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New York Times bestselling author Chevy Stevens pulls back the curtain on what separates a good thriller from an unforgettable one. 

And it might not be what you think. 

In this episode, Chevy reveals her unconventional process for crafting antagonists that readers love to hate. 

She also shares the exact mindset shift that helped her sustain an eight-book career.

If you are... 

• struggling to create believable villains
• feeling stuck in your thriller's plot
• wondering how to build a lasting writing career in today's market

This conversation will give you the tools to break through. 

What Listeners Will Learn:

• How to create antagonists that traditional publishers love

• The "enough juice" test for evaluating thriller concepts

• Why your second book matters more than your first

Connect with Chevy:

Website

Twitter

Instagram

Chevy Stevens lives on Vancouver Island with her husband and daughter. When she isn’t working on her next book, she’s spending time with her family and their two dogs. Her books, including Still Missing, a New York Times bestseller and winner of the International Thriller Writers Award for Best First Novel, have been published in more than thirty countries.

Episodes I think You'll Love:

1. Author Liz Alterman Reveals Her Weekly Writing Ritual That Transforms First Drafts Into Gold And How to Know When Your Story Idea Is Worth Writing
2. Literary Agent Amy Nielsen on How to Fix Your Opening Pages 
3. Literary Agent Jessica Berg Shares How to Catch an Agent's Eye
4. How to Write an Opening Chapter that Keeps Readers Reading with Author David McCloskey

Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction

Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

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Struggling with how to write a thriller that grabs readers immediately? 

In this interview, writing expert Daniel David Wallace shares game-changing writing tips for crafting plots that keep readers hooked from page one. 

Daniel, creator of the Character First Writing Approach and host of Escape the Plot Forest summit, reveals why traditional plotting advice often fails thriller writers.

And he offers three essential strategies for developing compelling, character-driven narratives. 

Whether you're working on your first manuscript or polishing a novel for traditional publishing, these writing techniques will help you avoid the common pitfalls that cause readers to abandon your story. 

Learn how to create protagonists with immediate momentum, maintain emotional connection through plot twists, and structure midpoints that trap both your characters and your readers in the story.

Learn more about Daniel here...

Daniel David Wallace is the host of Escape the Plot Forest, an annual online conference for writers. He spent four years of a PhD researching new ways to help writers tell a great story.
His stories, reviews, and essays have been published in great magazines like Tampa Review, McSweeney's Internet Tendency, Air Schooner, and his writing has won him awards like the Toni Brown scholarship and the Hodges prizes.
Daniel designed a way of teaching plot, the "character-first" approach that aims to return writers to their original love of storytelling (because it teaches you to write according to how your ideal readers will experience your book).
This approach has resonated with so many people: more than 13,000 writers read his newsletter each week.

1. Literary Agent and Author Jenna Satterthwaite on Making it in the Publishing Industry
2. First Page Formula: Author and Writing Coach April Davila on What Agents & Readers Want to See in Your Thriller Manuscript Opening
3. How to Edit Your Own Writing with Author & Editor Chantelle Aimée Osman

Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction

Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

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What if the setting you choose could be as morally complex as your protagonist? 

In this episode, USA Today bestselling author Aaron Philip Clark pulls back the curtain on how he crafts crime fiction that thrills and matters. 

Aaron reveals:

• his process for weaving heavy themes into page-turners without slowing the pace
• why he writes from a place of frustration and injustice
• how to make every setting choice deliberate and loaded with meaning. 

If you're tired of writing surface-level thrillers or struggling to add depth without killing your momentum, this conversation will change how you approach your craft. 

Aaron's insights on creating "literary humans" instead of plot devices alone are worth the listen, but his framework for balancing suspense with substance is something I personally will be implementing in my work.

https://www.aaronphilipclark.com/

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https://www.instagram.com/realapcbooks/

Episodes I think you'll love...

How to Develop Characters and Themes with Author Aaron Philip Clark

Writing Action Scenes with Author Aaron Philip Clark

Literary Agent and Author Jenna Satterthwaite on Making it in the Publishing Industry

First Page Formula: Author and Writing Coach April Davila on What Agents & Readers Want to See in Your Thriller Manuscript Opening

Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction

Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

Send me a Text Message!

What if the tropes you love are actually holding your thriller back? 

In this episode, Charlene Wang reveals how she transformed the beloved campus novel into a feminist revenge thriller by strategically subverting genre expectations. 

And the results landed her a major book deal. 

You'll discover the counterintuitive truth about "wasted" drafts (spoiler: nothing is ever wasted), learn how to weaponize social media as a character psychology tool rather than just a plot device, and understand why the most compelling morally gray characters make us root for their goals while questioning their methods. 

If you're struggling to make your thriller feel fresh or your contemporary setting feel authentic, this conversation will fundamentally change how you approach revision and might just save you years of trial and error.

Learn more about Charlene

Bio: 
Charlene Wang was born in Beijing and, after immigrating to the US when she was three, has lived in seven different cities from Los Angeles to Rockville to Biloxi. Graduating with a B.A. in English from Dartmouth College and a J.D. from University of Virginia School of Law, she worked as a litigator for six years before quitting to pursue her childhood dream of becoming an author. She now lives in Brooklyn, NY, with her fiancé and their dog Winky.

