Recently described as the worst ever Christmas movie, Chris has chosen movie starring Thunder Lips himself, Terry Gene Bollea, or better known as Hulk Hogan. It's the Christmas movie oddity you've never heard of. And probably for good reason, until now.

Directed by John Murlowski, the film was produced on a relatively modest budget, which was probably spent entirely on Hogan’s appearance fee and the special effects, none of which were convincing enough to make this a holiday classic. Attempting to blend action, slapstick humor, and Christmas cheer into one very messy package, the result is a film that feels as awkward as a wig on a bodybuilder.

Despite the lack of chemistry, a confused premise, and a budget that was far less than what was needed for the visual effects, the production team managed to pull something together—although “together” seems a generous term. The filming was done mostly on location in the sunny California suburbs, which doesn't exactly scream "winter wonderland." And yet, there were attempts at creating Christmas magic, including a series of disjointed action sequences, an obligatory villain, and a final scene that looked like it was filmed in a single afternoon, probably after the crew had already packed up for the holiday season. Hogan himself was reportedly less than thrilled with his role but went through with it because, well, it was work. When it was finally released, Santa with Muscles didn't exactly set the box office on fire, but it did secure a spot in the annals of 'so-bad-it’s-good' cinema.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Blake Thorne, a wealthy and self-absorbed businessman, suffers amnesia after an accident and believes he is actually Santa Claus. After the accident, he stumbles into a mall where a group of orphans and their caretaker are being threatened by a villain who wants to take control of the orphanage. With his newfound belief that he is Santa, Blake, now in the role of an unexpectedly jolly and bumbling hero, must save the children and foil the villain’s plans. All while struggling with his confused identity and learning the true meaning of Christmas.

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Matt, aka the Black Country Vlogger, has chosen the iconic Run Lola Run from 1998 this week. Checkout Matt's vlog here: ⁠https://www.youtube.com/@BlackCountryVlogger⁠

The production of Run Lola Run was a testament to director Tom Tykwer's innovative vision and determination to push the boundaries of German cinema. Filmed predominantly in Berlin, the movie leveraged the city’s vibrant and modern aesthetic to create an urban, pulsating backdrop for the story. Tykwer’s use of kinetic camera work and rapid editing, combined with a blend of live-action and animated sequences, gave the film its distinct and high-energy style. The unique visual approach was complemented by a techno-heavy soundtrack, composed by Tykwer and collaborators Johnny Klimek and Reinhold Heil, which underscored the tension and pace of Lola’s journey. These creative choices not only shaped the film’s unique identity but also aligned with the burgeoning techno culture of 1990s Berlin.

Casting was a critical aspect of the production, with Franka Potente taking on the physically demanding role of Lola. Her fiery red hair, a decision made during pre-production, became an iconic visual marker of the film. The production schedule was tight, requiring a mix of meticulous planning and on-the-spot improvisation to capture the dynamic movement through the city. Tykwer’s hands-on approach and collaboration with his team ensured that the film’s technical challenges—like its seamless transitions between timelines—were executed flawlessly. Released to critical acclaim, Run Lola Run became a breakout success internationally, cementing its reputation as a modern classic and demonstrating the potential of German cinema to innovate on a global stage.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Lola embarks on a desperate mission to save her boyfriend, Manni, who has lost 100,000 Deutsche Marks meant for a dangerous gangster. With only 20 minutes before Manni resorts to a desperate act, Lola sprints through the city, encountering different people and obstacles along the way.

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In supporter Mike's last pick and appearance he went with a classic 90's British flick, Trainspotting. And this time he's swung the dial to little renowned sword and sorcery adventure, Dragonslayer!

Dragonslayer (1981) was an ambitious collaboration between Paramount Pictures and Walt Disney Productions, marking a rare foray into darker, more mature fantasy for Disney. Directed by Matthew Robbins, the film was developed as a gritty and realistic take on medieval mythology, deviating from the lighter tone often associated with fantasy films of the time. The screenplay, written by Robbins and Hal Barwood, aimed to explore themes of faith, power, and heroism. Principal photography took place in the rugged landscapes of Wales and Scotland, chosen for their authentic medieval atmosphere, and the production faced significant challenges in capturing the epic scope of the story while dealing with unpredictable weather and remote locations.

The standout feature of the film was its groundbreaking special effects, particularly the creation of the dragon, Vermithrax Pejorative. To bring the creature to life, the production team employed a combination of animatronics, puppetry, and the pioneering go-motion technique developed by Industrial Light & Magic (ILM). This approach allowed for smoother, more lifelike movements than traditional stop-motion animation. Phil Tippett, the lead visual effects artist, played a crucial role in crafting Vermithrax, which has since been hailed as one of the most convincing cinematic dragons ever created. Despite mixed reviews upon release, Dragonslayer gained a cult following and remains a landmark in special effects innovation, bridging the gap between the practical techniques of the past and the CGI-dominated future of filmmaking.

