adventure where the only thing more dangerous than the mission... is surviving it.

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Though it's the Year of the Stitch-up, John Hammond has been building up a repertoire of picks for some time that would fit the bill! Previous picks include Samurai Cop, For Your Height Only, Hard Ticket to Hawaii, New York Ninja and Devil Fetus. So this week is totally on brand with the 1995 Japanese horror, Bloody Muscle Body Builder In Hell.

Bloody Muscle Body Builder in Hell is a fascinating oddity in the realm of low-budget Japanese horror, with a production history almost as legendary as its over-the-top gore. Filmed in the mid-1990s by director Shinichi Fukazawa, who also starred as the film’s musclebound protagonist, the movie was heavily inspired by Sam Raimi’s Evil Dead. Fukazawa, an avid horror fan, took a DIY approach to filmmaking, handling multiple roles including directing, writing, editing, and even special effects. However, despite completing the initial shoot, the film languished in obscurity for years due to budgetary issues and technical limitations.

It wasn’t until nearly two decades later that Bloody Muscle Body Builder in Hell finally saw release, thanks to Fukazawa’s painstaking efforts to edit and complete the film. The result is a gloriously campy, blood-drenched homage to splatter horror, packed with stop-motion effects, homemade prosthetics, and a relentless energy that belies its minuscule budget. Its long-delayed 2012 release—and later international cult status—proved that passion and dedication can sometimes trump production values, securing the film a place as Japan’s answer to Evil Dead.

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Trailer Guy Plot Summary

In a world where the dead refuse to stay buried… one man must flex his way through a nightmare of blood, guts, and pure terror! After receiving a mysterious invitation, a bodybuilder and his ex-girlfriend venture into an abandoned house, unaware that an ancient, vengeful spirit lurks within its walls. Trapped inside, surrounded by grotesque horrors and relentless demonic forces, he’ll have to use more than just his muscles to survive. Armed with raw strength, determination, and a whole lot of splattered gore, he must fight his way through the madness… or become just another victim in the house of hell! Bloody Muscle Body Builder in Hell, where every rep could be your last!

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The year of the stitch up has had a couple of misfires for Dave's picks, with Chris unfortunately declaring Cloud City's for both sword and sorcery adventures - Gor and The Barbarians. So this is the time to roll out the cult classic sci-fi movie from 1984, Trancers.

Trancers was a low-budget sci-fi film produced by Charles Band’s Empire Pictures, a company known for its B-movie output during the 1980s. Directed by Charles Band and written by Danny Bilson and Paul De Meo, the film was conceived as a time-traveling noir with a futuristic twist, inspired by Blade Runner and classic detective stories. The production had limited financial resources, so the filmmakers cleverly set much of the movie in present-day Los Angeles rather than the distant future, allowing them to save on costly futuristic sets and effects. The film starred Tim Thomerson as the grizzled, time-traveling cop Jack Deth and a young Helen Hunt in one of her early roles. Despite its modest budget, Trancers managed to craft a unique cyberpunk atmosphere using creative cinematography and neon-lit cityscapes.

Empire Pictures, known for churning out cult classics, ensured the movie had a quick and efficient production, utilizing familiar locations and a mix of practical effects to bring its sci-fi elements to life. The film’s pulpy, hard-boiled dialogue and time-travel premise helped it stand out in the crowded landscape of low-budget sci-fi, leading to a small but dedicated cult following. Trancers performed well enough on the home video market to spawn multiple sequels, solidifying its place in the annals of ‘80s cult cinema. The movie’s mix of noir and sci-fi influences, along with Thomerson’s performance, kept it alive long after its initial release, proving that even a low-budget indie film could leave a lasting impact on the genre.

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Trailer Guy Plot Summary

In a world where the future is on the brink of collapse, one man must travel back in time to stop an unstoppable evil. Jack Deth is a hard-nosed cop on the hunt for Martin Whistler, a madman who turns people into mindless, murderous Trancers. But when Whistler escapes to 1985, Deth is forced to follow, leaping into the body of his own ancestor. With the help of a fiery young woman, Leena, he’ll have to fight his way through an army of mind-controlled killers, stop Whistler, and save the future… before time runs out!

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Chris does love a good car movie, though whether this one hits that description is up for debate. This week's movie is Gone in Sixty Seconds from the year 2000.