Episodes I think you'll love...

1. Agent Carleen Geisler Reads a Submission & Shares How Agents Evaluate Opening Pages
2. Writing Your Opening Scene with Thomas Mullen
3. Writing Unique Openings to Grab Literary Agent Attention: Jason Powell Author

Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction

Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

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What if I told you that right now, while established agents are drowning in hundreds of submissions, there's a brand new literary agent who's actively building his client list and genuinely excited to discover your manuscript? 

In this episode, Tommy Dean shares what makes him your ideal partner in this industry. 

Tommy shares... 

• the insider secrets that separate professional queries from amateur ones
• why newer agents might actually be your best bet for building a career-long partnership,
• some hard truths about what's instantly killing your chances in the query process. 

If you're serious about traditional publishing, this conversation could be the game-changer that gets your work noticed.

Bio: Tommy Dean is an associate literary agent with Rosecliff Literary, the author of two flash fiction chapbooks, Special Like the People on TV (Redbird Chapbooks, 2014) and Covenants (ELJ Editions, 2021), and a full flash collection, Hollows (Alternating Current Press, 2022). He lives in Indiana, where he is currently the editor of Fractured Lit and Uncharted Magazine. A recipient of the 2019 Lascaux Prize in Short Fiction, his writing can be found in Best Microfiction 2019, 2020, 2023, and Best Small Fiction 2019 and 2022. His work has been published in Monkeybicycle, Laurel Review, Moon City Review, Pithead Chapel, Harpur Palate, and many other litmags. He has taught writing workshops for the Gotham Writers Workshop, The Writers Center, and The Writers Workshop. Find him at tommydeanwriter.com and on Twitter @TommyDeanWriter.

Episodes I think you'll love...

- How to Find Your Literary Agent with Carey Blankenship-Kramer

- Literary Agent Michelle Z. Jackson Helps Writers Navigate the Querying Process

- Literary Agent Jennifer Chevais Shares What Grabs Attention in a Query Submission

Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction

Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

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You’re going to love this exclusive conversation with Chantelle Aimée Osman, Senior Editor at Simon & Schuster's new imprint, Simon Maverick. 

Chantelle reveals how the publishing industry is evolving to meet indie and hybrid authors where they are. 

And why audio is becoming the new frontier that could transform your writing career. 

Discover the submission strategies that actually work, learn why your biggest strength might be the one thing editors can't fix, and find out how to reframe rejection in a way that accelerates rather than derails your publishing journey. 

Whether you're traditionally published, indie, or still figuring out your path, this conversation offers insider insights that could change everything about how you approach your writing career.

Past Episodes with Chantelle

- How to Edit Your Own Writing with Author & Editor Chantelle Aimée Osman

- Chantelle Aimée Osman Interview Series: An Editor's Advice for Writers

- Rethinking Rejection & How to Form a Team for Your Work with Chantelle Aimée Osman

What You'll Learn:

• Why audio publishing is the new gold rush opportunity
• The one manuscript element editors absolutely cannot fix
• How to reframe rejection as progress toward your goal

Click here to learn more about Chantelle Aimee Osman 

Guest Bio: Chantelle Aimée Osman (she/her) is senior editor at Simon & Schuster's newest imprint, Simon Maverick. Prior to joining Simon & Schuster, Chantelle Aimée Osman was an acquiring editor at Amazon Publishing, where she worked with bestselling authors such as Robert Dugoni, Mark Sullivan, Suzanne Redfearn, Megan Chance, Victoria Helen Stone, and Simon Tolkien. Previously, she helped found Agora Books, an imprint of independent press Polis Books, focusing on crime fiction and horror with unique social and cultural voices—themes which still hold a special place in her heart. She's online at chantelleaimee.com

Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction

Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

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Tamara Miller's debut thriller INTO THE FALL has launched her career with a two-book publishing contract. 

But her path from government policy analyst to published author wasn't built on talent alone. 

It was strategic business thinking that made the difference. 

In this episode, Tamara Miller reveals the approach that got her agent's immediate attention and explains why treating your query like a business proposal changes everything. 

She also shares some immersive writing techniques that keep readers turning pages. 

Whether you're struggling with submissions or wondering how to make your manuscript stand out, this episode’s practical insights will shift how you think about the publishing game.

What You'll Learn:

• Why query letters must be business proposals first, pitches second
• The "equation" for writing immersive scenes that hook agents instantly
• How to research and position your book for commercial success

Click here to learn more about Tamara Miller

Guest Bio: Born in Winnipeg, Manitoba, Tamara L. Miller earned her PhD in Canadian history before embarking on a career working for the federal government. Miller began as a doe-eyed policy analyst and eventually moved into an executive role with the Government of Canada. She later left public service, older and perhaps a little wiser, to become a writer. Tamara is past president of Ottawa Independent Writers and has written several articles published online by the likes of CBC and Ottawa Life Magazine. Into the Fall is her first novel.