Mike & Dave have a monthly Star Wars pod with fellow VHS support Maff, plus Mike, Dave & Chris have collaborated on numerous podcast in the past, to find all of Mike's links, go here: https://linktr.ee/GenuineChitChat

As Mike noted in his recording, he has discussed Dragonslayer in-depth with his wife Megan, fellow VHS supporter Spider-Dan and Ria Carrogan of the Femme On Collective, in their series "Disney Discussions", found on the feeds of Genuine Chit-Chat, Spider-Dan & The Secret Bores and Femme On. The episode was released on Spider-Dan's pod in September 2022! Listen wherever you're listening to the VHS Strikes Back, or find all DD episodes (with video) in this YouTube playlist: https://www.youtube.com/playlist?list=PLcO1Ib_BGD8ajqsEDJPAYC0DSuIUqa26e

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Young sorcerer’s apprentice Galen embarks on a perilous quest to slay Vermithrax Pejorative, a fearsome dragon terrorizing a kingdom that appeases it with human sacrifices. Armed with his late master’s enchanted amulet and his growing confidence, Galen ventures into danger, facing the dragon’s fiery wrath and uncovering political intrigue that reveals the kingdom’s rulers have sinister motives of their own. Combining themes of heroism, faith, and sacrifice, the film delivers a gritty, visually striking fantasy tale that stands out for its groundbreaking special effects and its unflinching portrayal of medieval darkness.

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Cry-Baby is the pick of this week's supporter, Lucky LouLouGreen!

Cry-Baby (1990), directed by John Waters, was a deliberate foray into mainstream filmmaking while retaining Waters' signature offbeat style. Set in 1950s Baltimore, the movie serves as a satirical homage to teen musicals like Grease and rebellious youth culture. Waters assembled a unique cast, headlined by Johnny Depp in his first major film role post-21 Jump Street, as he sought to break free from his teen heartthrob image. Alongside Depp, the ensemble included Ricki Lake, Traci Lords, and Patricia Hearst, with Waters blending Hollywood newcomers with eccentric cult personalities. Filmed on location in Maryland, the production leaned heavily on a retro aesthetic, featuring vibrant costumes, classic cars, and rockabilly-inspired musical numbers. Waters worked closely with choreographers and musicians to infuse the film with both authenticity and absurdity, creating a stylized yet tongue-in-cheek tribute to 1950s pop culture.

Despite Waters' reputation as a cult filmmaker, Cry-Baby was produced with significant studio backing from Universal Pictures, granting it a larger budget than his previous works. This collaboration with a major studio presented challenges, as Waters had to balance his trademark subversive humor with the commercial expectations of a broader audience. The film’s over-the-top humor and campy sensibilities divided critics upon release, but it gained a devoted following over time, particularly among fans of musical comedies and Waters' unconventional storytelling. While Cry-Baby didn’t achieve box office success, it cemented Waters' ability to inject mainstream cinema with his rebellious flair and ultimately inspired a Tony-nominated Broadway adaptation in 2007, solidifying its status as a cult classic.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Rebellious teen, Wade "Cry-Baby" Walker, captures the heart of Allison Vernon-Williams, a straight-laced girl from the conservative "square" crowd. Their romance sets off a rivalry between the rowdy, leather-clad "drapes" and the prim, uptight "squares", leading to a series of musical showdowns, quirky antics, and over-the-top drama.

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It's time to go back to the summer of 1997 with the British comedy and Dave's pick for the week, The Full Monty.

Directed by Peter Cattaneo and written by Simon Beaufoy, the film was shot on a tight budget of £3.5 million in Sheffield, England, the industrial city where the story is set. The choice of location was pivotal, as it allowed the filmmakers to authentically depict the struggles of a working-class community hit hard by economic decline. The production team used local landmarks and worked with real residents to add an extra layer of realism to the film. Despite financial constraints, the crew maximized resources, crafting a story that was both intimate and universal.

Casting played a crucial role in bringing the film to life, with Robert Carlyle leading the ensemble as Gaz. Many of the actors were lesser-known at the time, which lent authenticity to their portrayals of everyday men grappling with unemployment and self-doubt. The iconic final striptease scene was a nerve-wracking challenge for the cast, as it required them to overcome their own anxieties to deliver a pivotal, uplifting moment. Set to a soundtrack of classic tunes like Hot Chocolate's You Sexy Thing and Tom Jones's You Can Leave Your Hat On, the film captured a perfect blend of humor and pathos. To the surprise of its creators, The Full Monty became a sleeper hit, earning over $250 million worldwide and multiple awards, including an Oscar for Beaufoy's screenplay.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

A group of unemployed steelworkers in Sheffield, England, are struggling with financial woes and feelings of inadequacy. They hatch a bold plan to perform a one-night-only striptease act to earn quick cash. Led by the charming but down-on-his-luck Gaz, the ragtag group includes his best friend Dave, who battles body image issues, and Gerald, their former boss hiding his own unemployment. As they awkwardly rehearse their routine, the men bond over their shared struggles, discovering newfound confidence and camaraderie.