Gone in Sixty Seconds was a high-octane production that aimed to modernize the 1974 cult classic while capitalizing on Hollywood’s growing appetite for stylish car heist films. Produced by Jerry Bruckheimer, the film assembled a star-studded cast led by Nicolas Cage, Angelina Jolie, and Robert Duvall, with Dominic Sena directing. Unlike the original’s more guerilla-style filmmaking, the remake had the full backing of a major studio, leading to a more polished but equally adrenaline-fueled experience. Cage, ever the committed performer, insisted on doing many of his own driving stunts, and the production featured over 50 high-end vehicles, including the now-iconic Shelby GT500 “Eleanor.” The film’s vehicular action sequences were a mix of practical stunts and CGI enhancements, though efforts were made to keep the high-speed chases feeling raw and authentic.

Filming took place primarily in Los Angeles, with key sequences shot in Long Beach, including the climactic jump scene. The production team worked closely with car manufacturers and stunt coordinators to ensure the film delivered on its promise of thrilling, realistic chase scenes. However, some logistical challenges arose, including securing permits for large-scale stunts in heavily trafficked urban areas. The film’s heavy use of practical effects and real car chases set it apart from other CGI-laden action films of the era, maintaining a grounded feel. While Gone in Sixty Seconds received mixed reviews from critics, who found the plot formulaic, audiences embraced its stylish action and high-energy spectacle, propelling it to a solid box office performance and cementing its place as a staple of early 2000s action cinema.

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Trailer Guy Plot Summary

In a world where time is running out and the stakes have never been higher, one man must do the impossible. Nicolas Cage is Memphis Raines, a legendary car thief dragged back into the game for one last job. With his brother’s life on the line and a ruthless crime boss breathing down his neck, he has just 72 hours to steal 50 exotic cars—or face the ultimate price. But standing in his way is a relentless detective, a crew of misfit wheelmen, and the one car that has always eluded him: the infamous Eleanor. High-speed chases, impossible escapes, and engines roaring, Gone in Sixty Seconds proves that fast is never fast enough.

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This week's pick was made supporter Dylan, who's previous picks have ranged from the gritty realism of Training Day to the surreal comedy The Big Lebowski. And this pick is going back to 1978 on on the serious side of the scale with, The Deer Hunter.

The Deer Hunter was an ambitious and challenging endeavor, driven by director Michael Cimino’s meticulous vision. Initially conceived as a smaller war film, the project expanded dramatically as Cimino rewrote the script, emphasizing the emotional and psychological toll of war. The film’s harrowing Russian roulette sequences, which became its most infamous hallmark, were not based on historical accounts but rather intended as a metaphor for the randomness and brutality of war. The production faced difficulties from the start, with Cimino’s insistence on authenticity leading to grueling shoots in both the U.S. and Thailand, where the Vietnam War sequences were filmed. The cast, led by Robert De Niro, Christopher Walken, and John Savage, underwent intense training to embody their roles convincingly, even immersing themselves in the culture of steelworkers in Pennsylvania before filming.

The film’s Thailand shoot was particularly grueling, with cast and crew working under extreme conditions to capture the harrowing war sequences. Controversy also surrounded the film’s depiction of the Vietnam War, with critics arguing that its portrayal of the Viet Cong was one-sided and sensationalized. Additionally, Cimino’s perfectionism led to a chaotic production schedule, frequently going over budget and over time. However, despite these challenges, The Deer Hunter became a landmark film, earning widespread critical acclaim and winning five Academy Awards, including Best Picture and Best Director for Cimino. The film’s haunting themes, striking cinematography, and raw performances solidified its place as one of the greatest war films ever made, though its troubled production foreshadowed the excesses that would later plague Cimino’s career.

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Trailer Guy Plot Summary

In a world where friendship is forged in steel and tested by war… three men embark on a journey that will change them forever. From the quiet streets of a Pennsylvania mill town to the unforgiving jungles of Vietnam, they will face horrors beyond imagination. Captured. Tortured. Forced to play a deadly game where the stakes are their own lives. As they return home, shattered and haunted, one man will risk everything for the brother he left behind. Starring Robert De Niro, Christopher Walken, and Meryl Streep—this is The Deer Hunter. A story of survival, sacrifice, and the unbreakable bonds of friendship.

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