Nick Cave, the Australian born singer-songwriter and author, reveals the formative influences and experiences that have inspired his own creativity. With his band The Bad Seeds, Cave is renowned for the darkness and drama of his narrative based work. His lyrics are often populated by flawed people doing bad things, but seeking redemption in love or God, or both. His musical output is diverse, ranging from rock’n’roll, to piano-based love songs. The tragic death of his 15 year old son Arthur in 2015 has informed recent work, with songs about devastating loss, grief and love explored throughout the albums Ghosteen and Carnage. Nick Cave has also written novels, poetry, a screenplay, and has recently published Faith, Hope and Carnage - a book exploring his ideas about creativity and belief.

Nick Cave talks to John Wilson about the influences of his father, an English teacher, and his mother, a school librarian, in encouraging his love of literature from a young age. He recalls seeing The Johnny Cash Show on television at the age of 10 and being spellbound by the country music star, with whom he later worked. He also remembers the life-changing effect of hearing Leonard Cohen’s Songs Of Life and Death album for the first time, and the profound influence the Canadian poet and songwriter had own his own lyrics. He reveals that fellow Australian Barry Humphries was another artist who inspired his own work, having seen a Dame Edna Everage show in Melbourne in the early 1970s. Nick Cave also discusses the impact that the death of his son had on his life, work and marriage.

Producer: Edwina Pitman

An inseparable duo for over 55 years, Gilbert Prousch and George Passmore are the artistic couple known as Gilbert & George. Always formally dressed in matching suits, Gilbert & George have described themselves as ‘living sculptures’, and are usually the subject of their own work, which has involved sexual imagery, scatological humour and profane language. They’re best known for brightly coloured imagery depicting contemporary urban life, framed within large scale panels that evoke the stained-glass windows of churches. They won the Turner Prize in 1986, represented Britain at the Venice Biennale in 2005, and were the subject of a major retrospective show at Tate Modern in 2007.

They talk to John Wilson about meeting in 1967 while studying sculpture at Saint Martin's School of Art, their first notable work The Singing Sculpture; which launched their career internationally; and the importance of Spitalfields, east London where they have lived and worked together since the late 1960s.

Producer: Edwina Pitman

Now one of West Africa’s most internationally acclaimed musicians, Baaba Maal trained at a Paris conservatoire and went on to become a kind of musical ambassador, taking stories of his homeland all around the world. He has collaborated with Brian Eno and film composer Hans Zimmer, recorded an album with Mumford and Sons, and was a key member of the Africa Express touring project led by Damon Albarn. A festival favourite, Baaba Maal has energised crowds at Glastonbury and the BBC Proms alike. More recently, Marvel fans know him as the voice of Wakanda, having sung on the Black Panther movie soundtracks.

Baaba Maal talks about his early life in Senegal where, as the son of a fisherman, he wasn’t expected to become a singer. He discusses the role of the griot in Senegalese storytelling and musical culture. He recalls early song-gathering trips around West Africa with his friend and collaborator Mansour Seck, his formal musical training in Paris, the powerful voice of Senegalese singer Sory Kandia Kouyaté, and meeting Nelson Mandela.

Producer: Edwina Pitman

The internationally bestselling crime writer Donna Leon talks to John Wilson about her career. Although American born, Donna is most associated with Venice, the city in which her Italian police detective protagonist, the mild-mannered family man Guido Brunetti, lives and works. She has so far written 32 novels, has sold nearly eight million copies in English, and been translated into 35 languages.

Donna Leon tells John Wilson about her love for Italy and particularly Venice, which until very recently was her home. She recalls her experiences teaching English in Saudi Arabia, and how she began her bestselling Brunetti series after a night at the opera.

Producer: Edwina Pitman

Award-winning television dramatist and director Sally Wainwright talks to John Wilson about her formative cultural influences. After learning the art of screenwriting whilst working on Coronation Street, she made her name with her suburban comedy drama At Home With The Braithwaites. Her stories are usually set in the north of England including Last Tango in Halifax, and her 19th century historical series Gentleman Jack. Her most recent hit is Happy Valley, a crime drama that spanned a decade and three series, winning huge acclaim, viewing figures and multiple awards.

Sally talks about her early obsession with television, and how the 1970s musical drama Rock Follies inspired her to become a television writer at a young age. She recalls her early career writing for BBC Radio 4's The Archers and the ITV soap Coronation Street and discusses the inspirations behind some of her biggest hits.

Producer: Edwina Pitman

Reggae poet Linton Kwesi Johnson reveals the influences and experiences that inspired his own creativity. Born in Jamaica, he moved to south London in 1963 at the age of eleven. He made his name as a performance poet, reciting politically motivated verse to a dub-reggae backbeat, and becoming a powerful voice of resistance and protest in response to racism on the streets of Britain in the 1970s. He became the first black poet to be published in the Penguin Modern Classics series, was awarded the PEN Pinter Prize in 2020, and recently published a collection of prose under the title Time Come. On stage and on record, he is renowned for angry and uncompromising works such as Five Nights Of Bleeding, Sonny’s Lettah, and Iglan Is a Bitch.