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Frank Drebin first graced our screens in 1982 with Police Squad, but 6 episodes is all we got. Fast forward 6 years and we get to this week's Chris pick with The Naked Gun: From the Files of Police Squad!

The production of The Naked Gun was like a case file thick with mystery, mayhem, and, most likely, unpaid parking tickets. Directed by the Zucker brothers with a firm grip on comedy and a loose grip on reality, this cinematic marvel brought Lieutenant Frank Drebin to the big screen, much to the delight of the three people who remembered Police Squad! from 1982. They say this movie was made on a modest budget, but Frank's always said, if you can’t solve it with duct tape and a pair of sensible shoes, you’re probably not on his police force. The budget might’ve been low, but the jokes were plentiful, and if one didn’t work, we were already onto the next one by the time the first one hit the ground.

They brought Frank to Los Angeles, where the sun is as relentless as a perp with nothing to lose. The Zuckers and Abrahams had a vision: combine slapstick and deadpan to make every scene feel like an all-points bulletin of laughter. With a crack team of talented actors and stuntmen who were probably just as confused as anyone, they pulled it off, and The Naked Gun became an instant classic. It’s not every day that the badge, the gun, and a suspect list full of clowns come together, but when they do, you can bet Frank’ll be there, saying something profoundly misguided. And remember, if you see something suspicious… well, keep it to yourself.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

I, Lieutenant Frank Drebin, find myself on the trail of a sinister plot—someone wants to harm the Queen of England during her visit to Los Angeles. Naturally, I can’t let that happen, not on my watch, and certainly not before lunch. As I dive into my investigation, things get complicated. There’s Jane, a mysterious woman who’s got more charm than a box of donuts and who may or may not be involved with a devious businessman named Vincent Ludwig. Ludwig, by the way, is planning something big, and I don’t mean a charity bake sale.

So there I am, trying to stop an assassination attempt, win Jane’s heart, and look good in a cheap suit—all at once. Somehow, it all ends with me frantically searching the stands at a baseball game, dodging mascots and hot dog vendors as I try to save the Queen. But don’t worry; I handle it with all the precision and grace you’d expect from a seasoned detective. In the end, justice is served, more or less, and I come out looking like a hero.

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New supporter Gareth has chosen a cult classic comedy horror movie this week with 1990's Tremors.

Tremors was a collaborative effort between director Ron Underwood, producer Gail Katz, and writers S.S. Wilson and Brent Maddock, who crafted a unique blend of science fiction, horror, and comedy. Filming took place primarily in the arid landscapes of the California desert, specifically in the small town of Lone Pine, which provided the perfect backdrop for the film's fictional setting of Perfection, Nevada. The production team faced the challenge of creating realistic, underground monsters known as Graboids, which required innovative practical effects. The creature designs were brought to life by the visual effects team led by Amalgamated Dynamics, who used a combination of animatronics and puppetry to create the menacing and memorable Graboids.

Despite a modest budget, Tremors benefited from a talented cast that included Kevin Bacon, Fred Ward, and Reba McEntire, whose performances helped elevate the film's quirky humor and charm. The filmmakers strived to balance suspenseful moments with comedic relief, making the movie appealing to a wide audience. Upon its release, Tremors received positive reviews for its clever writing, engaging characters, and practical effects, which set it apart from typical creature features of the era. Though initially modest in box office success, it garnered a strong cult following over the years, leading to several sequels and solidifying its status as a beloved classic in the genre.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Residents of the small desert town of Perfection, Nevada, find themselves in a precarious situation when a series of mysterious deaths and strange tremors signal the arrival of giant, underground monsters known as Graboids. As local handymen Val and Earl team up with a motley crew of townsfolk, including a seismologist and a survivalist couple, they must band together to outsmart and survive these deadly creatures determined to eliminate anyone who ventures above ground.

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Herb's picked a few Aussie classics and this week's pick is no exception with the war drama Gallipoli!