Over the years, the author has called many Canadian cities home but now lives in Ottawa with her family and two long-suffering cats. She’s always been fascinated by the raw beauty of the wilder places in the world and escapes to them whenever possible.

Episodes I think you'll love...

Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction

Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

Send me a Text Message!

Literary agent Lori Galvin reveals exactly what makes a query letter irresistible. 

She breaks down the specific elements that make agents request materials, and the common mistakes that lead to instant rejections. 

Whether you're crafting your first query or your fiftieth, this episode delivers the agent perspective that every fiction writer needs to hear.

What You'll Learn:

• Why manuscript word count can kill your chances instantly
• The test some agents use to evaluate opening pages
• How to prove you're serious about writing in your bio

Click here to learn more about Lori Galvin 

Guest Bio:  Lori Galvin, has been with Aevitas Creative Management since 2015 and represents a wide variety of bestselling, award-winning, and critically acclaimed writers of both fiction and nonfiction including Wanda M. Morris, Nishita Parekh, and Kwame Onwuachi. Prior to her agenting career, she was an editor at America’s Test Kitchen as well as Houghton Mifflin. She has also worked as a restaurant cook and managed a bed-and-breakfast in coastal Maine. She lives in Massachusetts. Lori only accepts submissions through Query Manager: QueryManager.com/QueryLoriGalvin

Episodes I think you'll love...

Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction

Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

Send me a Text Message!

Ever wondered why it feels nearly impossible to land a literary agent these days? 

In this episode, I had a chat with Vicky Weber, a literary agent, bestselling children's author, and marketing strategist, who pulls back the curtain on the harsh realities facing today's publishing industry. 

Vicky reveals why the bar for getting agented has skyrocketed, how agents are making just $20 on some deals, and why editors no longer do the developmental work they used to. 

But more importantly, she shares a few of the strategies that helped one of her books profit over $18,000 and explains exactly what agents are really looking for when they say a manuscript "isn't the right fit." 

If you're serious about getting published, this conversation will fundamentally change how you approach querying, revisions, and building relationships in the industry.

What You'll Learn:

• Why developmental editing now falls on authors, not editors
• The marketing plan framework that can ensure your book doesn’t flop
• How to signal coachability and professionalism in queries

Click here to learn more about Vicky

At Home Author Blog

Guest Bio: Vicky Weber is a literary agent, bestselling children’s book author, and publishing industry expert with years of experience helping authors navigate both traditional and self-publishing. As the founder of At Home Author, she has guided countless writers through the process of crafting, publishing, and marketing successful books. With a background in education, Vicky is passionate about breaking down complex industry concepts into actionable steps. Whether securing book deals for her clients or sharing insights on the ever-evolving publishing market, she is dedicated to helping authors turn their creative dreams into reality.

Episodes I think you'll love

1. Turn Your Manuscript into a Page-Turner Using The Central Question Framework with Julie Tyler Ruiz
2. Author Liz Alterman Reveals Her Weekly Writing Ritual That Transforms First Drafts Into Gold And How to Know When Your Story Idea Is Worth Writing
3. Literary Agent Jessica Berg Shares How to Catch an Agent's Eye

Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction

Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

Send me a Text Message!

Developmental editor and former literary agent Mary Kole breaks down the exact process that transforms manuscripts from "just okay" to "must-read." 

In this episode, you'll learn why most writers approach feedback and revision completely wrong.

You’ll discover the important difference between revision and editing. 

And you’ll master the "boring edit" technique that ensures your story grips readers from page one to the end. 

Mary reveals 

• When to seek feedback (and when not to)
• How to create a mission statement that guides every revision decision
• Why cause-and-effect logic is the secret weapon of successful storytellers. 

Whether you're drowning in feedback or paralysed by perfectionism, this episode gives you the roadmap to finish your manuscript and make it as good as you’d always hoped it would be.

What You'll Learn:

• How to filter feedback and reject notes that don't serve your story.
• The mission statement technique that guides every revision decision.
• Why big-picture changes must come before sentence-level editing.

Click here to learn more about Mary Kole 

Guest Bio: Former literary agent Mary Kole provides consulting and developmental editing services to writers of all categories and genres. She founded Good Story Company in 2019 to create valuable content for writers—like the Thriving Writers Podcast, YouTube channel, and Thriving Writers classes and resources. ​​Mary has presented at hundreds of regional, national, and international writing conferences, and guest lectured at Harvard, the Ringling College of Art and Design, the Highlights Foundation, and the Loft.  She also develops unique and commercial intellectual property for middle grade, young adult, and adult readers with Bittersweet Books.

Episodes I think you'll love…

1. Agent Carleen Geisler Reads a Submission & Shares How Agents Evaluate Opening Pages
2. Literary Agent and Author Jenna Satterthwaite on Making it in the Publishing Industry
3. Turn Your Manuscript into a Page-Turner Using The Central Question Framework with Julie Tyler Ruiz
4. First Page Formula: Author and Writing Coach April Davila on What Agents & Readers Want to See in Your Thriller Manuscript Opening

Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction

Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now