Chris Clarke joins us to discuss his new translation of Raymond Queneau's The Skin of Dreams. This delightful novel follows the wild imaginings of a daydreamer as he ventures from his dull reality in the outskirts of Paris to the glamorous heart of Hollywood. We talk about the challenge of rendering the original's linguistic playfulness in English and how Queneau's love of cinema helped inspire the book's form.

Designer Katy Homans reveals the secrets behind those iconic NYRB Classics covers, and we find out what color Edwin Frank hates the most.

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In this episode, Kassia and Dylan discuss the Japanese novel Tun-huang written by Yasushi Inoue and translated by Jean Oda Moy. This work of historical fiction imagines how a trove of early Buddhist sutras came to be hidden in caves along the Silk Road for centuries. We talk about the book’s criticism of education, bureaucracy, and materialism, as well as the significance of freedom, preservation, and translation.

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Chapo Trap House co-host Will Menaker joins us to talk about Moby-Dick by Herman Melville. Recorded amid a marathon reading of Melville's masterwork, we discuss the book's prophetic vision of America and the popular culture that it spawned. Will reads from his favorite section of the novel and gives a pitch for why it should be read today.

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This episode was recorded before a live audience at the New Bedford Whaling Museum during their annual Moby-Dick Marathon. We spoke with Tim Marr and Wyn Kelley of the Melville Society Cultural Project about Melville: A Novel written by Jean Giono and translated from French by Paul Eprile. Giono's "novel" was originally conceived as a preface to his French translation of Moby-Dick. Our conversation covers Giono's imagined vision of the great American author, the struggle to create art, and the role of an ideal reader.

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Book blogger, podcaster, and Ivy Compton-Burnett admirer Simon Thomas returns to discuss his work with the British Library Women Writers series and his favorite book in it: O, the Brave Music by Dorothy Evelyn Smith. We talk about the ethics of censorship in republishing and what makes this coming-of-age story so strangely uplifting despite its tragic elements. Toward the end, we debrief last summer's NYRB Classics bracket championship.

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Writer and filmmaker Tariq Ali joins us to discuss Muhammad written by Maxime Rodinson and translated from French by Anne Carter. We talk about Rodinson's Marxist perspective, how the biography works as an "antidote" to far-right sentiment, and what it means to read it during a war in Gaza.

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In this enlightening conversation, we talk to scholar Dan Sinykin about his book Big Fiction, which details the rise of conglomeration in American publishing and its impact on the kind of fiction that gets written, released, and acclaimed. We were delighted to hear his insights into the founding of the New York Review of Books, Renata Adler and Elizabeth Hardwick's use of autofiction, and the current spate of literature in translation.

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Poet Diane Mehta joins us to discuss Dante's Inferno translated by Ciaran Carson. We talk about our guest's ongoing Dante project, the multiple levels the text works on, and how, in the Florentine's view, the greatest sins stem from a lack of love.

We recently launched a Patreon featuring two exclusive bonus episodes a month! Check out our three patron tiers (Minor Work, Instant Classic, and Magnus Opus) here. And be sure to grab Tiny Extravaganzas (we especially love "Shredder") and read more about our guest's work here.

Returning guest Michael Barron joins us to discuss Roberto Bolaño's "curio" published near the end of his life. We talk about Bolaño's universe, his unromantic youth, and why this is the only book that doesn't embarrass him. To hear the full episode, head over to our Patreon page and subscribe: patreon.com/user?u=84429384