Gallipoli, directed by Peter Weir, was a large-scale and highly ambitious undertaking that sought to depict the experiences of young Australian soldiers during the ill-fated Gallipoli campaign of World War I. Weir, who co-wrote the film with David Williamson, worked closely with producer Patricia Lovell and cinematographer Russell Boyd to bring the story to life with authenticity and emotional depth. Filming primarily took place in South Australia and Egypt, using real locations to evoke the desolate battlefields of the Gallipoli Peninsula. The filmmakers worked hard to realistically depict the soldiers’ journey from rural Australia to the trenches, emphasizing the historical details of the era and the grim realities of war.

Casting Mel Gibson and Mark Lee as the young soldiers Archy and Frank, Gallipoli highlighted the friendships, idealism, and patriotism that drove many Australians to enlist. Gibson, who was then relatively unknown, delivered a powerful performance alongside Lee, capturing the emotional toll of the war on young men. To create the movie’s climactic scenes, the production team used hundreds of extras and recreated significant portions of the battlefield, ensuring the film’s epic yet tragic feel. Though budget constraints were a challenge, the film achieved a lasting impact, celebrated for its historical significance, poignant storytelling, and for portraying a pivotal moment in Australian and World War I history.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Two young Australians, Archy and Frank, are inspired by a sense of adventure and patriotism to join the army during World War I. After undergoing basic training and developing a close friendship, they are sent to fight in the Gallipoli campaign against the Ottoman Empire. As they face the brutal realities of war, Archy and Frank come to understand the futility and horror of the battle they are part of.

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Stephen has picked some crackers in the past, and this time, he's chosen the iconic 1991 biopic The Doors.

The production of The Doors (1991), directed by Oliver Stone, was a passionate and meticulous effort to capture the wild spirit of Jim Morrison and the iconic 1960s rock band. Stone, known for his intense filmmaking style, had long been fascinated by Morrison and sought to tell a story that reflected both the mysticism and chaos surrounding the band's rise to fame. Val Kilmer was cast as Jim Morrison, with his intense commitment to the role standing out—Kilmer spent months studying Morrison's mannerisms, voice, and even his singing style. The film incorporated many real-life locations from the band’s history, including Los Angeles’ Sunset Strip, and used these settings to evoke the authentic feel of the late '60s counterculture.

Stone's production team faced the challenge of balancing a factual representation of the band's history with a more stylized, mythical portrayal of Morrison's journey. With the help of surviving band members like Ray Manzarek and Robby Krieger, the production sought to ensure the film remained true to the music and the spirit of The Doors. However, some of Morrison’s portrayal as a self-destructive, hedonistic figure led to disputes over historical accuracy, with band members and critics arguing that Stone leaned too heavily on the mythic aspects of Morrison’s persona. Despite these debates, the film was praised for its dynamic cinematography, a powerful performance by Kilmer, and a soundtrack that introduced The Doors’ music to a new generation.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

The movie follows the rise and fall of Jim Morrison and his legendary rock band, The Doors. The film chronicles Morrison's journey from a college student in Los Angeles to a countercultural icon, exploring his deep connection to music, poetry, and the darker aspects of his psyche. As the band gains fame, Morrison’s increasing substance abuse and erratic behavior lead to tensions with his bandmates and those closest to him.

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Blake has been a great friend and supporter for a good while now. And hopefully after this review of 1993's Fatal Instinct he still is!

Fatal Instinct was an ambitious attempt to spoof the popular erotic thrillers of the early 1990s, but it quickly became an exercise in comedic misfires. Directed by Carl Reiner, a seasoned comedy veteran, the film set out to parody films like Basic Instinct and Fatal Attraction, blending noir elements with slapstick humor. Reiner cast Armand Assante, known for his serious roles, as the deadpan detective-lawyer Ned Ravine, hoping his straight-faced delivery would amplify the absurdity. The production leaned heavily into noir aesthetics, using moody lighting, shadowy sets, and sultry music to mimic the atmosphere of the thrillers it aimed to lampoon.

Despite the experienced cast and high production values, the film struggled from the outset. The humor, though abundant, felt forced and overplayed, often missing the mark. The balance between parody and slapstick proved difficult to maintain, resulting in a film that felt awkward and uneven. The production team’s commitment to visually recreating the noir vibe couldn't save the film from its misjudged comedic tone, and upon release, Fatal Instinct was met with largely negative reviews. Although it failed to resonate with most audiences, the film did eventually gain a small cult following, largely due to its status as a "so-bad-it's-good" comedy.

If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Plot Summary:

Ned Ravine is both a lawyer and a detective because, why not? He’s caught in the middle of a web of utter nonsense: his wife’s trying to bump him off for the insurance money, his psychotic mistress is obsessed with him, and his innocent assistant is head over heels for him. All while he’s trying to solve crimes, and defend the people he's caught in court. The plot throws every classic noir trope into a blender, hits "chaos," and pours out a mad cocktail of mistaken identities, ridiculous schemes, and over-the-top seductions.

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