For This Cultural Life, Linton Kwesi Johnson recalls growing up in poverty in rural Jamaica, where his grandmother told him ghost stories and read The Bible. Appalled at the racism he experienced, he joined the Black Panthers whilst still at school and became a political activist. He began to write and perform poetry, set to music and delivered in Jamaican patois, after being inspired by reggae artists such as Prince Buster and U-Roy, and the American group The Last Poets. Johnson also talks about the tragic fire that killed 13 young partygoers in New Cross, south London in 1981, an event that he commemorated in one of his best known works, New Craas Massahkah.

Producer: Edwina Pitman

John Wilson talks to photographer Martin Parr about the formative influences and experiences that inspired his own creativity. Globally renowned for his witty and satirical scenes of British life, Parr made his name in the 1970s with a series of monochrome photographs documenting the community of Hebden Bridge, West Yorkshire. His fame grew with his 1985 project The Last Resort, which captured the spirit of the great British holiday in images of ice-cream, chips, and sunburnt bodies on the litter-strewn concrete promenade of New Brighton, Liverpool. Since then, his instantly recognisable work has examined subjects including global consumerism, mass tourism and class. He has published over a hundred books of his work, exhibited all round the world, and is regarded as one of Britain’s greatest photographers. Parr is celebrated as Master Of Photography at the 2023 Photo London fair, and has recently opened his own Foundation to exhibit the work of emerging photographers alongside his own.

Martin Parr reveals how, growing up in suburban Surrey, he was introduced to photography by his Yorkshire grandfather during holiday visits. He remembers seeing exhibitions by Bill Brandt and Henri Cartier-Bresson in the late 1960s, but it was the work of British street photographer Tony Ray-Jones, whose images he first saw whilst studying photography at Manchester Polytechnic, that was most influential. Martin Parr further developed his distinctive documentary style, and his use of saturated colour processing techniques, after seeing work by American photographer William Egglestone. Martin Parr also chooses the 1991 film Night On Earth by Jim Jarmusch as a key influence on his quirky approach to storytelling, and reflects on how his style and subjects have developed over the years.

Producer: Edwina Pitman

Margaret Atwood talks to John Wilson about the formative influences and experiences that shaped her writing. One of the world’s bestselling and critically acclaimed authors, Atwood has published over 60 books including novels, short stories, children’s fiction, non-fiction and poetry. She’s known for stories of human struggle against oppression and brutality, most famously her 1985 novel The Handmaid’s Tale, a dystopian vision of America in which women are enslaved. She has twice won the Booker Prize For Fiction, in 2000 for The Blind Assassin and again in 2019 for her sequel to The Handmaid’s Tale, The Testaments.

Growing up in remote Canadian woodland with her scientist parents, she traces her career as a story-teller back to sagas that she invented with her older brother as a child, and her first ‘novel’ written when she was seven. She recalls an opera about fabrics that she wrote and performed at high school for a home economics project, and how she staged puppet shows for children’s parties. Margaret Atwood also discusses the huge impact that reading George Orwell had on her, and how his novel Nineteen Eighty-Four especially influenced The Handmaid’s Tale. She reveals how that novel - written whilst she was living in Berlin in 1985 - was initially conceived after the 1980 election of President Ronald Reagan and the resurgence of evangelical right-wing politics in America.

Producer: Edwina Pitman

Mexican-born filmmaker Alejandro González Iñárritu talks to John Wilson about his cultural influences.

Iñárritu's movies are often epic in scale and ambition. He made his name with the Mexican gangland drama Amores Perros, and won critical acclaim with his next two Hollywood movies; 21 Grams and Babel. His 2015 black comedy Birdman won him three of his five Academy Awards - for best film, best director and best screenplay. He picked up another Oscar the following year for the brutal 19th century frontiersman drama The Revenant and was awarded a Special Achievement Academy Award for his virtual reality installation Carne y Arena in 2017. His most recent movie is Bardo, False Chronicle of a Handful of Truths an epic dream-like, semi-autobiographical black comedy-drama, which he co-wrote, co-composed, edited, produced, and directed.

Iñárritu reveals how working on cargo ships as a teenager later influenced the global scope of his filmmaking, and recalls his early career in the 80s and early 90s as a popular radio DJ in Mexico City. He talks about the powerful effect that the Austrian poet Rainer Maria Rilke's Letters to a Young Poet had on him. This collection of ten letters, published posthumously at the turn of the 20th century, advise developing a rich inner life in order to make great art, words that made a big impression on the aspiring filmmaker Iñárritu. He also discusses his love for the work of Italian film director Sergio Leone, and in particular his 1984 epic crime film Once Upon a Time in America.

Producer: Edwina Pitman

John Wilson speaks to internationally acclaimed artist Dame Rachel Whiteread about the influences on her practice as she recalls some of her most famous works. Part of the Brit Art boom of the early 1990s, Rachel was not only the first woman to win the Turner Prize but also, at 29, the youngest artist to do so. Rachel is best known for large scale sculptures cast in plaster or concrete. She made headlines with an inside-out impression of an entire terraced house in east London, and for her Holocaust Memorial in Vienna. Commissioned to make a work to stand on the empty fourth plinth in London’s Trafalgar Square, she cast the plinth itself in a huge block of translucent resin. A globally renowned artist who once represented Britain at the Venice Biennale, the work of Dame Rachel Whiteread can be found in collections, galleries and public spaces all around the world.

Producer: Edwina Pitman